Few artists have changed the manner in which photographic images are made, read, and received over the past two decades as dramatically as German photographer Wolfgang Tillmans (b. 1968). One of the most important and distinctive artists to emerge in the 1990s, Tillmans’s work is internationally recognized for its powerful reflections on the often overlooked objects and moments in everyday life. With images culled from the entirety of Tillmans’s career, this generously illustrated book accompanies the artist’s first retrospective exhibition in the United States and features the potent effects of his portraits, abstractions, and structural and sculptural motifs. Essays by leading scholars examine the context of the German art and pop cultural scene in which Tillmans first began working in the late 1980s; his use of magazines as both venue and source materials; his unique approach to portraiture; his ability to create a sense of intimacy between the viewer and subjects ranging from his friends to cultural figures and heads of state; and his distinctive approach to presenting his images in displays and installations. A fascinating look at the breadth of Tillmans’s career to date, including his most recent new work, this book demonstrates the renowned abilities of one of the art world’s most revolutionary photographers.

Wolfgang Tillmans

Arts & Photography

Ferguson, Russell

Wigley, Mark

Birnbaum, Daniel

Ault, Julie

Molon, Dominic

Relyea, Lane

Individual Artists

Yale University Press

A fascinating history of the explosive convergence of avant-garde art and rock music The dynamic relationship between rock music and visual art crosses continents, generations, and cultures. Beginning with Andy Warhol’s involvement with The Velvet Underground in 1967, artists have maintained a strong connection to rock. Artists such as Slater Bradley, Mike Kelley, and Raymond Pettibon have created album covers and music videos for rock bands, while rock musicians such as Bryan Ferry, John Lennon, and Peter Townsend have emerged from art schools, and punk and new wave bands such as Talking Heads and Sonic Youth have shared the same social and artistic milieu as artists including Robert Longo and Richard Prince.
Sympathy for the Devil: Art and Rock and Roll Since 1967 looks at the intimate and inspired relationship between the visual arts and rock-and-roll culture, charting their intersection through works of art, album covers, music videos, and other materials. Organized regionally by cultural centers including London, New York, Los Angeles, and Cologne, the essays examine rock and roll’s style, celebrity, and identity politics in art; the experience, energy, and sense of devotion rock music inspires; and the dual role that many individuals play in both the sonic and visual realms. Presenting work that defies a more literal interpretation of the theme and instead suggests the style, energy, and attitude that has come to be associated with rock and roll, this fascinating volume is essential for admirers of contemporary art and culture.

Sympathy for the Devil: Art and Rock and Roll Since 1967

Graham, Dan

Diederichsen, Diedrich

Nickas, Bob

KELLEY, MIKE

Higgs, Matthew

Hell, Richard

Tumlir, Jan

Koether, Jutta

Elms, Anthony

History

Art in Chicago, 1945-1995 examines the unique development of artistic traditions within the cultural, social, and political life of this quintessential American city during the second half of the twentieth century. Capturing the verve and innovation that characterized each decade, the book considers painting, sculpture, photography, drawing, and media arts (film, video, performance) by 150 artists who have either always lived and worked in Chicago or have created significant bodies of work in residence there. Among the artists profiled are Roger Brown, Harry Callahan, Ruth Duckworth, Jeanne Dunning, Leon Golub, Robert Heinecken, Richard Hunt, June Leaf, Kerry James Marshall, Laszlo Moholy-Nagy, Archibald J. Motley, Jr., Jim Nutt, Ed Paschke, Hirsch Perlman, Martin Puryear, Arnaldo Roche Rabell, Miroslaw Rogala, Alejandro Romero, Kay Rosen, Hollis Sigler, Aaron Siskind, Nancy Spero, Tony Tasset, H. C. Westermann, Claire Zeisler, and the Zhou Brothers. More than 170 color reproductions are set amidst a running timeline of historical events in both Chicago and beyond, and over 140 black-and-white photographs complement the text.

Art in Chicago: 1945-1995

Schulze, Franz

Museum of Contemporary Art (Chicago, Ill.)

Adrian, Dennis

Selz, Peter

Boris, Staci

Corbett, John

Horsfield, Kate

Kirshner, Judith Russi

Abell, Jeff

Jaffee, Barbara

Rago, Carmela

Stamets, Bill

Meloche, Monique

History & Criticism

Thames&Hudson

Karen Kilimnik

Published on the occasion of the first major museum survey of Karen Kilimnik's work, a traveling exhibition with stops in Philadelphia, Miami, Aspen and Chicago, this chic but scholarly catalogue is the most substantial on the artist to date. It highlights an important American artist whose work objectifies mass-cultural desire with glittering poignancy and includes a nuanced selection of 15 years worth of collage-based activity in the realms of painting, drawing, photography, sculptural installation and object-making, as well as new work. Fully illustrated at 180 pages, it features an essay by exhibition curator Ingrid Schaffner which analyzes the development of the artist's work and its historic contexts as well as four contributions from authors who address a theme or image within the work. Thus, cultural critic Wayne Koestenbaum addresses gossip; dance historian Joel Lobenthal writes on ballet; Associate Curator at the Museum of Contemporary Art Chicago, Dominic Molon, focuses on influence; and Artforum Senior Editor Scott Rothkopf considers Kilimnik's titles. Includes a complete bibliography and an illustrated exhibition chronology. Called "sharp and witty" and "long overdue" for major recognition by The New York Times' Holland Cotter, Kilimnik is an important international artist with an extensive publication and exhibition history. Born in Philadelphia in 1955, she studied architecture at Temple University and continues to live in the region. Since 1991, her work has been represented by 303 Gallery in New York. She has had recent solo exhibitions at the Museum of Modern Art, Ireland, and White Cube, London. In 1992, ICA Philadelphia presented Kilimnik's first museum show as part of its "Investigations" series.

Koestenbaum, Wayne

Rothkopf, Scott

Lobenthal, Joel

Schaffner, Ingrid

Institute of Contemporary Art, University of Pennsylvania

Mariko Mori

Japanese multimedia artist Mariko Mori (b. 1967) combines popular culture, science fiction, and Far Eastern spirituality with an exploration of self-image in her internationally acclaimed work. Designed by Groovisions and art-directed by Simon Browning, this beautiful book presents a comprehensive overview of Mori's art and the inspiration behind it, including her highly successful interactive installations Oneness and Wave UFO. Covering all of the artist's work since she began her career in the 1990s, the book follows each project from inspiration and background visual references through a complete visual representation of the finished piece. Captions by Mori give readers a fuller understanding of her popular art. AUTHOR BIO: Mariko Mori was born in Tokyo and studied at the Chelsea College of Art, London. She has had solo exhibitions and installations at museums and arts institutions around the world.

Eliel, Carol S.

Mori, Mariko

Corrin, Lisa

King, Marjorie

Museum of Contemporary Art

Sharon Lockhart's photographs and films frame the quiet moments and details of everyday life, exploring the subtle relationships between photography and cinema. Much of her photographic work over the past six years has relied on the staging of scenes characteristic of filmmaking; her work has also treated issues of time, sequence and narrative in a style reminiscent of Conceptual art. Lockhart's films emphasize the photographic basis of the moving image, often using a fixed perspective to capture unexpected movements and human reactions in a given situation. This catalogue documents the largest and most significant solo exhibition of Lockhart's work in an American museum to date, and focuses on Lockhart's photographic and cinematic work since 1994, including her major film projects Goshogaoka (1997) and Teatro Amazonas (1999). Also featured are essays by curator Dominic Molon and art historian Norman Bryson, focusing on Lockhart's rereading of conceptual photography, and her complex approach to narrative and the gaze.

Sharon Lockhart

Museum Of Contemporary Art, Chicago

The basketball player dunks, and dunks, and dunks again. The boxer punches, and punches, and punches again. Using advanced technology to transform and isolate moments from movies and televised sporting events, Paul Pfeiffer's work examines contemporary notions of racial and sexual identity and how we respond to the human body when it is placed in extreme situations such as ecstasy and pain. Pfeiffer's work also explores issues of time and the increasingly blurry distinction between reality and representation in everyday life. Recent installation pieces transfer mediated, image-based knowledge into physical spaces, with references to movies like The Amityville Horror. This catalog, the first significant publication devoted to Pfeiffer's work, includes full-color reproductions, biographical and bibliographic information, scholarly essays by MCA associate curator Dominic Molon and MIT List director Jane Farver, a discussion between Pfeiffer and renowned conceptual artist John Baldessari, and a text by Pfeiffer himself.

Paul Pfeiffer

Fitzpatrick, Robert

Swedish painter Mamma Andersson works between domestic interiors and the Nordic landscape, often layering imagery to create subtly haunting, dreamlike atmospheres. Drawing from a variety of sources--from the narrative suggestiveness of cinematic imagery to the physical space of theatrical sets--Andersson employs disjointed perspectives and mismatched spatial relationships to create an eerie sense of the otherworldly. Her palette is seductive yet muted, applied in both soft washes and thick brushstrokes, with blank areas sometimes left on the surface of the painting. Andersson's imagery often includes windows, reflections and depictions of other paintings, to further destabilize the spaces she paints. This volume is published on the occasion of Andersson's first one-person U.S. museum show at the Aspen Art Museum and provides a broad overview of her work.

Mamma Andersson

Hoptman, Laura

Zuckerman Jacobson, Heidi

Aspen Art Press

The work of rising Miami artist Hernan Bas indulges in the production of romantic, melancholic, old world imagery that makes reference to Wilde, Huysmans and other writers of the Aesthetic and Decadent period in literature. Reviewing Bas' "pictures of willowy young men filtered through screens of swipey, streaky acrylic and gouache," The New York Times' Holland Cotter once wrote, "To me, his paintings are elements in a larger, continuous conceptual-performance piece about being gay in twenty-first-century America. He understands that 'gay' is a larger and more interesting category than 'artist,' and one still embattled and historically underexplored. I value whatever he brings to that history." This volume presents 38 works produced over the last decade.

Hernan Bas: Works from the Rubell Family Collection

Hobbs, Robert

Coetzee, Mark

Rubell Family Collection

What Nerve! reveals a hidden history of American figurative painting, sculpture and popular imagery. It documents and/or restages four installations, spaces or happenings, in Chicago, San Francisco, Detroit and Providence, which were crucial to the development of figurative art in the United States. Several of the better-known artists in What Nerve! have been the subject of significant exhibitions or publications, but this is the first major volume to focus on the broader impact of figurative art to connect artists and collectives from different generations and regions of the country. These are: from Chicago, the Hairy Who (James Falconer, Art Green, Gladys Nilsson, Jim Nutt, Suellen Rocca, Karl Wirsum); from California, Funk artists (Jeremy Anderson, Robert Arneson, Roy De Forest, Robert Hudson, Ken Price, Peter Saul, Peter Voulkos, William T. Wiley); from Detroit, Destroy All Monsters (Mike Kelley, Cary Loren, Niagara, Jim Shaw); and from Providence, Forcefield (Mat Brinkman, Jim Drain, Leif Goldberg, Ara Peterson). Created in collaboration with artists from these groups, the historical moments at the core of What Nerve! are linked by work from six artists who profoundly influenced or were influenced by the groups: William Copley, Jack Kirby, Elizabeth Murray, Gary Panter, Christina Ramberg and H.C. Westermann. Featuring paintings, sculptures, drawings, prints, photographs and videos, as well as ephemera, wallpaper and other materials used in the reconstructed installations, the book and exhibition will broaden public exposure to the scope of this influential history. The exuberance, humor and politics of these artworks remain powerfully resonant. Much of the work in this book, including installation photos, exhibition ephemera and correspondence, is published for the first time. What Nerve! represents the first historical examination of the circumstances, relationships and works of an increasingly important lineage of American artists.

What Nerve!: Alternative Figures in American Art, 1960 to the Present

Cozzolino, Robert

Brown, Roger

Dan Nadel

RISD Museum of Art/D.A.P.

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