Beethoven

Landon, H.C.Robbins

Thames&Hudson

Princes and Artists: Patronage and Ideology at Four Hapsburg Courts 1517-1633

Arts & Photography

TREVOR-ROPER, HUGH

History & Criticism

From Sarajevo to Potsdam

History

TAYLOR, A.J.P.

Europe

"A lucid, spirited and intelligent account of the era."―Contemporary Review The splendor of Gothic art can be seen in the magnificent cathedrals of Notre Dame, Chartres, Rouen, Salisbury and Lincoln and in their sculpture. But also between 1140 and 1400 a vast quantity of very fine paintings, stained glass, manuscript illuminations, metalwork and tapestries were produced. Andrew Martindale writes of all these great achievements in one of the best available concise surveys of this highly creative period in Western art. 206 illustrations, 32 in color

Gothic Art

Andrew Martindale

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

A Concise History of Modern Painting, with 500 Plates

READ, HERBERT

<p>Though the Symbolist heyday in Paris was short-lived, the movement had an influence on painting in both duration and geographical range. Important Symbolist painters were at work in places as remote from one another as Munch in Oslo, Klimt in Vienna, and the young Picasso in Barcelona. It is through Symbolism, too, that the relationship between the English painting of the later nineteenth century and what was taking place in Europe can be explained. Edward Lucie-Smith's important study throws light upon the origins of Modernism, and upon the development of painting and sculpture in the final years of the century. 185 illus., 24 in color.</p>

Symbolist Art (The World of Art series)

edward-lucie-smith

<p>Noisy, violent and aggressive, Italian Futurism proclaimed the bankruptcy of an artistic culture that clung to the forms and values of the past. The movement was launched in 1909 by F.T. Marinetti, who was both a poet and a publicist of genius. A group of spectacular talents in all the arts, among them Carlo Carra, Umberto Boccioni, Luigi Russolo, Giacoma Balla, Gino Severini and Antonio Sant'Elia, set out to revolutionize the whole field of human culture. It was a young man's movement, not meant to last, and its work of disruption and re-creation was overtaken by war and Fascism.</p>

Futurism

Caroline Tisdall

Angelo Bozzolla

A Concise History of Avant-Garde Music: From Debussy to Boulez

Griffiths, Paul.

Art of Tantra

Philip Rawson

Granny Fran| Ort/Rhyme and Analogy

Hunt&

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