The Queen's Throat : Opera, Homosexuality, and the Mystery of Desire

Arts & Photography

Koestenbaum, Wayne

Music

Random House, Inc.

Andy Warhol

Weidenfeld&Nicolson

Wayne Koestenbaum considers the meaning of humiliation in this eloquent work of cultural critique and personal reflection.
The lives of people both famous and obscure are filled with scarlet-letter moments when their dirty laundry sees daylight. In these moments we not only witness the reversibility of "success," of prominence, but also come to visceral terms with our own vulnerable selves. We can't stop watching the scene of shame, identifying with it and absorbing its nearness, and relishing our imagined immunity from its stain, even as we acknowledge the universal, embarrassing predicament of living in our own bodies. With an unusual, disarming blend of autobiography and cultural commentary, noted poet and critic Wayne Koestenbaum takes us through a spectrum of mortifying circumstances―in history, literature, art, current events, music, film, and his own life. His generous disclosures and brilliant observations go beyond prurience to create a poetics of abasement. Inventive, poignant, erudite, and playful, Humiliation plunges into one of the most disquieting of human experiences, with reflections at once emboldening and humane.

Humiliation (BIG IDEAS//small books)

Biographies & Memoirs

Arts & Literature

Picador

Jackie Under My Skin is a passionate investigation of the ways Jacqueline Kennedy Onassis transformed America's definition of celebrity, identity, and style. In a gallery of fantasies and tableaux, Wayne Koestenbaum explains the late first lady's hold on Americans by examining the myths and metaphors that we've attached to her. An exuberant paean to a great star, Jackie Under My Skin is also a meditation on fame, mortality, and the difficulty of defining desire.

Jackie Under My Skin: Interpreting an Icon

Community & Culture

"Cleavage is very 1960s: it shows off the new permissiveness. (Look! we can reveal most of Elizabeth Taylor's breasts!) Cleavage is not nudity. Cleavage is a promise: not sight, but on the verge of sight." [p. 138] In this brilliantly shrewd, hilarious collection of essays, cultural critic and acclaimed writer Wayne Koestenbaum exposes all that provokes, intimidates, heartens, and arouses us in matters of style, celebrity, obscenity, and art. Armed with a bold curiosity, a stinging wit, and a subversive sense of wordplay, Koestenbaum reflects on a dazzling array of subjects. Here are the outsized emotions inflamed by Sophia Loren, Robert Mapplethorpe, and locker-room nudity . . . vivid dreams of flirting with Bill Clinton and resurrecting Bette Davis from the dead . . . the intangible joys of thrifting . . . the true meaning of masculinity . . . and the indelible sensation that two scoops of vanilla flesh, heaving incongruously in a 70-millimeter musical, made on a young boy of impressionable age. From the rigors of a day spent with Melanie Griffith ("Melanie Time") to the healing powers of a gray Prada suit ("Diary of a Suit") to moving meditations on the importance of reading ("Why I Read"), this volume is an irresistible exploration of culture and identity in America. If celebrity is--as Koestenbaum suggests--an earthquake, then Cleavage is the aftershock.

Cleavage: Essays on Sex, Stars, and Aesthetics

Literature & Fiction

Essays & Correspondence

Ballantine Books

Examining how Jacqueline Kennedy Onassis transformed our definitions of personal identity and style, a cultural critique explores Jackie's iconography in the context of literature, film, and the imagination and frees her from the propaganda often tied to her image. 30,000 first printing.

History

Americas

Farrar. Straus & Giroux

Wayne Koestenbaum returns with a zesty and hyper-literate collection of personal and critical essays
Wayne Koestenbaum has been described as "an impossible lovechild from a late-night, drunken three-way between Joan Didion, Roland Barthes, and Susan Sontag" (Bidoun). In My 1980s and Other Essays, a collection of extravagant range and style, he rises to the challenge of that improbable description.
My 1980s and Other Essays opens with a series of manifestos―or, perhaps more appropriately, a series of impassioned disclosures, intellectual and personal. It then proceeds to wrestle with a series of major cultural figures, the author's own lodestars and lodestones: literary (John Ashbery, Roberto Bolaño, James Schuyler), artistic (Diane Arbus, Cindy Sherman, Andy Warhol), and simply iconic (Brigitte Bardot, Cary Grant, Lana Turner). And then there is the personal―the voice, the style, the flair―that is unquestionably Koestenbaum. It amounts to a kind of intellectual autobiography that culminates in a string of passionate calls to creativity; arguments in favor of detail and nuance, and attention; a defense of pleasure, hunger, and desire in culture and experience.
Koestenbaum is perched on the cusp of being a true public intellectual―his venues are more mainstream than academic, his style is eye-catching, his prose unfailingly witty and passionate, his interests profoundly wide-ranging and popular. My 1980s should be the book that pushes Koestenbaum off that cusp and truly into the public eye.

My 1980s and Other Essays

FSG Originals

Double Talk: The Erotics of Male Literary Collaboration (Routledge Library Editions: Literature and Sexuality)

Sigmund Freud and Josef Breuer on hysteria, J.A. Symonds and Havelock Ellis on sexuality, a novel by Ford Madox Ford and Joseph Conrad, The Waste Land of T.S. Eliot (and Ezra Pound), even the Lyrical Ballads of Wordsworth and Coleridge: men making books together. Wayne Koestenbaum's startling interpretation of literary collaboration focuses on homosexual desire: men write together, he argues, in order either to express or to evade homosexual feelings. Their writing becomes a textual intercourse, the book at once a female body they can share and the child of their partnership. These man-made texts steal a generative power that women's bodies seem to represent. Seen as the site of a struggle between homosexual and homophobic energies, the texts Koestenbaum explores - works of psychoanalysis, sexology, fiction, and poetry - emerge as more complex, more revealing. They crystallize and refract the anxiety of male sexuality at the end of the last century, and open up a deeper understanding of connections today between the erotic and the literary. Drawing upon the work of feminist critics, Koestenbaum connects male collaboration and the exchange of women within patriarchy: he peers into both medical texts and imaginative literature, disturbing our ready acceptance of the co-authored work. This strong and unsettling book transforms our understanding of the creative process, providing a new sense of what both collaborative and solitary artistry mean.

British & Irish

Routledge

A startling interpretation of literary collaboration arguing that men write together either to express or evade homosexual desire. This book should be of interest to students of English literature, gay studies, women's studies and psychology.

Double talk: The erotics of male literary collaboration

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Books by Koestenbaum, Wayne