Tony Cragg: Sculpture 1975-1990

Arts & Photography

SCHIMMEL, PAUL

Individual Artists

Thames&Hudson

Out of Actions: Between Performance and the Object, 1949-1979

The rise of performance art, and its merging with more traditional forms like painting and sculpture, is the great revolution of postwar art. Its links to theater, photography, music, dance, politics, and popular culture have made it especially appealing to contemporary artists in remote areas; more than any other movement in recent art, performance has found a place throughout the world. Covering three decades of significant and original art, this book features work by more than one hundred artists from the United States, South America, Eastern and Western Europe, and Japan who have had a profound impact on the relationship between visual and performance art in the postwar era. Among the artists included are Joseph Beuys, Chris Burden, John Cage, Lygia Clark, Yves Klein, Marta Minujin, Bruce Nauman, Helio Oiticica, Claes Oldenburg, Yoko Ono, Robert Rauschenberg, Niki de Saint Phalle, Atsuko Tanaka, and Jean Tinguely. Their work encompasses performative objects such as sculpture, artists' publications, drawings, photographs, and ephemera that come from performances, as well as documentary film and video stills. Published in conjunction with a major exhibition, organized by The Museum of Contemporary Art, Los Angeles, Out of Actions illuminates the unique relationship between action, destruction, performance, and the creative process. Covering an unprecedented range of material, both nationally and temporally, the book offers the first critical comparisons of work that has previously been viewed as distinctly regional and unrelated. With essays by: * Paul Schimmel * Shinichiro Osaki * Hubert Klocker * Kristine Stiles * Guy Brett * Kellie Jones

Museum of Contemporary Art (Los Angeles, Calif.)

Stiles, Kristine

History & Criticism

This is the first comprehensive survey of paintings by Lari Pittman (b. 1952), a Los Angeles artist believed by many to be one of the most significant American painters today. Since his first solo exhibition, in Los Angeles in 1982, his art has been widely exhibited in the U.S. and Europe. However, the public has seen his work for the most part only in periodic exhibitions, and the critical response while almost universally favorable, has been largely limited to reviews. In this mid-career retrospective exhibition the Los Angeles County Museum of Art brought together Pittman's most ambitious and seminal works to offer an overview of his stylistic and thematic development. Pittman received his MFA from the Cal Arts in 1976. In David Pagel's interview with Pittman, he concludes that Pittman's paintings include "imaginary organic forms, runaway arrows, and arabesques, transform ornamentation into a contemporary narrative of life and death, love and sex." He also believes "Pittman's operatic pictures propose that the world's complexity does not override passion, sincerity, and individuality." When talking about his own work, Pittman states: "at times, I purposefully orchestrate the work so that you do have that comfortable laughter when looking at it-it's full-hearted and enjoyable internally-but it's also a laughter linked to nervousness. And that's the laughter I particularly like cultivating, parlor laughter, where there's always the subtext of conversation going on, but everyone is very agreeable."

Lari Pittman

Hickey, Dave

Fox, Howard N.

Los Angeles County Museum of Art

Selected as the United States representative to the 2001 Venice Biennale, the sculptor and installation artist Robert Gober has, thanks to several major museum exhibitions in recent years, established himself as perhaps the most important artist of his generation, thanks to his symbolically charged re-creations of everyday objects that he makes into installations that question the ideals and values of childhood, family, home, and religion. This catalogue presents his work for the United States pavilion at the Biennale.

Robert Gober

Foster, Hal

Museum of Contemporary Art

Performance art and its merging with traditional painting and sculpture, is the great revolution of postwar art. Its links to theatre, photography, music, dance, politics and popular culture have made it popular with contemporary artists. This book covers more than three decades of work.

Brett, Guy

In subtly lush paintings that charm viewers equally through their application of paint and their quirky iconography, Laura Owens touches on expressive abstraction, color field painting, and the occasional decorative glimpse of a monkey. Charged as one of the contemporary artists responsible for a revival of the painting, Owens has developed an enigmatic style all her own, moving from landscape to abstraction with energetic thick brush strokes, fanciful childlike doodles, or sophisticated fine-line drawings, culling her influences from any number of visual sources, including chinese landscape painting, japanese wood block prints, and patterned textiles. This volume includes new paintings created for her upcoming solo show at the Museum of Contemporary Art, Los Angeles.

Laura Owens

Lawson, Thomas

Owens, Laura

The Museum of Contemporary Art, Los Angeles

Ecstasy acts as an intersection in which structures of human consciousness meet a range of contemporary art practices. Each work in Ecstasy, which accompanies an exhibition at The Museum of Contemporary Art, Los Angeles, enacts its own particular intervention into human consciousness -- surprising us, questioning familiar realities, and suggesting alternative ways of ordering experience -- through installation, painting, sculpture, and new media.Ecstasy traces two lines of contemporary inquiry into surrealism's fixation with altered states of consciousness. One follows the tradition of artists attempting to capture metaphysical conditions in representational form -- as seen in the wall-scale, resin-suspended pill paintings of Fred Tomaselli; Charles Ray's photographic self portrait, Yes, which depicts the artist on LSD; and Franz Ackermann's recent Mental Maps, abstract paintings that represent cities using his own subjective form of GPS. The other trajectory explores the notion of phenomenological experience through works that play on disjunctions in scale, or disrupt our means for spatial orientation. In Carsten Holler's Upside Down Mushroom Room, for example, the ceiling and floor appear to change places, while in Jeppe Hein's Moving Walls, museum walls begin to close in on the viewer. The 2,200 hand-painted polymer psilocybin mushrooms of Roxy Paine's Psilocybe Cubensis Field, meanwhile, suggests other possibilities for altering our sense of reality.These and the other bold and imaginative works in Ecstasy challenge conventional notions of interactivity while creating a heightened sensory experience for the viewer. Six essays accompany the artworks, considering such topics as the relationship of altered states to art-making, both as the manifestation of the artist's state of mind and as an experiential effect created for the viewer; drugs and the process of self-observation in literary works; and the "dark side" of altered consciousness.Distributed for the Museum of Contemporary Art, Los Angeles.

Ecstasy: In And About Altered States

Mit Pr

Action, precision: The new direction in New York, 1955-60

Rosenblum, Robert

FRIEDMAN, B.H.

Myers, John Bernard

Newport Harbor Art Museum

Soft cover book titled THE FIGURATIVE FIFTIES: New York Figurative Expressionism. With essays by Klaus Kertess, Carter Ratcliff and others. Published by Newport Harbor Art Museum to accompany a 1988 exhibition. See my photographs (6) of this book on main listing page. Bookseller since 1995 (LL-13A-bottom-L) rareviewbooks

Figurative Fifties: New York Figurative Expressionism

Politics & Social Sciences

Stein, Judith

Sociology

Bruce Nauman's art has ranged across a variety of media that includes drawings, sculpture, performance, photography, neon, film, video, holograms, texts, and large-scale mixed media installations. This book features a comprehensive catalogue raisonne with illustrated entries for more than five hundred works, including films, videos, performances, and photographic pieces.

Bruce Nauman: Exhibition Catalogue and Catalogue Raisonne

Benezra, Neal

Halbreich, Kathy

Distributed Art Pub Inc

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Books by SCHIMMEL, PAUL