Brett, Guy - Kinetic Art the Language of Movement . STUDIO-VISTA. 1968. . Hardcover

Kinetic Art the Language of Movement

Brett, Guy

Studio-Vista/ Reinhold Book Corporation

Kinetic Art: The Language Of Movement

Srudio vista/Reinhold

A revised and expanded edition of one the most popular titles in the Contemporary Artists Series
Born in Lebanon, Palestinian artist Mona Hatoum was exiled to London, where she has lived and worked since the mid-1970s. Through performance, video, sculpture, and installation, she creates architectonic spaces that relate to the body, language, and the condition of exile as well as transforming everyday, domestic objects into things foreign, threatening, and dangerous. Often exquisitely beautiful, Hatoum's works combine states of emotion and longing with the formal simplicity of Minimalism, creating powerful evocations of displacement, denial, and otherness.

Mona Hatoum (Phaidon Contemporary Artists Series)

SPECTOR, Nancy

Archer, Michael

Zegher, Catherine

Humor & Entertainment

Phaidon Press

Art produced in the so-called Third World, or by non-European or North American artists, is usually seen as either traditional and folkloric, or a poor imitation of modernism. In art history, the avant-garde has always been associated with the Western metropolis, forgetting that every country has had its own particular relationship with modernity. This book describes a contemporary flourishing of radical artistic experiment in Argentine, Brazil and Chile (or by artists originating from there). The focus and priorities have been different to those of Europe and North America; at the same time, the work intensifies many of the issues which face us all.The nine artists whose work is described and analysed here use a wide range of materials: from paint, silkscreen, and photography to potatoes, money, magnets, wire, bone, feathers. Each artist has a particular strategy; in fact the variety and sophistication of the devices they use makes this a dazzling anthology of a modern visual poetics. Each artist invents new and many-levelled metaphors which link the ‘Latin American’ with the ‘global’.This lucidly written, beautifully illustrated book is published to accompany an exhibition of the same title held at the Ikon Gallery, Birmingham and Cornerhouse, Manchester in 1990.

Transcontinental: Nine Latin American Artists

Arts & Photography

Verso

Through Our Own Eyes: Popular Art and Modern History

History & Criticism

New Society Pub

Out of Actions: Between Performance and the Object, 1949-1979

Performance art and its merging with traditional painting and sculpture, is the great revolution of postwar art. Its links to theatre, photography, music, dance, politics and popular culture have made it popular with contemporary artists. This book covers more than three decades of work.

SCHIMMEL, PAUL

Museum of Contemporary Art (Los Angeles, Calif.)

Stiles, Kristine

Thames&Hudson

Through our own eyes: Popular art and modern history (Heretic)

New Society Publishers

This monograph brings together the work of artist David Medalla. Born in Manila, in the Philippines in 1942, and based since 1960 mainly in London, Medalla has distinguished himself internationally as an innovator of the avant-garde. His work has embraced a multitude of enquiries and enthusiasms, forms and formats, to express a singular yet deeply coherent vision of the world.

Exploding Galaxies: The Art of David Medalla

Small Pr Distribution

Brazilian artist Cildo Meireles (b 1948) has made some of the most philosophically brilliant, politically telling and aesthetically seductive works in recent art. An important theme in the Brazilian post-war avant-garde, from which Meireles emerged at the end of the 1960s, was the relationship between the sensual and the cerebral, the body and the mind. Meireles, now acknowledged as a key instigator of conceptual art, has remained true to these concerns, and to a political and ethical viewpoint formed outside the 'cultures of plenty'. At the same time he has become a global artist, making work that deals with issues and experiences that affect us all, whatever our country of origin.Under the repressive military regime of the late 1960s and early 1970s which controlled the media, Meireles found different ways of reaching the public, stamping bank-notes with seditious slogans and returning them into circulation or stencilling Coke bottles with slogans before sending them back to the bottling plant (Insertion into Ideological Circuits). Other works play with the sense of space or scale, varying in size from that of a ringer-ring to an installation covering 225 metres. His installations are always designed to heighten the awareness of his audience, sometimes by inducing fear, as in Volatile, (1980/94) which includes the presence of a naked candle and the smell of natural gas.Fontes (1992), consists of a small room converted into a labyrinth by the suspension of hundreds of identical rulers from its ceiling, mounting hundreds of clocks around its perimeter and covering its floor with hundreds of tiny plastic numbers, so that movement is restricted by the instruments of measurement of time and space. Babel (2001) is a contemporary take on the myth of the tower that confounded the world's languages.Lavishly illustrated this book will provide an invaluable guide to the work and ideas of this important international artist.

Cildo Meireles /anglais

Reference

Tate

Brazilian artist Cildo Meireles, born in 1948, has made some of the most politically telling and aesthetically seductive works in recent art. An important theme in the Brazilian postwar avant-garde, from which Meireles emerged at the end of the 1960s, was the relationship between the sensual and the cerebral, the body and the mind. Meireles, now acknowledged as a key instigator of international Conceptual art, has remained true to these concerns--and to a political and ethical viewpoint formed outside the cultures of plenty. At the same time, he has become a global artist, making work that deals with issues and experiences that affect us all--whatever our country of origin. Under the repressive military regime of the late 1960s and early 1970s, which controlled the Brazilian media, Meireles found different ways of reaching the public--stamping bank notes with seditious slogans and returning them into circulation, or stenciling Coke bottles with slogans before sending them back to the bottling plant. Other works play with the sense of space or scale, varying in size from that of a finger ring to an installation covering almost 750 square feet. His installations are always designed to heighten the awareness of his audience, sometimes by inducing fear, as in "Volatile" (1980/94), which includes the presence of a naked candle and the smell of natural gas. "Babel" (2001) is a contemporary take on the myth of the tower that confounded the world's languages. Lavishly illustrated, this volume includes 10 short thematic essays by leading scholars--including Moacir dos Anjos, Guy Brett, Okwui Enwezor, Maaretta Jaukkuri, Bartomeu Mar', Lu Menezes, Suely Rolnik, Sônia Salzstein and Lynn Zelevansky--as well as previously unpublished commentaries on each work by the artist.

Cildo Meireles

ENWEZOR, Okwui

Rolnik, Suely

Salzstein, Sonia

Zelevansky, Lynn

Dos Anjos, Moacir

Jaukkuri, Maaretta

Marí, Bartomeu

Menezes, Lu

Tate/D.A.P.

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