Peter Doig's highly distinctive paintings have been exhibited in major museums and galleries worldwide to international acclaim. Developed from film stills, footage of actual events or photographs of urban and rural environments, Doig's paintings emanate a quiet nostalgia, triggering the lingering sense of a long forgotten memory. His work often deals with subjects at the fringes of normality, peripheral or marginal sites, unnamed places where the urban and natural worlds collide. Doig is known for his innovative exploration of the formal and thematic possibilities of landscape. In each work, he seeks to create an atmosphere that will draw the viewer into an intense and sometimes disorienting perceptual experience. His rigorous approach to surface, texture and color puts him among the most inventive painters of his generation--leaving a profound influence on young artists and contemporaries alike. Published to accompany Doig's major European traveling retrospective originating at Tate Britain, this extremely satisfying and lavishly illustrated book provides a comprehensive account of the artist's practice over two decades of extraordinary achievement. It is the most thorough overview of his work to date. With an essay by art historian Richard Shiff, an introduction by Tate curator Judith Nesbitt and an illuminating conversation between Doig and his friend, the artist Chris Ofili, this is an enlightening survey of one of the most influential painters at work today. Born in Edinburgh in 1959, Peter Doig was raised in Canada and spent two decades in London before moving to Trinidad, where he now lives and works. Doig graduated from St. Martins School of Art in 1983 and the Chelsea School of Art in 1990. He was nominated for the Turner Prize in 1994, and was included in the 2006 Whitney Biennial.

Peter Doig

Arts & Photography

Shiff, Richard

Individual Artists

Tate/D.A.P.

A serious comprehensive overview of Cy Twombly's art has been much in demand for many years, and in this publication we at last have one. Accompanying a major touring retrospective to mark Twombly's eightieth year, it surveys a vast output of paintings, drawings and sculpture by an artist whose indifference to supposed distinctions between Pop and abstraction, between writing, drawing and painting, and between literature and art had, for many years, brought his work severe neglect. Twombly's art upsets the prudish purist with its hybridism; as he declares, "I'm not a pure; I'm not an abstractionist completely. There has to be a history behind the thought." For Twombly, this history entails a wealth of literary and mythic allusion and an openness to all kinds of forms. Alongside contributions from Richard Shiff, Nicolas Cullinan and Tacita Dean, this essential volume also presents a rare and revealing interview with the artist by Nicholas Serota, an illustrated chronology, an exhibition history and an extensive biography. It will be the most thorough examination of the life and work of this extraordinary artist for years to come. Cy Twombly is a leading figure in a heterogeneous generation of American artists that also includes Andy Warhol, Robert Rauschenberg and Jasper Johns. Unlike these others, he left America early in his career to live and work in Italy, where he has drawn inspiration from European literature, classical culture and the Italian landscape.

Cy Twombly: Cycles and Seasons

Serota, Nicholas

Cullinan, Nicholas

Brazilian artist Cildo Meireles, born in 1948, has made some of the most politically telling and aesthetically seductive works in recent art. An important theme in the Brazilian postwar avant-garde, from which Meireles emerged at the end of the 1960s, was the relationship between the sensual and the cerebral, the body and the mind. Meireles, now acknowledged as a key instigator of international Conceptual art, has remained true to these concerns--and to a political and ethical viewpoint formed outside the cultures of plenty. At the same time, he has become a global artist, making work that deals with issues and experiences that affect us all--whatever our country of origin. Under the repressive military regime of the late 1960s and early 1970s, which controlled the Brazilian media, Meireles found different ways of reaching the public--stamping bank notes with seditious slogans and returning them into circulation, or stenciling Coke bottles with slogans before sending them back to the bottling plant. Other works play with the sense of space or scale, varying in size from that of a finger ring to an installation covering almost 750 square feet. His installations are always designed to heighten the awareness of his audience, sometimes by inducing fear, as in "Volatile" (1980/94), which includes the presence of a naked candle and the smell of natural gas. "Babel" (2001) is a contemporary take on the myth of the tower that confounded the world's languages. Lavishly illustrated, this volume includes 10 short thematic essays by leading scholars--including Moacir dos Anjos, Guy Brett, Okwui Enwezor, Maaretta Jaukkuri, Bartomeu Mar', Lu Menezes, Suely Rolnik, Sônia Salzstein and Lynn Zelevansky--as well as previously unpublished commentaries on each work by the artist.

Cildo Meireles

Brett, Guy

ENWEZOR, Okwui

Rolnik, Suely

Salzstein, Sonia

Zelevansky, Lynn

Dos Anjos, Moacir

Jaukkuri, Maaretta

Marí, Bartomeu

Menezes, Lu

History & Criticism

Throughout his career, Daido Moriyama has produced a huge body of extremely influential photobooks, each demonstrating the variety and complexity of his work, from the blurred and grainy style of his early Provoke-era publications, to his more classic city- and object-based projects. Tales of Tono, appearing here for the first time in English, is one such book. First published in 1976, and taking its name from a collection of Japanese rural folk legends, Tales of Tono is a compact little volume composed of black-and-white photo diptychs and spreads that were shot in the countryside of northern Honshu, Japan. Faithfully reproducing the original edition, this book contains a text by the artist that offers the reader a typically honest and self-effacing account of Moriyama’s thoughts about his practice. More than 30 years since its original Japanese publication, Tales of Tono gives a fantastic insight into one of the world’s most original and provocative photographers. It is published to coincide with a survey of the artist’s work at Tate Modern, London. Daido Moriyama was born in Osaka, Japan, in 1938 and moved to Tokyo in 1961, where he continues to live and work. His photography is characterized by powerful, high contrast black-and-white pictures, largely concentrating on little-seen parts of the city and highlighting the effects of industrialization on modern life in Japan. His work has been the subject of solo exhibitions at the San Francisco Museum of Modern Art; the Cartier Foundation, Paris; and the National Museum of Art, Osaka.

Daido Moriyama: Tales of Tono

Photography & Video

The definitive catalogue on contemporary painter Marlene Dumas, with more than 100 museum-quality reproductions of her most important paintings as well as previously unpublished early works and writings
Marlene Dumas is one of the most prominent and influential painters working today. In an era dominated by the mass media and a proliferation of images, her work is a testament to the meaning and potency of painting. Dumas draws on her expansive visual archive and the nuances of language to create intense, psychologically charged works which explore themes such as sexuality, love, death and guilt, often referencing art history and current affairs. Her paintings and drawings are characterized by their extraordinary expressiveness and sometimes controversial subject matter. This fully illustrated exhibition catalogue accompanies the major exhibition at the Tate Modern, the Stedelijk Museum and the Fondation Beyeler. Surveying the artist's oeuvre from the mid-70s to the present, it features over 100 of her most important paintings and drawings alongside lesser-known works from the early period of her career 
The book also includes a new interview with the artist; extracts from previously published but lesser-known texts (some available in English for the first time); and a new short story from prize-winning author Colm Tóibín written in response to the paintings. Essays and texts from a wide range of contributors examine the key themes and motifs in her work and reflect on Dumas' entire career.
Born in Cape Town, South Africa, in 1953, Marlene Dumas has lived in Amsterdam since 1976. Over the last three decades she has had numerous solo exhibitions throughout Europe and the U.S., including shows at The Institute of Contemporary Art, Boston; the Centre Georges Pompidou, Paris; The Museum of Contemporary Art, Los Angeles; and The Museum of Modern Art, New York.

Marlene Dumas: The Image as Burden

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