A new, digitally-enhanced reprint of the chorus score first issued by G. Schirmer, New York around 1892. Measure numbers have been added, along with rehearsal letters from the definitive 1875 full score edited by Julius Rietz, first published by Breitkopf und Hartel and subsequently reprinted by Broude, Dover, Kalmus, Lucks.

Elijah, Oratorio in Two Parts, Op. 70: Chorus score

Arts & Photography

Mendelssohn, Felix

Music

Petrucci Library Press

This is a new, digitally-enhanced reprint of the classic vocal score edited by H.W. Nicholl, with a piano reduction arranged by Felix Mendelssohn that was first issued in 1900 by G. Schirmer of New York. With English text by Charles Jennens adapted from the Bible, this authoritative score is now available in an affordable, easy to read format designed for choruses everywhere.

Israel in Egypt, HWV 54 - Vocal score

Handel, George Frideric

Debussy composed his "Scène lyrique" in 1884 for his Prix de Rome cantata entry. It was given its premiere that same year at the Institut de France in Paris followed with publication by Durand. He revised the work some 23 years later, even engaging his friend Andre Caplet to help with the new orchestration. Durand brought out a revised vocal score in 1907 with an English translation of the original French text, which is the score reissued here - now new measure numbers and in a convenient format - all at an affordable price.

L'Enfant Prodigue, CD 61: Vocal score (French and English Edition)

Debussy, CLaude

Guinand, Edouard

Debussy's sole completed opera was given its premiere at Paris' Opera Comique on April 30, 1902. It was the culmination of an eight-year effort on the composer's part. Though not an immediate sensation like Puccini's "Madame Butterfly" two years later in Milan, the five-act lyric drama, after the identically titled play by Maeterlinck, enjoyed a successful run in the first two decades of the 20th century. This new vocal score is a digitally-enhanced reprint of the one issued in Paris by A. Durand et Fils in 1907, with an English translation of the text by Harry Grafton Chapman appearing beneath the original French. Now available in a convenient, readable A4 format at an affordable price. In contrast to other reprint editions simply data-dumped en masse from Google books or Internet Archive, this Petrucci Library edition has no distorted images or missing pages. Everything has actually been carefully reviewed to produce a highly readable score.

Pelléas et Mélisande, CD 93 - Vocal score (French Edition)

MAETERLINCK, MAURICE

The first of a ground-breaking series of thirteen works for orchestra, Liszt's "Ce qu'on entend sur la montagne" (What One Hears in the Mountains) drew its inspiration from a poem by Victor Hugo. Composed from 1848-54, it was given its premiere in Weimar in January of 1857 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the first volume of the Liszt-Stiftung edition, published in 1908. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

Ce qu'on entend sur la montagne, S. 95: (Symphonic Poem No. 1) - Study score (Franz Liszt - Symphonic Poems)

LISZT, FRANZ

The second in a ground-breaking series of thirteen works for orchestra, Liszt's "Tasso: Lamento e Trionfo" was inspired by Goethe's drama "Torquato Tasso". Composed from 1849-54, it was given its premiere in Weimar 19 April 1854 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the first volume of the Liszt-Stiftung edition, published in 1908. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

Tasso: Lamento e Trionfo, S. 96: Study score (Franz Liszt - Symphonic Poems)

The third of the ground-breaking series of thirteen works composed for orchestra, Liszt's "Les Préludes" was inspired by Alphonse de Lamartine's "Nouvelles méditations poétiques". Composed from 1850-54, it was given its premiere in Weimar 23 February 1854 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the second volume of the Liszt-Stiftung edition, published in 1908. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

Les Préludes (Symphonic Poem No.3), S.97: Study score (Franz Liszt - Symphonic Poems) (German Edition)

The fifth of Liszt's revolutionary series of thirteen symphonic poems, "Prometheus" started life in 1850 as a dramatic cantata for chorus and orchestra set to Johann Gottfried Herder's "Der entfesselte Prometheus" Liszt subsequently extended and reorchestrated the overture into the symphonic poem and conducted its premiere in Braunschweig on 18 October 1855. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the third volume of the Liszt-Stiftung edition, published in 1909. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

Prometheus (Symphonic Poem No.5), S.99: Study score (Franz Liszt - Symphonic Poems) (German Edition)

The seventh in his visionary series of thirteen tone poems for orchestra, Liszt's Festklänge was composed in 1853 and was given its premiere in Weimar on 9 September 1854 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the fourth volume of the Liszt-Stiftung edition, published in 1909. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

Festklänge (Symphonic Poem No.7), S.101: Study score (Franz Liszt - Symphonic Poems)

Liszt's second Mephisto Waltz was originally composed for piano solo sometime between 1878 and 1881. It was orchestrated shortly thereafter and performed in this setting on May 9, 1881 in Budapest, with the orchestra conducted by S. Erkel. The score reproduced here was originally issued by Breitkopf & Härtel of Leipzig in 1913 as part of the tenth volume of "Franz Liszt: Musikalische Werke", edited principally by Berthold Kellermann. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

Mephisto Waltz No.2, S.111: Study score

See the best price to sell, buy or rent books by the Petrucci Library Press publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Petrucci Library Press