In addition to what these missives tell us of the life and character of this extraordinarily charismatic composer and pianist, and of his ties to the other great musicians of the period, Franz Liszt's letters--most of which are here translated into English for the first time--also reveal the astonishing range of his relationships in literature, art, the church, politics, and among the great reigning houses of Europe.

Franz Liszt: Selected Letters

Biographies & Memoirs

LISZT, FRANZ

Arts & Literature

Oxford University Press

In these eloquent and intensely personal writings, Franz Liszt sketches the cities, people, and scenes of his travels in the 1830s and explores ideas about art and its ideal place in the world. During six years of wandering through Switzerland, France, Italy, Austria, and Germany (four of them together with Countess Marie d'Agoult), the composer saw the greatest art and most fabulous landscapes of Europe and crossed paths with celebrated singers and artists, renowned intellectuals, infamous socialites, and both reigning and deposed aristocracy. The article/essays that emerged from this period are both public and private: though written for the Paris press, they are the closest that Liszt came to autobiography. Some of these writings are travel articles; some are essentially reports of a music correspondent; still others are personal and confessional; and some are really essays on the nature of art. All offer precious insight into the musical, social, and intellectual life in the major European capitals seen through the eyes of one of the most well-read and influential musical personalities of the period.

An Artist's Journey: Lettres d'un bachelier es musique, 1835-1841

University of Chicago Press

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Die Zigeuner Und Ihre Musik In Ungarn (German Edition)

History

Europe

Wentworth Press

Ten Hungarian Rhapsodies

Arts & Photography

Music

Franklin Classics

These extremely worthwhile but lesser-known songs rank among the finest of 19th-century lieder. The scores consist of piano parts with accompanying texts in French, German, or Italian, plus English translations.

Thirty Songs (Dover Song Collections)

Dover Publications

Liszt's reputation as the supreme pianist of the 19th century, and possibly of all time, has overshadowed many of his other achievements. It is less known, for example, that Liszt both championed the music of other composers and transcribed their works for the piano. Among his vast output in this area are notable transcriptions of Beethoven's Pastoral Symphony, Schubert's lieder, Rossini's Overture to William Tell, and excerpts from Berlioz's Symphonie Fantastique. After Liszt's retirement from the concert stage in 1847, his attention turned increasingly to composition. His admiration for the music of Richard Wagner led him to promote Wagner's operas as well as to compose piano transcriptions from many of them. The present volume presents all fifteen of these compositions, dating from 1848 to 1882. Full of familiar melody and brilliant pianism, they are masterful transformations of Wagner's great opera themes into unforgettable music for the piano. The compositions included Fantasy on Themes from Rienzi; Spinning Chorus from The Flying Dutchman; Overture to Tannhäuser; Recitative and Romance "Evening Star" from Tannhäuser; three more pieces from Tannhäuser and Lohengrin; Pilgrim's Chorus from Tannhäuser; Isolde's Liebestod from Tristan and Isolde; "Am Stillen Herd" from Die Meistersinger; Valhalla from Der Ring des Nibelungren; and Solemn March to the Holy Grail from Parsifal. This Dover edition, published under the auspices of The American Liszt Society, reproduces the pieces from a rare Russian critical edition of Liszt's work. Russian text on the music page has been translated into English especially for this edition, while Liszt scholar Charles Suttoni has provided a perceptive introduction discussing Liszt's transcription in general and those of Wagner's music in particular. These scores are not readily available in any other one-volume series. This Dover edition brings them together in a convenient low-cost format for students, pianists, music lovers — all who delight in brilliant, idiomatic translations of orchestral language into that of the piano.

Complete Piano Transcriptions from Wagner's Operas (Dover Classical Piano Music)

In his long career as a composer, Liszt (1811–86) wrote some sixty works based on popular operas of his day. This volume, spanning the composer's output from 1835 to 1879, presents a selection of his paraphrases and fantasies on operas written chiefly in the French and Italian traditions. Reproduced directly from a rare Russian edition of Liszt's works, this edition includes the following transcriptions: Sarabande and Chaconne from Almira, Concert Arrangement (Handel) Reminiscences of Don Juan [Don Giovanni] (Mozart) Reminiscences of Robert le Diable: Valse Infernale (Meyerbeer) Overture to William Tell (Rossini) Reminiscences of Lucia di Lammermoor (Donizetti) Concert Waltz on Two Themes from Lucia and Parisina (Donizetti) Grand Concert Fantasy from Sonnambula (Bellini) Reminiscences of Norma (Bellini) Concert Paraphrase of Rigoletto; "Miserere" from Trovatore; Concert Paraphrase of Ernani (Verdi) Waltz from Faust, Concert Paraphrase (Gounod) Polonaise from Eugene Onegin (Tchaikovsky) Encompassing selections as diverse as the Baroque melodies of Handel and the glittering romanticism of Tchaikovsky, Liszt's masterful transcriptions and fantasies reveal his exceptional ability to transform the essence of an operatic theme into unforgettable music for the piano. For this edition, published in association with the American Liszt Society, all headings, footnotes, and other indications that originally appeared in Russian have been translated into English. Liszt scholar Charles Suttoni has both selected the pieces and contributed a new Introduction.

Piano Transcriptions from French and Italian Operas (Dover Classical Piano Music)

All 19 Rhapsodies reproduced directly from an authoritative Russian edition. All headings, footnotes translated to English. Best one-volume edition available.

Complete Hungarian Rhapsodies for Solo Piano (Dover Classical Piano Music)

One of the greatest piano virtuosos of all time, Franz Liszt composed piano music marked by its technical brilliance, innovation, and imagination. This collection presents authoritative miniature score editions of two staples of the repertoire: Liszt's Piano Concerto No. 1 in E-flat Major and his Piano Concerto No. 2 in A Major. The works are reproduced here from authoritative editions, complete with bar-numbered movements for easy reference. Affordable, durable, and portable, this miniature score edition is ideal for study in the classroom, at home, or in the concert hall.

The Piano Concerti in Full Score (Dover Orchestral Music Scores)

The present volume reproduces — directly from an authoritative Russian edition — the famous cycle of solo piano works that comprises a summa of Liszt's pianistic achievement, representing the maturation of his style over a period of decades. The Années de Pèlerinage (Years of Pilgrimage) consists of the Première Année(Suisse); DeuxiemeAnnée (Italie) — including the formidable "Après une lecture du Dante" — and its supplement, Venezia e Napoli; and Troisième Année. Also included in this volume are a number of related pieces: "Lyon," from Album d'un voyageur; the three pieces called Apparitions; the original version of Venezia e Napoli. In addition, new English translations of the Russian footnotes and of the editor's preface have been provided. Printed in a sturdy, attractive, and inexpensive format, this rich cycle of masterly works for solo piano belongs in the library of every serious pianist or music lover.

Années de Pèlerinage, Complete (Dover Classical Piano Music)

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