Six Pieces for guitar (Guitar)

Arts & Photography

Debussy, CLaude

Vereczkey László

Music

Editio Musica Budapest Zeneműkiadó

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Pelléas Et Mélisande: Drame Lyrique En Cinq Actes Tiré Du Théâtre (French Edition)

MAETERLINCK, MAURICE

History

Wentworth Press

An original concept: in one volume, a study-size score of a major musical work, and a comprehensive body of tools for the study of that work.
Music example and charts illustrate the analyses, and each essay is fully annotated by the editor. In some cases, the results of original research by the editor or by others working in the field are published here for the first time. Much of the material has never before appeared in English.
A score embodying the best available musical text.
Historical background-what is known of the circumstances surrounding the origin of the work, including (where relevant) original source material.
A detailed analysis of the music, by the editor of the volume or another well-known scholar.
Other significant analytic essays and critical comments, exposing the student to a variety of opinions about the music.

Prelude to "The Afternoon of a Faun" (Norton Critical Scores)

W.W.Norton&Company

"The essence of Debussy's musical personality is in the songs and they exhibit virtually every aspect of his art." — Oscar Thompson, Debussy: Man and Artist. Had Claude Debussy (1862–1918) been exclusively a composer of songs, his musical reputation would have been assured. Although his output was not large, he achieved a new style in the setting of poetry and poetic prose — an exquisite union of words and music characterized by innovation, simplicity, impeccable taste, and consummate workmanship. From such early favorites as "Beau Soir" and "Mandoline" his masterful later works, the composer achieved a new psychological penetration through understatement — a music precisely imagined yet fluid, superbly constructed yet untrammeled by the past. This Dover volume contains a rich selection of 36 of Debussy's best songs, nearly a quarter century's worth of compositions that embody his exceptional empathy for poetry and his genius for expressing its essence in music. Contents include "Beau Soir," "Deux romances," "Mandoline," "Les Angelus," "Trois chansons de Bilitis," "Dans le jardin," "Cinq poemes de Baudelaire," and more. For singers, Debussy's songs offer special pleasure in their simplicity, making the song's message more easily conveyed. For pianists, the music presents interesting and independent melodies that contribute vastly to the atmosphere and expression of the text. For all lovers of art songs, those of Debussy are a brilliant and innovative addition to the genre. This volume, reproduced directly from original sheet music, makes them available at low cost to all devotees.

Songs, 1880-1904 (Dover Song Collections)

Dover Publications

"It may be in fact that I have taken on a task that is too much for me: there is no precedent, so I am obliged to invent new forms." — Claude Debussy. Unquestionably one of the most influential of modern composers, Claude Debussy (1862–1918) overturned traditional concepts of form, harmony, and coloring in creating a body of music characterized by innovation, individuality of style, and perfection of workmanship. Among his most popular, most performed, most recorded works are the three compositions reprinted in this volume: the revolutionary Prélude à l'aprés-midi d'une faune, which, in a sense, "awakened" modern music; the exquisite Nocturnes, shimmering models of delicate impressionism; and La Mer, complex, suggestive, a masterpiece of orchestral texture. This Dover volume presents the complete scores of all three works — reproduced from early French editions — in one convenient source. Musicians and music lovers will appreciate this inexpensive edition of a trio of orchestral favorites: pieces that mark not only key points in the composer's personal progress but also in the progress of modern music as well.

Three Great Orchestral Works in Full Score: Prélude a l'après-midi d'un faune, Nocturnes, La Mer (Dover Orchestral Music Scores)

Reference

Foreign Language Study & Reference

Distinguished by its sure and economical craftsmanship, Pelleas et Melisande is Debussy's only opera — a perfect marriage of music and verse that ranks as one of the great landmarks in the history of the form, so sublimely does the musical style fit Maeterlinck's allegory of guilt and innocence. In its premiere performance at the Opéra-Comique on April 30, 1902, Pelleas et Melisande created an uproar — a reaction perhaps to the unique harmonies and advanced orchestration Debussy unveiled in the work. Though initially considered subversive, his harmonic innovations remained rooted in the tonal system, deepening and extending its scope. Today, the opera is universally hailed as the summit of French musical impressionism, a unique poetic conception in which Debussy's powers of orchestral and vocal writing are at their pinnacle. Reprinted in its entirety from the authoritative E. Fromont (1904) edition, this faithful edition reproduces the full orchestral and vocal score in clear, large, legible notation for easy reading and study. A new English translation of the original French front matter further enhances the value and completeness of the volume.

Pelleas et Melisande in Full Score (Dover Opera Scores)

Few composers of the 20th century have wielded more influence in the musical world than the two "impressionist" masters represented in this volume. Such composers as Webern, Bartók, Varèse, Messianen, and even John Cage owe a debt to Debussy's innovations in harmony, coloring, and psychological penetration. Similarly, Ravel's achievements in pianistic style, sophisticated harmonies, and bold experiments with form had a profound effect on both contemporary and later musicians. Each composer wrote only one string quartet, but by virtue of their individuality, unique interpretations of the medium and delicate and subtle beauties, both compositions enjoy a special place in the chamber music repertoire. This attractive, high-quality volume, based on authoritative French editions, brings both influential masterpieces together in one inexpensive resource. Clearly printed and sturdily bound for long life on the music stand, this book will enable musicians and music lovers to study, compare, and delight in two landmarks of the string quartet genre.

String Quartets by Debussy and Ravel: Quartet in G Minor, Op. 10/Debussy; Quartet in F Major/Ravel (Dover Chamber Music Scores)

Ravel, Maurice

Preludes, Book 1

Dover Pubns

Here, in one volume, are two bodies of work that, perhaps more than any others, reveal the essence of Claude Debussy's extraordinary expressiveness and his innovative gifts for musical imagery. Each book contains twelve preludes for the piano, many of them known to today's musical audiences because of their great popularity with pianists worldwide. Ranging from the mystical "La Cathédrale engloutie" to the capricious "Ondine" to the explosive "Feux d'artifice," they offer special joys to pianists of varying levels of ability. Other favorites from the piano repertoire in this collection include: "Danseuses de Delphes," "Ce qu'a vu le Vent d'Ouest," "La fille aux cheveux de lin," "La danse de Puck," and "Feuilles mortes." Some are technically simple, others comparatively difficult. All of them afford pianists an unparalleled opportunity to explore and develop their expressive range. This authoritative edition of the complete Preludes, with a helpful glossary of French terms, has been carefully printed on durable paper and sturdily bound to provide students and lovers of fine music a lifetime of study and enjoyment of these beloved masterpieces of piano composition.

Complete Preludes, Books 1 and 2 (Dover Classical Piano Music)

Like Chopin before him, Debussy found previously unexplored possibilities and refinements in the art of playing and composing for the piano. His compositions for piano four hands and for two pianos are among his most inventive and interesting works. This volume contains two suites Debussy composed specifically for piano four hands, his piano transcriptions deriving from two early choral works, and his own transcription for two pianos of his most famous orchestral work: Prélude, Cortège and Air de Danse from L'Enfant Prodigue (piano four hands) Printemps (piano four hands) Petite Suite (piano four hands) Prélude à l'après-midi d'un faune (two pianos) Six Épigraphes Antiques (piano four hands) Ranging widely in mood, these works display both the brilliant pianism at the heart of Debussy's musical imagery and the composer's affinity for the unexpected—a quality that allowed many of his compositions to unfold like highly sophisticated improvisations. They are reprinted here from authoritative French editions, ready to challenge and delight pianists with their unique and innovative musical qualities.

Works for Piano Four Hands and Two Pianos, Series One (Dover Classical Piano Music: Four Hands)

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