American folk painters of three centuries

American Folk Painters of Three Centuries

Biographies & Memoirs

LIPMAN, Jean & ARMSTRONG, Tom, eds

Arts & Literature

Hudson Hills Press

British Watercolors: Drawings of the 18th & 19th Centuries from the Yale Center for British Art

Wilcox, Scott

Eighteenth Century English Pottery Selec

Mccarthy, Rita E

Voices of Contemporary Glass: The Heineman Collection

Tina Oldknow

The outstanding legacy of the Russian goldsmith and jeweler Carl Faberge has captured the public's imagination for many years. During his lifetime, Faberge's extravagant jewelry and "objects d'art" brought him patronage from the world's most affluent people, and throughout this century his work has been avidly collected by public art institutions and individuals. Published to accompany a travelling exhibition organized by the Fine Arts Museums of San Francisco, this text is dedicated to the works that have been amassed by American collectors. Spanning almost half a century, this work combines bibliographical accounts of the most important American Faberge clients and collectors with photographs of the treasures. Following a brief background history of the House of Faberge, the first section of the book is devoted to the period before World War I. The second part covers the years between 1930 and 1950 when the first great American collections were formed, including those of Matilda Geddings Gray, India Early Minshall, Lillian Thomas Pratt and Marjorie Merriweather Post. A final section looks at those formed between 1950 and the present day, with particular emphasis on Malcolm S. Forbes, who built up what is undoubtedly the biggest and most impressive Faberge collection in the world.

Faberge In America

Arts & Photography

Geza Von' 'Habsburg

Collections, Catalogs & Exhibitions

The Art of Making and Meaning presents the first comprehensive overview of Frank Lobdell's paintings, drawings, prints, and sketchbooks, and his long career as artist and teacher in the San Francisco Bay area. A seminal figure in the development of West Coast abstract expressionist painting, Lobdell early on recognized its potential as a lifelong arena for individual inquiry - a place where he could be entirely himself. He was also closely associated with the Bay Area figurative movement in the 1950s and 1960s. The figure as figure has remained on his canvases ever since, though in later work, his idiomatic forms no longer bear a readily apparent correspondence with the human body.

Frank Lobdell: The Art of Making and Meaning

Nixon, Bruce

Hopps, Walter

Burgard, Timothy Anglin

California Palace of the Legion of Honor

JOHNSON, Robert Flynn

Guenther, Bruce

Portland Museum Of Art

Torres, Anthony

Book by Anne Marie Logan, Ellen Sharp (Introduction)

Dutch and Flemish Drawings and Watercolors (The Collections of the Detroit Institute of Arts)

Anne-Marie S.

The Prints of Frank Stella: A Catalogue Raisonne

Richard H. Axsom

Exploring photography

CAMPBELL, Bryn

Dust Jacket in Very Good condition. Front endpaper has small stain.

Berthe Morisot : Impressionist

Charles F. Stuckey

William P. Scott

Suzanne G. Lindsay

History & Criticism

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