The Line of Beauty: British Drawings and Watercolors of the Eighteenth Century

Arts & Photography

Forrester, Gillian

Wilcox, Scott

O'Neill, Morna

Sloan, Kim

History & Criticism

YC British Art

A fascinating look at the relationship between papermaking and the art of watercolor At the Royal Academy exhibition of 1794, Paul Sandby (1725–1809) exhibited his newly painted A View of Vinters at Boxley, Kent, with Mr. Whatman’s Turkey Paper Mills. Sandby, one of the founding members of the Royal Academy and one of the preeminent British landscape painters of the day, included the celebrated Whatman papermaking mill at the center of this landscape composition. James Whatman I and his son James Whatman II were the most famous English papermakers of the eighteenth century, and by 1760 Turkey Mill was the largest paper mill in the country. This handsome and engaging book looks at how the View of Vinters and Turkey Mill is both a superb example of Sandby’s art and an important document of the rise of industry in the British countryside and of the intertwined developments of papermaking and the art of painting in watercolor. It also features other watercolors by Sandby and materials relating to the processes of papermaking and to the Whatman family and its mill.

Papermaking and the Art of Watercolor in Eighteenth-Century Britain: Paul Sandby and the Whatman Paper Mill

Fairbanks Harris, Theresa

Yale University Press

Born in Birmingham, England, in 1783, David Cox was destined to become a major figure in the linked worlds of landscape painting and watercolor painting in the first half of the nineteenth century. Remarkably, no significant study of the artist has been undertaken in more than a century. This beautifully illustrated volume focuses much-needed attention on Cox, filling in the details of his biography and illuminating his contributions to British landscape painting. Cox's widely-known Sun, Wind, and Rain, painted in 1845, is emblematic of his concern with the representation of light and atmosphere and weather. He was unparalleled in his ability to capture the effects of wind and weather. Scott Wilcox’s chapter in this book investigates Cox’s artistic identity and his legacy. Other chapters address such topics as Birmingham’s cultural milieu; myths about Cox’s life; the papers he chose; his painting in oils; and the fakes, forgeries, and misattributions that have challenged attempts to identify his oeuvre with certainty.

Sun, Wind, and Rain: The Art of David Cox

Individual Artists

Bruce Davidson (b. 1933) and Paul Caponigro (b. 1932) are two of the greatest American photographers of their generation. Working in different traditions, and exhibiting fundamentally distinct approaches, they are both brilliant observers whose art inspires and provokes. This book, the first to pair the two, examines the work they produced during visits to Britain and Ireland in the 1960s and 1970s. The gritty sensibility that made Bruce Davidson’s series Brooklyn Gang such a sensation was unmistakable as he trained his camera on the gamut of British society, travelling from London to Scotland and later to the mining region of Wales. Paul Caponigro, steeped in a formalist black-and-white landscape tradition, made expressive portraits of prehistoric stone circles, dolmens, and ancient Irish churches in the landscape. Bruce Davidson/Paul Caponigro brings the work of these artists together into a dramatic visual dialogue.

Bruce Davidson/Paul Caponigro: Two American Photographers in Britain and Ireland

Watts, Jennifer A.

Photography & Video

British Watercolors: Drawings of the 18th & 19th Centuries from the Yale Center for British Art

Hudson Hills Press

British Watercolors: Drawings of the 18th and 19th Centuries from the Yale Center for British Art

Introduction by Patrick Noon. Bound in the publisher's original green cloth with the spine stamped in gilt.

British watercolors: Drawings of the 18th and 19th centuries from the Yale Center for British Art

Painting

Distributed in the U.S. by Viking Penguin

Ebola: EBOLA SURVIVAL GUIDE: Your Guide To Understanding And Preparing For A Global Ebola Pandemic: Ebola Pandemic Survival Guide (Ebola Virus, Ebola ... Pandemic - Ebola Outbreak - Ebola) Book 1)

Health, Fitness & Dieting

Diseases & Physical Ailments

CreateSpace Independent Publishing Platform

English landscape watercolor painting, a perfect marriage of genre and medium, entered a lively period of experimentation in style and content during the second half of the nineteenth century, with rich and diverse results. Through all the changes of style and technique and all the debates over the appropriate use of the medium, it was watercolor's ability to convey the timeless truth and reality of the natural world that mattered to artists, critics, and audiences. British watercolors of the Victorian period continued to observe an essential humility before nature; they remain fresh and compellingly immediate because they derived in the first place from the artists' heartfelt communion with the elements of nature.Victorian Landscape Watercolors begins with a consideration of the continuing influence of the great generation who earlier in the century, during the extraordinary parallel rise of watercolor and landscape painting, had established the landscape watercolor as a major British contribution to the arts. The second chapter examines the role of the landscape watercolor in the aesthetic thought of John Ruskin, whose critical voice played a dominant role in shaping that art. The third chapter looks at the place of landscape within the watercolor societies and its development as it appeared in their annual exhibitions. The final chapter deals with the tug of new and old, foreign and native in the later Victorian period.The book also features 126 watercolors, from public and private collections in America and England, all reproduced in full color and accompanied by individual commentaries. Among the 76 artists represented are David Cox, Sr. and Jr., Walter Crane, William Holman Hunt, Edward Lear, Samuel Palmer, James Mallord William Turner, James McNeill Whistler, and Ruskin himself, along with dozens of lesser-known masters of the medium.Victorian Landscape Watercolors is published in conjunction with the first exhibition to survey this period of this particularly British contribution to the arts; the exhibition, organized by the Yale Center for British Art in New Haven, Connecticut, will also be seen at the Cleveland Museum of Art and in Birmingham, England.

Victorian Landscape Watercolors

Newall, Christopher

Cleveland Museum Of Art

Yale Center for British Art

Birmingham Museums and Art Gallery

Hudson Hills Pr

Victorian Landscape Watercolors: The Persistence of a British Tradition

The first retrospective exhibition of Hunt's work in over 100 years at Ashmolean Museum, January - April 2005. Includes an inventory of his studio with 225 sketchbooks that had been owned by his daughters. Enhances understanding of the Pre-Raphaelite movement.

The Poetry of Truth: Alfred William Hunt and the Art of Landscape

Ashmolean Museum

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