Strategic Management: Text and Cases

Business & Money

Parnell, John A.

WRIGHT, PETER

Kroll, Mark J.

Pringle, Charles D.

Management & Leadership

Allyn and Bacon

A critical inquiry into the value and experience of participation in design research.
In Taking [A]part, John McCarthy and Peter Wright consider a series of boundary-pushing research projects in human-computer interaction (HCI) in which the design of digital technology is used to inquire into participative experience. McCarthy and Wright view all of these projects―which range from the public and performative to the private and interpersonal―through the critical lens of participation. Taking participation, in all its variety, as the generative and critical concept allows them to examine the projects as a part of a coherent, responsive movement, allied with other emerging movements in DIY culture and participatory art. Their investigation leads them to rethink such traditional HCI categories as designer and user, maker and developer, researcher and participant, characterizing these relationships instead as mutually responsive and dialogical.
McCarthy and Wright explore four genres of participation―understanding the other, building relationships, belonging in community, and participating in publics―and they examine participatory projects that exemplify each genre. These include the Humanaquarium, a participatory musical performance; the Personhood project, in which a researcher and a couple explored the experience of living with dementia; the Prayer Companion project, which developed a technology to inform the prayer life of cloistered nuns; and the development of social media to support participatory publics in settings that range from reality game show fans to on-line deliberative democracies.

Taking [A]part: The Politics and Aesthetics of Participation in Experience-Centered Design (Design Thinking, Design Theory)

McCarthy, John

The MIT Press

Technology As Experience

In Technology as Experience, John McCarthy and Peter Wright argue that any account of what is often called the user experience must take into consideration the emotional, intellectual, and sensual aspects of our interactions with technology. We don't just use technology, they point out; we live with it. They offer a new approach to understanding human-computer interaction through examining the felt experience of technology. Drawing on the pragmatism of such philosophers as John Dewey and Mikhail Bakhtin, they provide a framework for a clearer analysis of technology as experience. Just as Dewey, in Art as Experience, argued that art is part of everyday lived experience and not isolated in a museum, McCarthy and Wright show how technology is deeply embedded in everyday life. The "zestful integration" or transcendent nature of the aesthetic experience, they say, is a model of what human experience with technology might become. McCarthy and Wright illustrate their theoretical framework with real-world examples that range from online shopping to ambulance dispatch. Their approach to understanding human computer interaction—seeing it as creative, open, and relational, part of felt experience—is a measure of the fullness of technology's potential to be more than merely functional.

Computers & Technology

Computer Science

Mit Pr

In Technology as Experience, John McCarthy and Peter Wright argue that any account of what is often called the user experience must take into consideration the emotional, intellectual, and sensual aspects of our interactions with technology. We don't just use technology, they point out; we live with it. They offer a new approach to understanding human-computer interaction through examining the felt experience of technology. Drawing on the pragmatism of such philosophers as John Dewey and Mikhail Bakhtin, they provide a framework for a clearer analysis of technology as experience.
Just as Dewey, in Art as Experience, argued that art is part of everyday lived experience and not isolated in a museum, McCarthy and Wright show how technology is deeply embedded in everyday life. The "zestful integration" or transcendent nature of the aesthetic experience, they say, is a model of what human experience with technology might become.
McCarthy and Wright illustrate their theoretical framework with real-world examples that range from online shopping to ambulance dispatch. Their approach to understanding human computer interaction -- seeing it as creative, open, and relational, part of felt experience -- is a measure of the fullness of technology's potential to be more than merely functional.

Technology as Experience

In Technology as Experience, John McCarthy and Peter Wright argue that any account of what is often called the user experience must take into consideration the emotional, intellectual, and sensual aspects of our interactions with technology. We don't just use technology, they point out; we live with it. They offer a new approach to understanding human-computer interaction through examining the felt experience of technology. Drawing on the pragmatism of such philosophers as John Dewey and Mikhail Bakhtin, they provide a framework for a clearer analysis of technology as experience.
Just as Dewey, in Art as Experience, argued that art is part of everyday lived experience and not isolated in a museum, McCarthy and Wright show how technology is deeply embedded in everyday life. The "zestful integration" or transcendent nature of the aesthetic experience, they say, is a model of what human experience with technology might become.
McCarthy and Wright illustrate their theoretical framework with real-world examples that range from online shopping to ambulance dispatch. Their approach to understanding human computer interaction―seeing it as creative, open, and relational, part of felt experience―is a measure of the fullness of technology's potential to be more than merely functional.

The language of British industry

Reference

Foreign Language Study & Reference

Macmillan

The former assistant director of MI5 offers an account of British Intelligence, including his work on the Ring of Five and exposing Soviet espionage and the conspiracy to oust Harold Wilson from the office of Prime Minister in the 1970s

SpyCatcher: The Candid Autobiography of a Senior Intelligence Officer

Biographies & Memoirs

Dell

The former assistant director of MI5 offers an account of British Intelligence, including his work on the Ring of Five and exposing Soviet espionage and the conspiracy to oust Harold Wilson from the office of Prime Minister in the 1970s

Spycatcher: The Candid Autobiography of a Senior Intelligence Officer

Leaders & Notable People

Random House Value Publishing

In Southampton, near Stonehenge on the south coast of England, some of the world's greatest minds in physics meet for their annual symposium. Philip Blackmore, a professor from Cambridge University is well prepared for the meeting, but not for the proposition that he receives from a group of American colleagues. They want him to join a team that will build a machine that can see into the past. Not a time machine, beloved of science fiction, but outside the laws of physics, but a machine that can recover images of past events.Philip's initial reservations are overcome by Carol Dunning, a brilliant young graduate student from Cal. Tech. who returns with Philip briefly to Cambridge. The College agrees to grant him a sabbatical and he leaves with Carol and a graduate student to join the team at MIT in Cambridge, Mass. Project funding is provided by a mysterious philanthropic scientific foundation that is very generous, but swears them to secrecy.Even before the project starts, however, a string of mysterious accidents begin to plague the physicists and it quickly becomes apparent that someone is determined to stop the project at all costs. But who? And why?

Hindsight: The End of Deception

Mystery, Thriller & Suspense

Thrillers & Suspense

iUniverse

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Books by WRIGHT, PETER