The New York school: abstract expressionism in the 40s and 50s; (The World of art library, general)

TUCHMAN, Maurice

Arts & Photography

Thames&Hudson

Art and Technology: 2

Viking Adult

In 1912 Paul Klee declared that the art of the mentally ill, as well as the art of children, "really should be taken far more seriously than are the collections of all our art museums if we truly intend to reform today's art." What Klee found most fascinating and instructive about the art of "outsiders"--those self-taught individuals, sometimes mentally disturbed, who create while isolated from mainstream culture--was the sincerity, depth, and power of their un-adulterated, unmediated expressions. Parallel Visions, an exhibition and catalogue organized and produced by the Los Angeles County Museum of Art, reveals the considerable influence that outsider art has had on the development of twentieth-century art. The work of such "marginalized" artists and compulsive visionaries as Antonin Artaud, Ferdinand Cheval, Henry Darger, Howard Finster, Madge Gill, Martin Ram!rez, P. M. Wentworth, Adolf Wlfli, and Joseph Yoakum is juxtaposed with the work of devotees of outsider art among modern artists. Essays by the curators of the exhibition, Maurice Tuchman and Carol S. Eliel, and by other commentators offer a history of this phenomenon as well as an exploration of issues crucial to the formation of our aesthetic and critical judgments and our notions of creativity. In addition to the curators, the contributors include Russell Bowman, Roger Cardinal, Barbara Freeman, Sander L. Gilman, Mark Gisbourne, Reinhold Heller, John M. MacGregor, Donald Preziosi, Allen Weiss, Jonathan Williams, and Sarah Wilson.

Parallel Visions: Modern Artists and Outsider Art

Eliel, Carol S.

History & Criticism

Princeton University Press

Parallel visions: Modern artists and outsider art

In 1912 Paul Klee declared that the art of the mentally ill, as well as the art of children, "really should be taken far more seriously than are the collections of all our art museums if we truly intend to reform today's art." What Klee found most fascinating and instructive about the art of "outsiders"--those self-taught individuals, sometimes mentally disturbed, who create while isolated from mainstream culture--was the sincerity, depth, and power of their un-adulterated, unmediated expressions. Parallel Visions, an exhibition and catalogue organized and produced by the Los Angeles County Museum of Art, reveals the considerable influence that outsider art has had on the development of twentieth-century art. The work of such "marginalized" artists and compulsive visionaries as Antonin Artaud, Ferdinand Cheval, Henry Darger, Howard Finster, Madge Gill, Martin Ram!rez, P. M. Wentworth, Adolf Wlfli, and Joseph Yoakum is juxtaposed with the work of devotees of outsider art among modern artists. Essays by the curators of the exhibition, Maurice Tuchman and Carol S. Eliel, and by other commentators offer a history of this phenomenon as well as an exploration of issues crucial to the formation of our aesthetic and critical judgments and our notions of creativity. In addition to the curators, the contributors include Russell Bowman, Roger Cardinal, Barbara Freeman, Sander L. Gilman, Mark Gisbourne, Reinhold Heller, John M. MacGregor, Donald Preziosi, Allen Weiss, Jonathan Williams, and Sarah Wilson.

David Hockney: A Retrospective

Offering a look at the artist's life and multifaceted career, this volume contain's more than three hundred reproductions of Hockney's art--more than half in full-color--and seven essays by distinguished critics and artist friends

Barron, Stephanie

TATE GALLERY

Los Angeles County Museum of Art

Kitaj, Geldzahler

HOCKNEY, DAVID

Metropolitan Museum Of Art (new York, N.y.)

Individual Artists

Harry N.Abrams, Inc.

Masks have always been more than simple disguise. They are a part of the alchemy that turns the secular world into the sacred, the mundane into the magical. In festivals and holidays around the world, they elevate humans into the realm of the gods, or, at Halloween, they transform children into demons or witches. From ancient rituals to costume parties, masks exude a power that is magical and evocative. Masquerade is a gallery of sixty-four original masks created by eminent contemporary artists at the request of the Los Angeles County Museum of Art. Included here are masks by such noted artists as Robert Arneson, Red Grooms, Larry Rivers, Betye Saar, Masami Teraoka, Tom Wesselmann, and William T. Wiley. Beautifully and elegantly reproduced in this special volume, these works of art will delight readers with their diversity and originality.

Masquerade: The Mask As Art

Chronicle Books LLC.

Seven artists in Israel, 1948-1978

(from the estate of Chaim Potok)

In 1912 Paul Klee declared that the art of the mentally ill, as well as the art of children, "really should be taken far more seriously than are the collections of all our art museums if we truly intend to reform today's art". What Klee found most fascinating and instructive about the art of "outsiders" - those self-taught individuals, sometimes mentally disturbed, who create while isolated from mainstream culture - was the sincerity, depth and power of their unadulterated, unmediated expressions. "Parallel Visions", an exhibition and catalogue organized and produced by the Los Angeles County Museum of Art, reveals the considerable influence that outsider art has had on the development of 21-century art. The work of such "marginalized" artists and compulsive visionaries as Antonin Artaud, Ferdinand Cheval, Henry Darger, Howard Finster, Madge Gill, Martin Ramirez, P.M. Wentworth, Adolf Wolfli, and Joseph Yoakum is juxtaposed with the work of devotees of outsider art among modern artists. Essays by the curators of the exhibition and other commentators offer a history of this phenomenon as well as an exploration of issues crucial to the formation of our aesthetic and critical judgements and our notions of creativity.

Los Angeles County Museum

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