Lavishly illustrated and fully documented catalog for a major traveling exhibition of German Expressionist masterworks by sculptors ranging from Ernst Barlach to Wilhelm Lehmbruck and Kathe Kollwitz.

German Expressionist Sculpture

Barron, Stephanie

Arts & Photography

Los Angeles County Museum of Art / University of Chicago Press

Made in California: Art, Image, and Identity, 1900-2000

This opulent and expansive volume, published in conjunction with the Los Angeles County Museum of Art's monumental exhibition Made in California: Art, Image, and Identity,1900-2000, charts the dynamic relationship between the arts and popular conceptions of California. Displaying a dazzling array of fine art and material culture, Made in California challenges us to reexamine the ways in which the state has been portrayed and imagined. Unusually inclusive, visually intriguing, and beautifully produced, this volume is a delight throughout—both in image and in text—and will appeal to anyone who has lived in, visited, or imagined California. Drawn from the exhibition, which gathers more than 1,200 artworks and pieces of ephemera from many public and private collections, Made in California is an image-driven look at the past century, featuring more than 400 works in a range of media, from painting, sculpture, prints, drawings, and photographs to furniture, fashion, and film. The book also includes more than 150 cultural artifacts such as tourist brochures, posters, labor union tracts, personal letters, and government reports that convey the richness and complexity of twentieth-century California. Arranged provocatively by theme, these objects take us on a visual tour of a state that was promoted as a bountiful paradise early in the century; as a glamour capital by Hollywood in the 1920s and 1930s; as a suburban utopia in the late '40s and '50s; as a haven for counterculture in the '60s and '70s, and as a multicultural frontier in the '80s and '90s. The book's exploration of how these themes were reflected and contested in California's visual culture deepens our understanding of the state's artistic traditions as well as its fascinating history. The volume is divided into five twenty-year sections, each including a narrative essay discussing the history of that era and highlighting topics particularly relevant to its visual culture. Two overarching themes emerge that have been crucial for how we imagine and understand California: first, the landscape, including both the natural and built environment, and second, the multifaceted relationships California has had with Latin America and Asia. Geographer Michael Dear has contributed a sweeping overview of the social history of California that examines the vibrant and sometimes turbulent conditions out of which the culture emerged. Essayist Richard Rodriguez closes the volume with a uniquely personal meditation on the Golden State.

Fort, Ilene Susan

Bernstein, Sheri

Fox, Howard N.

History & Criticism

University of California Press

This companion volume to the exhibition Made in California: Art, Image, and Identity,1900-2000 at the Los Angeles County Museum of Art offers in-depth, illustrated essays on the making of California culture in the twentieth century. Written by a stellar cast of art historians and scholars in the humanities, the essays look closely at the forces that shaped fine art and material culture in California. The contributors weave their subjects around themes that are central to the milestone exhibition: the California landscape—both the natural and built environments—and the state's cultural and political relationships with Latin America and Asia. These provocative essays cover topics such as counterculture architecture, Watts Towers, border culture, identity and gender issues, the role of schools in California art, auto tourism, Hollywood, music, Beat culture, politics, literature, photography, and much more. Accessibly written and intellectually engaging, these essays sharpen our understanding of California in the twentieth century and bring together many diverse, yet interrelated, aspects of its art and culture.

Reading California: Art, Image, and Identity, 1900-2000

Visiting the estate of her friend Isobel, the newly married Countess of Scargrave, Jane Austen is drawn into a mystery when Isobel's husband dies suspiciously and the bereaved young bride is implicated in the murder. 30,000 first printing. $25,000 ad/promo.

Jane and the Unpleasantness at Scargrave Manor: Being the First Jane Austen Mystery

Literature & Fiction

United States

Bantam]

After her brilliant detective debut in Jane and the Unpleasantness at Scargrave Manor, there can be no doubt that Jane Austen would have made a remarkable sleuth. And so, with great aplomb, Stephanie Barron reveals the next superb Jane Austen Mystery... Jane Austen and her family are looking forward to a peaceful late-summer holiday in the seaside village of Lyme Regis. But on the road thither, a fearful storm and an overturned carriage lead the shaken travelers to seek refuge at High Down Grange. And there, in a dismal manor house wrapt in an air of malevolent neglect, Jane meets the darkly forbidding yet strangely attractive master of High Down Grange, Mr. Geoffrey Sidmouth. What murky secrets does the brooding Mr. Sidmouth hope to preserve behind his fierce glower? And who is the exceedingly lovely young woman dressed in peasant garb who shares his home? Once settled in town, Jane seeks to learn the answers. Yet common gossip is soon forgotten when a man is found hanged from a makeshift gibbet by the sea. Only the day before, Jane had observed this same man in a heated exchange with Mr. Sidmouth. Still, the worthies of Lyme are certain the labourer's death is the work of "the Reverend," the notorious ringleader of the midnight smuggling trade. The Reverend's identity is the paramount mystery of Lyme Regis. And Jane, who can never resist a puzzle, is determined to solve this one. But to her dismay, she must soon admit that she harbours a strange sensibility for a man who could very well be a murderer. And then a second mysterious death draws her into a perilous scheme to entrap and expose Geoffrey Sidmouth. From the drawing- rooms of the cultured and the devious to secret caverns and coarse haunts, her mission will take her far from a lady's proper venue...until even so canny a student of character and valiant adventurer must ask herself: "Is the prize worth the risk--to my heart as well as my person?" Stylish, suspenseful, and wickedly diverting, Jane and the Man of the Cloth delves deep into the foibles, passions, and ruthless machinations that lurk within the most polite society.

Jane and the Man of the Cloth (Jane Austen Mystery)

Jane Austen's potential as a brilliant sleuth was delightfully revealed in Jane and the Unpleasantness at Scargrave Manor and deliciously underscored in Jane and the Man of the Cloth. Now, in Stephanie Barron's third superb Jane Austen Mystery, the beloved author embarks on her most perplexing case...as misplaced passions, festering malice, and the desire for revenge serve to conceal the true motives for murder. As Christmas of l804 approaches, Jane Austen finds herself "insupportably bored with Bath, and the littlenesses of a town," despite the seasonal gaiety, the elegant Assemblies, and the appearance of a celebrated pair of actors at the Theatre Royal. It is with something like relief, then, that she accepts a peculiar commission from her Gentleman Rogue, Lord Harold Trowbridge--to shadow his niece, Lady Desdemona, who has fled to Bath to avoid the attentions of the arrogant and unsavoury Earl of Swithin. But at a masquerade thronged with the fashionable and the notorious, Jane's idle diversion suddenly turns deadly. Even as actor Hugh Conyngham transfixes the guests with his declamation of Macbeth's murderous soliloquy, his theatre manager is discovered stabbed to death in an anteroom. Weeping on his breast is Hugh's sister, the spirited tragedienne Maria Conyngham. And standing by the body, knife in hand, is Desdemona's brother, Simon, Lord Kinsfell. In vain does Simon protest his innocence: he is arrested and charged with murder. Jane, however, knows that there is more to this fatal drama than meets the eye. And what is one to surmise from the stormy portrait of an eye left lying on the corpse? As Yuletide revels progress, Jane's delicate inquiries expose a bewildering array of suspects amid an endlessly shifting pattern of flirtations, amours, and sinister entanglements. And as Jane's fascination with mystery and her fondness for the dramatic arts lead her deeper into the investigation, it becomes clear that she will not uncover the truth without some play-acting of her own. Yet Jane's bravura performance could do more than unmask a killer...it could lead to the ruin of her reputation, or even the loss of her life. Fiendishly clever and breathlessly diverting, Jane and the Wandering Eye weaves manners, mayhem, and murder into a dazzling spectacle of intrigue and suspense.

Jane and the Wandering Eye: Being the Third Jane Austen Mystery

In three highly diverting mysteries, Jane Austen has shown herself a clever hand at unraveling the deadly knots woven by the unscrupulous. Now, in her latest engrossing adventure, Jane is called upon to solve a shattering crime that may begin and end in one man's heart--or encompass the fate of an entire nation. In the waning days of summer, Jane Austen is off to the Canterbury Races, where the rich and fashionable go to gamble away their fortunes. It is an atmosphere ripe for scandal. But even Jane is unprepared for the shocking drama that ensues when a raven-haired wanton in a scarlet riding habit takes center stage. She is Françoise Grey, a flamboyant French beauty who has cast a spell over the gentlemen of Kent...and her unbridled behavior at the races invites the most scandalous speculation. What can Mrs. Grey be thinking, Jane wonders, to so brazenly strike a gentleman with her whip? And what recklessness then spurs her to leap the rail on her fleet black horse and join the race? Only hours after Mrs. Grey has departed the race grounds in triumph will Jane realize the full import of her questions. For in a shabby chaise less than a hundred feet from where Jane sat, the impossible is revealed: Mrs. Grey's lifeless body, gruesomely strangled, her ruby riding habit nowhere to be found. As those around her rush to arrest the owner of the chaise--a known scoundrel with eyes for Françoise--Jane looks further afield to find a number of others behaving oddly, including the dashing military man caught rifling through the dead woman's desk, the widower who does not appear to be grieving, and the shy governess curiously overpowered by the horror of the Frenchwoman's death. As rumors spread like wildfire that Napoleon's fleet is bound for Kent, Jane begins to suspect that Françoise Grey's murder was an act of war rather than a crime of passion. The peaceful fields of Kent have become a very dangerous place...and Jane's thirst for justice may exact the steepest price of all--her life. Deliciously sinister and splendidly wrought, Jane and the Genius of the Place is a stylish puzzler that only the incomparable Jane Austen could hope to crack. And in her capable hands, the solving of it is a pleasure to watch.

Jane and the Genius of the Place: Being the Fourth Jane Austen Mystery

Jane Austen as sleuth continues to delight in her latest adventure (after Jane and the Genius of the Place), which sheds new light on the author's travels in 1806. While enjoying a ramble in the Derbyshire hills near Bakewell (a town Eliza Bennett visits in Pride and Prejudice), Jane discovers the mutilated body of a young man. Jane's suspicions are roused when her escort, Mr. George Hemming, prefers to remove the unidentified corpse to Buxton, rather than Bakewell, and they increase when the body proves to be that of a woman dressed in men's clothing. Moreover, the corpse is identified as Tess Arnold, a servant at one of the area's great houses, whom Mr. Hemming should have recognized. As the compounder of stillroom remedies, Tess had a reputation as a healer, until accused of witchcraft. Rumors of ritual murder by Freemasons-who include most of the neighboring gentry-excite the local populace and jeopardize the investigation of the justice of the peace, himself a Mason. When Mr. Hemming disappears before the inquest, Jane and the justice turn for help to Lord Harold Trowbridge, a guest at the nearby ducal house of Chatsworth. Barron catches Austen's tone amazingly well. Details of early 19th-century country life of all classes ring true, while the story line is clear, yet full of surprises. The "editor's notes" that punctuate the text and old cures for various ills that open each chapter add to the charm. (Aug.)

Jane and the Stillroom Maid: Being the Fifth Jane Austen Mystery

See the best price to sell, buy, or rent books by Barron, Stephanie. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Barron, Stephanie

See the best price to sell, buy, or rent books by Barron, Stephanie. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

German Expressionist Sculpture

Made in California: Art, Image, and Identity, 1900-2000

Made in California: Art, Image, and Identity, 1900-2000

Reading California: Art, Image, and Identity, 1900-2000

Reading California: Art, Image, and Identity, 1900-2000

Jane and the Unpleasantness at Scargrave Manor: Being the First Jane Austen Mystery

Jane and the Man of the Cloth (Jane Austen Mystery)

Jane and the Wandering Eye: Being the Third Jane Austen Mystery

Jane and the Genius of the Place: Being the Fourth Jane Austen Mystery

Jane and the Stillroom Maid: Being the Fifth Jane Austen Mystery