Book by Shapiro, Michael Edward;National Gallery of Art (U.S.);St. Louis Art Museum

George Caleb Bingham by Michael Edward;National Gallery of Art (U.S.);St. Louis Art Museum Shapiro (1990-05-03)

Arts & Photography

St. Louis Art Museum

Shapiro, Michael Edward

National Gallery of Art (U.S.)

History & Criticism

Saint Louis Art Museum in association with H.N. Abrams

Great condition, some frilling on edges of dust jacket, otherwise in like new condition.

Nihonga: Transcending the Past : Japanese-Style Painting, 1868-1968

Rimer, J. Thomas

Conant, Ellen P.

Owyoung, Steven D.

Kokusai Koryu Kikin

Weatherhill

This is the catalogue of the exhibition held at The Saint Louis Art Museum and the Seattle Art Museum in the Winter and Spring of 1980. (from the title page)

Okyo and the Maruyama-Shijo School of Japanese Painting

St. Louis: Art Museum

9 By 11`` Top corners of soft cover have been folded. No other damage. AMERICAN WEST ART, 271 pages of photos, paintings, history. NO Priority or International.

Frederic Remington: The masterworks

Hassrick, Peter H.

Buffalo Bill His

Abrams

The Artist in the kitchen: A cookbook

Scott, Bebe

Maritz, Ann

The Saint Louis Art Museum

From the Forward: The collection of ancient Chinese bronzes held by the St. Louis Art Museum has steadily grown in both size and significance since it's inception in 1916. For the museum, this is the first publication of the bronzes as a group since J. Edward Kidder, Jr's 'Early Chinese Bronzes' in 1956. We welcome the opportunity to present this portion of the collection and a new consideration of these works of art. The present volume contains a valuable range of information placing the bronzes in a variety of contexts. Each section contributes to a fuller knowledge of the works, their original identity, their physical history as surviving artifacts of great age, and their value as objects of appreciation and acquisition.

Ancient Chinese bronzes in the Saint Louis Art Museum

Saint Louis Art Museum

Father and daughter Orazio and Artemisia Gentileschi were unusual and gifted artists. Orazio Gentileschi (1563-1639) was the most talented follower of Caravaggio and a figure of international renown, active at the courts of Marie de' Medici in France, Charles 1 in England, and in Rome, Genoa, and Turin. Artemisia (1593-1652/3) was the first Italian woman artist who was not only praised for her art by her contemporaries but whose paintings influenced the work of later generations. She is today a key figure in gender studies. Essays by an international group of art historians not only explore the development of each of these two painters individually but also compare their work, showing how both were influenced by their times and milieus. The book also includes new transcriptions of key parts of the notorious rape trial of Artemisia. This beautiful book is the catalogue for the first full-scale exhibition of the works of Orazio and Artemisia Gentileschi, held at The Metropolitan Museum of Art from 14th February to 12th May 2002, travelling thereafter to the St Louis Art Museum and to Rome.

Orazio and Artemisia Gentileschi

Christiansen, Keith

Gentileschi, Artemisia

Mann, Judith Walker

Gentileschi, Orazio

Museo Di Palazzo Venezia (Rome, Italy)

Metropolitan Museum Of Art (new York, N.y.)

Collections, Catalogs & Exhibitions

Metropolitan Museum of Art

NY: PaceWildenstein, 1994. folded card covers, as issued. 107pp., 54 plates, 12 figures, mostly color., essay by jeremy strick. reference material. Exhibition Catalogue. PaceWildenstein

The Sublime Is Now: The Early Work of Barnett Newman

Strick, Jeremy

Newman, Barnett

Walker Art Center

Pace Gallery

Pace Wildenstein

Cooper, Harry, Hecker, Sharon, Rosso, Medardo, Arthur M. Sackler Gallery (Smithsonian Institution)

Medardo Rosso: Second Impressions

Fogg Art Museum

Arthur M. Sackler Gallery (Smithsonian Institution)

Cooper, Harry

Rosso, Medardo

Hecker, Sharon

Nasher Sculpture Center

Sculpture

Harvard Univ Art Museum

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