In the Light of Italy: Corot and Early Open-Air Painting

Prominent art historians Philip Conisbee, Sarah Faunce, Jeremy Strick, Peter Galassi, and Vincent Pomarede discuss the cultural, theoretical, and art historical background of this school of outdoor painting. They examine the early history of open-air painting, its theory and practice, the sites of Rome and southern Italy that were painted, and the delicate balance that existed among realism, memory and imagination. A rich selection of representative paintings is discussed and reproduced. The book is the catalogue for an exhibition at the National Gallery of Art, Washington, the Brooklyn Museum, and the Saint Louis Art Museum.

Strick, Jeremy

Conisbee, Philip

Faunce, Sarah

Biographies & Memoirs

National Gallery Washington

The Swami Vivekananda's speech to the World's Parliament of Religions in Chicago in 1893 is the centerpiece of Indian artist Jitish Kallat's new work, Public Notice 3. The installation went on view at the Art Institute of Chicago on September 11, 2010, exactly 108 years after Vivekananda delivered his groundbreaking address calling for an end to "bigotry and fanaticism." The text of the speech appears on the risers of the Art Institute of Chicago's Grand Staircase where it is illuminated in the five colors—red, orange, yellow, blue, and green—designated by the United States Homeland Security Advisory System to signify threat levels. This companion book, which documents the installation, is the first full-scale exploration of Kallat's work published by a North American institution. Along with an interview with the artist, essays contextualize Public Notice 3 within the space of the installation and evaluate Kallat's oeuvre within an international context.

Jitish Kallat: Public Notice 3

Arts & Photography

History & Criticism

Art Institute of Chicago

TO CELEBRATE THE ADDITION OF OVER 100 WORKS TO THE MUSEUM'S COLLECTIONS.

Modern & Contemporary Art: The Lannan Collection at the Art Institute of Chicago (Museum Studies Vol. 25, No. 1)

Art Inst of Chicago

Louise Bourgeois' drawings for the La Fabrica Matador series of "Artist Portfolios," originally produced in 1999, are executed on music notation paper using red, blue and black ballpoint pens. In a short statement written for the portfolio, Bourgeois writes: "At first there is terrific tension. Then slowly line, shape, space and color, like notes on a score, begin to form a rhythm."

Louise Bourgeois: The Personages

St Louis City Art Museum

Masterworks from Stuttgart: The Romantic Age in German Art

Staatsgalerie Stuttgart

Streicher, Elizabeth

1996 Edition. No markings. No creases. Bought at National Gallery. From private collection. Well taken care of.

BROOKLYN MUSEUM

National Gallery Of Art (u.s.)

Natl Gallery of Art

NY: PaceWildenstein, 1994. folded card covers, as issued. 107pp., 54 plates, 12 figures, mostly color., essay by jeremy strick. reference material. Exhibition Catalogue. PaceWildenstein

The Sublime Is Now: The Early Work of Barnett Newman

Newman, Barnett

Walker Art Center

St. Louis Art Museum

PACE GALLERY

Pace Wildenstein

Isamu Noguchi: Stones and water : May 1 - June 26, 1998, PaceWildenstein

Pace Gallery

Saucy and ironic, Sam Durant's works address utopias and their failures, crossing events from the recent American past to create relationships between the art historical, pop cultural, and political phenomena that have come to define popular culture over the past 35 years. Conceptually conceived, multimedia in practice, Durant's installations refer to such guiding figures as Robert Smithson, Mick Jagger, Neil Young, and Black Panther cofounder Huey Newton.

Sam Durant

Young, Kevin

Darling, Michael

Kulenkampff, Georg

Hatje Cantz Publishers

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Books by Strick, Jeremy