Offers a glance into Warhol's life, discussing his pop art reproductions of Marilyn Monroe, soup cans, and Coca Cola bottles, his perceptions of society, and his experiments with drugs.

Andy Warhol

Schaffner, Ingrid

Biographies & Memoirs

ANDREWS MCMEEL PUB.

Philadelphia-born Dadaist/Surrealist photographer and painter Man Ray (1890-1976) delighted in shocking viewers with works designed to amuse, annoy, bewilder, and mystify. This lush volume is a captivating look at the man who settled in Paris and became one of the most famous expatriate artists of the 20th century.

The Essential Man Ray

Arts & Photography

Individual Artists

Harry N. Abrams

Describes the artistic career and major works of Joseph Cornell.

The Essential Joseph Cornell

The Essential Vincent van Gogh

Jeanne Silverthorne

TANNENBAUM, Judith

Isaak, Jo Anna

Silverthorne, Jeanne

Institute of Contemporary Art, University of Pennsylvania

Polly Apfelbaum creates what she calls "fallen paintings," hybrid works of rare beauty that exist in a contentious, ambivalent space between painting, sculpture and installation. These works transform the colors of mass culture into wild oscillating spectra bordering on the organic. This volume accompanies the first large museum survey of her work, and features new and recent installations as well as a range of work from the past 15 years.

Polly Apfelbaum

SANDLER, Irving

Griffin, Tim

ICA Philadelphia

A painter diarist, Sarah McEneany brandishes a strong outsider undercurrent in her treatment of herself, her home and studio, and her Philadelphia neighborhood. With a naïve verisimilitude, she accounts for every detail in a colorful manner, but leaves her paintings flat and fantastical in the manner of the Persian, Indian and Early Renaissance art that inspires her. Florine Stettheimer, Reginald Marsh and Frida Kahlo also come to mind when considering her canvases, as they too are artists who have narrated their own lives, while in the process depicting life conducted in and around the studio. Included in this catalogue, which accompanies the first museum exhibition of McEneaney's paintings, are a lengthy essay by ICA Senior Curator Ingrid Schaffner, as well as numerous shorter essays on individual paintings.

Sarah Mceneaney

Neff, Eileen

Gonzales, Elyse

Karen Kilimnik

Published on the occasion of the first major museum survey of Karen Kilimnik's work, a traveling exhibition with stops in Philadelphia, Miami, Aspen and Chicago, this chic but scholarly catalogue is the most substantial on the artist to date. It highlights an important American artist whose work objectifies mass-cultural desire with glittering poignancy and includes a nuanced selection of 15 years worth of collage-based activity in the realms of painting, drawing, photography, sculptural installation and object-making, as well as new work. Fully illustrated at 180 pages, it features an essay by exhibition curator Ingrid Schaffner which analyzes the development of the artist's work and its historic contexts as well as four contributions from authors who address a theme or image within the work. Thus, cultural critic Wayne Koestenbaum addresses gossip; dance historian Joel Lobenthal writes on ballet; Associate Curator at the Museum of Contemporary Art Chicago, Dominic Molon, focuses on influence; and Artforum Senior Editor Scott Rothkopf considers Kilimnik's titles. Includes a complete bibliography and an illustrated exhibition chronology. Called "sharp and witty" and "long overdue" for major recognition by The New York Times' Holland Cotter, Kilimnik is an important international artist with an extensive publication and exhibition history. Born in Philadelphia in 1955, she studied architecture at Temple University and continues to live in the region. Since 1991, her work has been represented by 303 Gallery in New York. She has had recent solo exhibitions at the Museum of Modern Art, Ireland, and White Cube, London. In 1992, ICA Philadelphia presented Kilimnik's first museum show as part of its "Investigations" series.

Koestenbaum, Wayne

Rothkopf, Scott

Lobenthal, Joel

Molon, Dominic

History & Criticism

Dirt on Delight is the catalogue for the ICA Philadelphia's hit exhibit of 2009; in a rave review for The New York Times, Roberta Smith observed that this "close to groundbreaking" show, in its diversity, reminds us that ceramics "has one of the richest histories of any medium on the planet," and the works gathered here range from modestly-scaled pots to larger installations, crossing false delineations between fine arts, crafts and "outsider" practices. Among the artists included are Robert Arneson, Kathy Butterly, Nicole Cherubini, Lucio Fontana, Viola Frey, Jane Irish, Ron Nagle, George Ohr, Ken Price, Sterling Ruby, Peter Voulkos, Beatrice Wood and Betty Woodman.

Dirt on Delight: Impulses That Form Clay (INSTITUTE OF CO)

Adamson, Glenn

Porter, Jenelle

Collections, Catalogs & Exhibitions

From Picasso to Pollock highlights the history of the aesthetic vanguard from early Modernism through Abstract Expressionism. With distinctive focus yet remarkable comprehensiveness, From Picasso to Pollock unites the major artists and developments of the first half of the twentieth century through significant examples of non-objective, Cubist, Surrealist, Expressionist and Abstract Expressionist painting and sculpture. A deep and broad assembly of masterpieces has been chosen from the Guggenheim's formative collection, and through it the viewer may perceive the era of Modern art emerging in all its diversity and complexity. Included here are reproductions of and short texts on seminal works by Brancusi, Braque, Chagall, de Kooning, Delaunay, Ernst, Fontana, Kandinsky, Klee, Léger, Malevich, Matisse, Miró, Modigliani, Mondrian, Popova and Schiele. Narrative biographies on a number of these artists are included, as well as a short, illustrated history of the collection by Lisa Dennison. From Picasso to Pollock is the second in a trilogy from the Guggenheim which highlights the greatest strengths of the museum's collection. The first title, Moving Pictures, showcased contemporary photography and video, and the third, Primary Forms, considered Minimalism, Conceptualism and their more contemporary progeny.

From Picasso To Pollock: Modern Art from the Guggenheim Museum

Guggenheim Museum Publications

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Books by Schaffner, Ingrid