A comprehensive volume—overseen by the artist himself—on one of the most renowned living artists today, Takashi Murakami. Takashi Murakami is celebrated the world over for his deft blurring of high and low art. In this volume, accompanying a major exhibition of his work and the first in the Middle East, readers are immersed in the unique way Murakami channels the ecstasy and anxiety of contemporary culture. Conceived by the artist as a self-portrait in the guise of a cartoon, Murakami – Ego illuminates the role of the artist as a cipher and critic of pop phenomena as well as a mirror of global networks of consumerism, interpretation, and exchange. The book features some of the artist’s most celebrated series, including Kaikai Kiki Lots of Faces and Pom and Me. Murakami has conceived of the exhibition itself as a work of art, creating new modes of display that include sculptural pedestals with digital animation, a circus tent that doubles as an indoor cinema, and an impressive 300-foot-long painting, all of which are featured in the book. In addition to an interview by curator Massimiliano Gioni, Murakami will contribute writings on various works.

Murakami: Ego

Arts & Photography

Murakami, Takashi

History & Criticism

Rizzoli Electa

This new gorgeous and diverse collection documents the exhibition 00 at the Barbara Gladstone Gallery in New York. For this exhibition, over one hundred prominent contemporary artists were asked to submit works on paper that were made this year--in '00'. 00 investigates the act of drawing as a vital necessity that transcends the bounds of age, nationality, scale, content, process, and concept. The richness of the medium is reflected by the diversity of the participating artists, who include: Acconci Studio, Kai Althoff, John Baldessari, Miroslaw Balka, Matthew Barney, John Bock, Louise Bourgeois, Cecily Brown, Vija Celmins, Francesco Clemente, Michael Craig-Martin, John Currin, Roy Dowell, Marlene Dumas, Carroll Dunham, Rachel Feinstein, Tim Gardner, April Gornik, Arturo Herrera, Gary Hume, Sol LeWitt, Anish Kapoor, Ellsworth Kelly, Yayoi Kusama, Mark Manders, Brice Marden, Chris Ofili, Elizabeth Peyton, Elle Phelan, Lari Pittman, Richard Prince, Charles Ray, Gregor Schneider, Richard Serra, Serse, Takashi Murakami, Rirkrit Tiravanija, Rosemarie Trockel, Kara Walker, Lawrence Weiner, and Christopher Wool. The resulting exhibition and its accompanying catalogue--including an illuminating essay by the curator and writer Klaus Kertess--act as a definitive survey of the practice of drawing at the present moment.

00: Drawings 2000 At Barbara Gladstone Gallery

Baldessari, John

Clemente, Francesco

Dunham, Carroll

Dumas, Marlene

Craig-Martin, Michael

BARNEY, Matthew

Ofili, Chris

Currin, John

Pittman, Lari

Kertess,klaus

Feinstein, Rachel

Bourgeois, Louise

Althoff, Kai

Celmins, Vija

Acconci Studio

Balka, Miroslaw

Brown, Cecily

Dowell, Roy

Gornik, April

Phelan, Ellen

Serse

Bock, John

Gardner, Tim

Collections, Catalogs & Exhibitions

Barbara Gladstone Gallery

Translated from the Japanese bestseller, this story centers on Oto-san, a man who finds himself abandoned by his family and friends with nothing in his life happening the way he had planned. He embarks on a road trip to escape it all, and he soon discovers the only one he can count on completely is his faithful, recently adopted dog, who helps him see the light at the end of the tunnel. Illustrating the valuable lessons of friendship and loyalty, this is a heartwarming tale of two endearing characters and their shared adventure into the unknown.

Stargazing Dog

Comics & Graphic Novels

Manga

NBM Publishing

Japanese animation, or anime, which has attained cult status among young people globally during the past several decades, is increasingly breaking into the mainstream. My Reality: Contemporary Art and the Culture of Japanese Animation, investigates the influence of this form of pop culture on today's art in Japan, other Asian countries, and the West.

My Reality: Contemporary Art And The Culture Of Japanese Animation

Nara, Yoshitomo

Fleming, Jeff

PATTERSON, RICHARD

White, Charlie

McCarthy, Paul

Mori, Mariko

Moffatt, Tracey

Sachs, Tom

Essenhigh, Inka

Benedict, Matthew

Bul, Lee

Chiezo, Taro

Esber, James

Inamoto, Masakatu

Kato, Mika

Klein, Micha

Manetas, Miltos

Torimitsu, Momoyo

Yanobe, Kenji

Independent Curators International, New York

su-per-no-va: n., pl. A rare celestial phenomenon involving the explosion of most of the material in a star, resulting in an extremely bright, short-lived object that emits vast amounts of energy. Given the massive shift in the West's cultural sensibility in the wake of the 9/11 attacks and the current global political situation, the 1990s and its over-the-top, anything-goes art scene suddenly appear much more historical than contemporary. If we really are at the turning point that we seem to be, then we've arrived at a particularly opportune moment for reconsideration, for assessing the legacy of the decade after the frenzy has subsided. Supernova brings together a number of curators and critics--each of whom was actively involved in constructing the 1990s art discourse--to step back and consider what trans-identity, broad-based thematic trends can now be identified as emblematic of, or seminal to, the decade. The Kent and Vicki Logan collection of contemporary art offers a compelling and visually alluring vehicle to consider such issues, as these ambitious collectors were firmly planted at the center of the scene--acquiring some of the most challenging and iconic art of the period, including works by Young British Artists (YBAs), Asian practitioners and a diverse array of influential women artmakers. In Supernova, reproductions of these artists' works are dispersed among contributors' essays, which explore such themes as beauty and the abject, iconoclasm and the role of social activism in art.

Supernova: Art of the 1990s From the Logan Collection

Benezra, Neal

HIRST, Damien

Gober, Robert

Gonzalez-Torres, Felix

Siegel, Katy

Zhang, Huan

Antoni, Janine

Yuskavage, Lisa

Fritsch, Katharina

Grynzstejn, Madeleine

D.A.P./San Francisco Museum of Modern Art

Murakami

The Museum of Contemporary Art

Summon Monsters? Open The Door? Heal? Or Die?

Self-Help

Personal Transformation

Hiropon Factory

As elements of our life move closer to art, and as art moves directly into life, the differences between the artificial and real are becoming progressively blurred. Form Follows Fiction focuses on a generation of artists who can no longer follow the modernist dictum "form follows function"; as our model of reality becomes more layered and less concrete, that decree morphs inevitably into "form follows fiction." Some of these artists create structures that intersect with everyday life, while others construct elaborate fictional systems that fuse elements of reality and fantasy. Some fashion elaborate invented worlds where past, present, and future are collapsed into one and where art historical icons and the debris of contemporary pop culture have equal relevance. All have developed new models of contemporary reality that are as fictional as they are real. Form Follows Fiction was conceived as a sequel to the 1992 exhibition Post Human, also curated by Jeffrey Deitch, which explored a new model of the human condition, pushing deep into the confusion between the artificial and the real.

Form Follows Fiction

Eliasson, Olafur

Walker, Kara

Aitken, Doug

Ritchie, Matthew

Ackermann, Franz

Orozco, Gabriel

Guo-Qiang, Cai

Beecroft, Vanessa

Adler, Amy

Noble, Tim

Webster, Sue

Khedoori, Toba

Laurette, Matthieu

Kauper, Kurt

Manzelli, Margherita

Rist, Pipilotti

Gianelli, Ida

Charta

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Books by Murakami, Takashi