An arresting volume to commemorate Olafur Eliasson’s latest work of installation art, featuring lush illustrations and unique insights from participating writers, photographers, and artists
One of the most wide-ranging and ambitious creative minds of his generation, Icelandic-Danish artist Olafur Eliasson has produced a dizzying spectrum of work around the world. Perhaps best known in the United States for his 2008 New York City Waterfalls installation, his constant inventiveness and public projects have entranced huge numbers of people. Working in a variety of fields and media, there is no end to his creative ambition and the delight his works elicit.
The title of the book and accompanying exhibition refers to the glaciers that formed the landscape around the installation’s site in Denmark, their traces still evident in the site’s topography and geology. The project does not end at the property boundaries, but incorporates the entire surrounding landscape. Five mirrors, ranging from a perfect circle to elongated ellipses, reflect the changing sky above and the contemplator’s own gaze as though in the surfaces of glacial pools.
This publication offers a unique and highly detailed insight, captured over the course of four seasons, of this singular landscape. Working with geologists, landscape architects, and other specialists, Eliasson has created an outdoor space only a privileged few will ever see. This publication documents and enhances the work through photographs, essays, and collaborators who render the power of the project in images and words. 100+ color illustration count

Your Glacial Expectations

Arts & Photography

Eliasson, Olafur

Vogt, Günther

History & Criticism

Thames&Hudson

From the celebrated artist's own studio, an ambitious publication documenting the past twenty years of his large-scale projects challenging the divisions between art and architectureUnspoken Spaces is the first major book on Olafur Eliasson’s architectural projects and works in public spaces around the globe. The book explores, often in Eliasson’s own words, the artist’s driving interest in finding visionary shapes to represent abstract ideas, and presents an extraordinary visual journey through spheres, tunnels, towers, walkways and archways, as well as pavilions and larger buildings realized by Eliasson and his studio since the late 1990s. Eight essays by writers across a variety of fields―from geologists and historians of art and science to architects, artists and philosophers―give further insight into the work of Olafur Eliasson. Works in Unspoken Spaces range from small-scale experiments to largescale projects in the public realm, among them striking buildings such as the Serpentine Gallery Pavilion 2007 in London (with Kjetil Thorsen), Your rainbow panorama (2006–2011) in Aarhus, Denmark, the crystalline façades for Harpa Concert Hall and Conference Centre in Reykjavik (2005–11), and Cirkelbroen (The circle bridge) in Copenhagen, Denmark, 2015. Each work is presented with vivid photographs and accessible in-depth project descriptions as well as Eliasson’s more personal statements. Unspoken Spaces includes a range of Eliasson’s creations―"reality machines," as he calls them―many of which have never appeared in print. A section of the book explores unrealized and unfinished projects. The contributing writers are Alex Coles, Lorraine Daston, Carol Diehl, Eric Ellingsen, Timothy Morton, Molly Nesbit &amp; Minik Rosing. 300+ illustrations

Unspoken Spaces

Assembled from the wisdom of 36 legendary art teachers – all of them artists or critics at the top of their field – Akademie X: Lessons in Art + Life is an ideal curriculum for the aspiring artist.
Each of the book’s "tutors" has provided a unique lesson that aims to provoke, inspire and stimulate the aspiring artist. These lessons cover some combination of the following: technical advice (e.g. don’t make a sculpture bigger than your studio door), assignments (some of which will take five minutes to complete, others five years), tips for avoiding creative ruts (including suggestions for mind&amp;hyphen;expanding materials to read, watch or listen to), principles of careful looking (demonstrated with images of artworks, photographs, films or even billboard advertisements), advice on the daily practice of art (how to balance time alone in the studio with building an artistic community), career pointers (how to prepare for a studio visit from a curator or gallerist) and personal anecdotes (e.g. stories from the instructor’s own humble beginnings). Taken together, these lessons offer the reader a set of tools for thinking, seeing and living as an artist.
Not only is Akademie X: Lessons in Art + Life the first illustrated text book of its kind for artists, but it will also appeal to anyone interested in contemporary art, providing first hand revelations into the philosophies and techniques of some of the world’s best artists and writers.

Akademie X: Lessons in Art + Life

Abramović, Marina

Graham, Dan

Studio Raqs Media Collective

Phaidon Press

A cookbook with over 100 vegetarian recipes for the home cook from the studio kitchen of world-renowned artist Olafur Eliasson.
Discover the act of cooking and eating in a creative environment with Studio Olafur Eliasson: The Kitchen.
Featuring over 100 vegetarian recipes cooked at Olafur Eliasson's studio kitchen, these recipes have served as nourishment and source of creative inspiration and communal discussion every day for his staff, artists, and guest collaborators, including René Redzepi and Alice Waters.
Foreword by Alice Waters, who has cooked in the kitchen, and shares Olafur's vision for cooking and eating together as a daily connection that inspires.

Studio Olafur Eliasson: The Kitchen

Cookbooks, Food & Wine

Studio Olafur Eliasson, Studio Olafur

Cooking by Ingredient

Experience spans Eliasson's career to date via images of his installations, sculptures, paintings, photographs, films, architectural projects, and interventions in public space - each with an extended caption to guide readers through the work
Conceived in close collaboration with the artist, this survey tracks almost three decades of Eliasson's artistic practice - including works completed in 2018. Hundreds of illustrations are introduced by a perceptive essay by art historian Michelle Kuo and an interview with Eliasson. The book provides an unparalleled overview of his creative output, which speaks to an astonishingly varied audience, from large-scale installations such as The weather project, which drew over two million visitors to London's Tate Modern in 2003-4, to smaller, more delicate works, such as watercolours, compasses, and glass works. Views of his dynamic studio in Berlin round out the picture.
An inspiring guide to the work of one of today's most multi-faceted and influential artists, Experience includes such pivotal artworks as Green river (1998), Ice Watch (2014), and Waterfall at the Palace of Versailles in Paris (2016), and gives an invaluable glimpse into many of his lesser-known works. It also features brand-new projects A view of things to come, Reality projector, and The unspeakable openness of things, which was installed in Beijing in March 2018.
From the publisher of Olafur Eliasson and Studio Olafur Eliasson: The Kitchen.

Experience

Humor & Entertainment

At once an installation artist and photographer, Olafur Eliasson is noted for conceptual works based on architecture, science, and natural phenomena. Through his installations--composed of materials such as ice, water, light, and metallic crystalline structures--and photographic series of landscapes, he generates a close connection between the phenomenology of things and their surroundings. His work sets out from human perception and, as he himself puts it, "questions the way we see and all the different systems of seeing." This first survey of Eliasson's photographic works focuses on an aspect of his oeuvre that has heretofore been marginalized, contextualizing his photographic projects within his broader scheme and within the history of contemporary art.

Olafur Eliasson: Photographs

Drutt, Matthew

Individual Artists

Menil Foundation

An updated and expanded edition of the acclaimed in-depth monograph on one of the most influential artists of our time 
Conceived in close collaboration with the artist, this updated survey tracks Eliasson's artistic practice from the 1990s to the present day, including recent exhibitions at Tate Modern, London (In real life, 2019) and the Beyeler Foundation, Basel (Life, 2021). 
Through hundreds of illustrations bracketed by writings on and by Eliasson, this book provides an unparalleled overview of his remarkably accessible output, from such large-scale interactive experiences as The weather project at Tate Modern, London (2003) to smaller, more delicate works on paper or made of glass, and includes photography, painting, and film.

Experience: Revised and Expanded Edition

Excerpt. © Reprinted by permission. All rights reserved.\nSince 2009, Olafur Eliasson has produced a large number of paintings collectively known as the Colour Experiments. Painted on round canvases, often with holes at the center, these paintings suggest alternative color wheels to those taught in schools. For Colour experiment no. 109, a color-calibrated photograph was made of Monet’s Vétheuil in Winter, which resulted in a high-quality print that was sent to Studio Olafur Eliasson, in Berlin. Eliasson and the painter Sylvain Brugier then abstracted the palette from the subject matter, spreading the colors out onto the surface of the round canvas in a gradient color wheel, transitioning from dark to light. The circumference of Eliasson’s painting is large enough to contain the original painting by Monet, embracing it within the color wheel. The artwork was two years in the making.\nNew volume in the Frick Diptych series features an essay by Susan Grace Galassi, curator emerita at The Frick Collection, paired with a contribution from renowned artist Olafur Eliasson 
Claude Monet’s Vétheuil in Winter (1878-79), painted during the artist’s first winter in the village, depicts his new home on the Seine, seen from the opposite bank of the river. Monet’s two and a half years in Vétheuil, a small farming community northwest of Paris, saw two severe winters, the inspiration for this masterpiece. The Frick’s painting is a key work by Monet, in the new “impressionist” style, painted only 4 years after the first Impressionist show in Paris; it was Monet’s painting called Impression, Sunrise that led to the term impressionism being coined. 
Susan Grace Galassi has written an insightful and engaging essay about Monet’s difficult but productive time in Vétheuil, which saw the death of his wife Camille. The Frick's Monet painting, the only work by the artist in the collection, is the basis for other significant canvases made during his stay in the village in both winter and summer. Galassi's essay is accompanied by a text and intriguing new work—Colour experiment no. 109—by the artist Olafur Eliasson, created in response to the Monet painting. Eliasson’s work will be shown at the Frick next to the painting that inspired it.

Monet's Vétheuil in Winter (Frick Diptych, 8)

Galassi, Susan Grace

GILES

This striking catalog, designed by Irma Boom, showcases the spectacular work of world-renowned contemporary artist Olafur Eliasson. Contact, Olafur Eliasson’s inaugural exhibition at the Fondation Louis Vuitton in Paris, addresses the themes of light—or rather, darkness and shadows—space, and time in installations that create a visceral experience for the spectator. The book features critical essays, an interview between the artist and curators, and sketches and preparatory drawings. It showcases the artist’s works in full color on black paper, emphasizing the luminosity of the show, accentuating the interplay of shadow and light, and rendering this volume a collectible artist’s book.

Olafur Eliasson: Contact

Flammarion

The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a constitutive element of spaces, private or public. We both work within a field of spatial experimentation that renders conceptual differences between art and architecture superfluous.” The publication comprises extensive visual material documenting the development and realisation of the pavilion; two essays by Doreen Massey, Professor of Geography at The Open University (UK), and Andreas Ruby, architecture critic; a conversation between Olafur Eliasson, Kjetil Thorsen, Hans Ulrich Obrist and Julia Peyton-Jones (Co-directors, Serpentine Gallery).

Serpentine Gallery Pavilion 2007

Reference

Thorsen, Kjetil

Foreign Language Study & Reference

Lars Müller Publishers

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