Exhausting Dance

The only scholarly book in English dedicated to recent European contemporary dance, Exhausting Dance: Performance and the Politics of Movement examines the work of key contemporary choreographers who have transformed the dance scene since the early 1990s in Europe and the US.  Through their vivid and explicit dialogue with performance art, visual arts and critical theory from the past thirty years, this new generation of choreographers challenge our understanding of dance by exhausting the concept of movement. Their work demands to be read as performed extensions of the radical politics implied in performance art, in post-structuralist and critical theory, in post-colonial theory, and in critical race studies.  In this far-ranging and exceptional study, Andre Lepecki brilliantly analyzes the work of the choreographers:  * Jerome Bel (France)* Juan Dominguez (Spain)* Trisha Brown (US)* La Ribot (Spain)* Xavier Le Roy (France-Germany)* Vera Mantero (Portugal) and visual and performance artists:  * Bruce Nauman (US) * William Pope.L (US). This book offers a significant and radical revision of the way we think about dance, arguing for the necessity of a renewed engagement between dance studies and experimental artistic and philosophical practices.   

Exhausting Dance: Performance and the Politics of Movement

Arts & Photography

Lepecki, André

Performing Arts

Routledge

The only scholarly book in English dedicated to recent European contemporary dance, Exhausting Dance: Performance and the Politics of Movement examines the work of key contemporary choreographers who have transformed the dance scene since the early 1990s in Europe and the US. Through their vivid and explicit dialogue with performance art, visual arts and critical theory from the past thirty years, this new generation of choreographers challenge our understanding of dance by exhausting the concept of movement. Their work demands to be read as performed extensions of the radical politics implied in performance art, in post-structuralist and critical theory, in post-colonial theory, and in critical race studies. In this far-ranging and exceptional study, Andre Lepecki brilliantly analyzes the work of the choreographers: * Jerome Bel (France) * Juan Dominguez (Spain) * Trisha Brown (US) * La Ribot (Spain) * Xavier Le Roy (France-Germany) * Vera Mantero (Portugal) and visual and performance artists: * Bruce Nauman (US) * William Pope.L (US). This book offers a significant and radical revision of the way we think about dance, arguing for the necessity of a renewed engagement between dance studies and experimental artistic and philosophical practices.

DANCE /ANGLAIS (DOCUMENTS OF CO)

History & Criticism

WHITECHAPEL GAL

Operating at the intersections of dance, art and performance for nearly 40 years, acclaimed Japanese movement/performance artists Eiko &amp; Koma have built up an enormously influential body of movement-theater productions, including theatrically staged performances, site works, dance videos, gallery-based performance installations and collaborations with leading music, dance and visual artists. Time Is Not Even, Space Is Not Empty presents a complete, illustrated catalogue of their dance works, alongside editor's and choreographer's notes, reprints of primary source and other archival material, and a series of newly commissioned written responses by Anna Halprin, Dean Otto, Sam Miller, Peter Taub and others. A distinguished group of scholars from the dance and visual arts fields offer interpretations of the artists' work, including a history of the artists' relationship with the institution by Walker curator Philip Bither; an in-depth overview by Suzanne Carbonneau, Professor of Performance at George Mason University and Director of the Institute for Dance Criticism at the American Dance Festival; an essay on the sculptural qualities of Eiko &amp; Koma's movement by André Lepecki, Associate Professor at New York University's Tisch School of Performance Studies; and a reflection/interview with the artists on their formative years in Japan and the U.S. by Doryun Chong, Associate Curator at the Museum of Modern Art in New York. Two visual essays"" by noted photographers Philip Trager and Jan Henle and a selection of poems by Forrest Gander round out the volume.""

Eiko & Koma: Time Is Not Even, Space Is Not Empty

Carbonneau, Suzanne

Chong, Doryun

Bither, Philip

Gander, Forrest

Walker Art Center

Singularities

How does the production of performance engage with the fundamental issues of our advanced neo-capitalist age?   André Lepecki surveys a decade of experimental choreography to uncover the dual meaning of ‘performance’ in the twenty-first century: not just an aesthetic category, but a mode of political power. He demonstrates the enduring ability of performance to critique and subvert this power, examining this relationship through five ‘singularities’ in contemporary dance: thingness, animality, persistence, darkness, and solidity.  Exploring the works of Mette Ingvartsen, Yvonne Rainer, Ralph Lemon, Jérôme Bel and others, Lepecki uses his concept of ‘singularity’―the resistance of categorization and aesthetic identification―to examine the function of dance and performance in political and artistic debate.

Singularities: Dance in the Age of Performance

How does the production of performance engage with the fundamental issues of our advanced neo-capitalist age? André Lepecki surveys a decade of experimental choreography to uncover the dual meaning of ‘performance’ in the twenty-first century: not just an aesthetic category, but a mode of political power. He demonstrates the enduring ability of performance to critique and subvert this power, examining this relationship through five ‘singularities’ in contemporary dance: thingness, animality, persistence, darkness, and solidity. Exploring the works of Mette Ingvartsen, Yvonne Rainer, Ralph Lemon, Jérôme Bel and others, Lepecki uses his concept of ‘singularity’―the resistance of categorization and aesthetic identification―to examine the function of dance and performance in political and artistic debate.

Contributions by Gertrud Koch, Bruce Mau. Text by Aleida Assman, Jan Assman, Gabriele Brandstetter, Friedrich Kittler, Andra Lepecki, C. Nadia Seremetakis.

ReMembering the Body: Body and Movement in the 20th

Brandstetter, Gabriele

Seremetakis, C. Nadia

Kittler, Friedrich

Assman, Aleida

Assman, Jan

Decorative Arts & Design

Hatje Cantz Publishers

Robin Rhode, born in 1976 in Cape Town, combines drawing and performance to create a sometimes grotesque effect; for example, painting the top view of a bike on a sidewalk and then photographing himself sitting on its seat, legs apart. This volume documents his drawings, photographs and videos.

Robin Rhode: Walk Off (German Edition)

Rosenthal, Stephanie

Boutoux, Thomas

Individual Artists

Hatje Cantz

Perforated by: Itziar Okariz and Sergio Prego Spanish Pavilion: Venice Biennale

Buckley, Craig

Aguirre, Peio

Moscoso, Manuela

Collections, Catalogs & Exhibitions

Verlag der Buchhandlung Walther Konig

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