American Indian Art. Form and Tradition

MartÍn

Libertus, Ron

Clark, Anthony M. Friedman

Walker Art Center

Book by Compton, Michael, Crimp, Douglas, Jenkins, Bruce, Mosebach, Martin

Marcel Broodthaers

Jenkins, Bruce

Crimp, Douglas

Mosebach, Martin

COMPTON, MICHAEL

Jennifer Losch Bartlett (b. 1941) is an American artist. She emerged as one of the most important artists of the 1980s. She is known for paintings and prints that combine the system-based aesthetic of Conceptual art with the painterly approach of Neo-expressionism. Many of her pieces are executed on small, square, enamel-coated steel plates that are combined in grid formations to create very large works. In JENNIFER BARTLETT, Marge Goldwater, curator of the exhibition for the Walker Art Center, has contributed a chronological survey of the paintings that discusses the polarities of control and passion - the desire to master space, media, subject matter, and draftsmanship that are crucial aspects of the painter's art. In a richly illustrated article, New York art critic Roberta Smith discusses Bartlett's many architectural commissions. These remarkable installations range from a dining room in the home of British collectors Doris and Charles Saatchi - in which Bartlett employed no fewer than ten materials including a lacquer screen, mirrors, ceramic and enamel tiles - to Bartlett's other commissions - her work for Philip Johnson's AT&amp;T Building, and her tour de force multi-media installation at the Volvo Corporation headquarters in Göteborg, Sweden.

Jennifer Bartlett

Arts & Photography

Goldwater, Marge

Smith, Roberta

Tompkins, Calvin

History & Criticism

Briefly traces the history of Tyler Graphics, shows examples of prints made by the firm, and discusses the techniques of print making and paper making

Tyler Graphics, the Extended Image

Armstrong, Elizabeth

Graphic Design

William T. Wiley (b. 1937) is an American artist. His practice spans a broad range of media including drawing, painting, sculpture, film, performance, and pinball. Some of Wiley's work has been referred to as funk art. He was born in Bedford, Indiana. Raised in Indiana, Texas, and Washington, Wiley moved to San Francisco to study at the California School of Fine Arts where he earned his BFA in 1960 and his MFA two years later. In 1963, Wiley joined the faculty of the UC Davis art department with Bay Area Funk Movement artists Robert Arneson and Roy DeForest. During that time Wiley instructed students including Bruce Nauman, Deborah Butterfield, and Stephen Laub. According to Dan Graham, the literary, punning element of Nauman's work came from Wiley. Wiley continued to build upon his growing stature as a major artist and now has works in the collections of the Art Institute of Chicago, the Museum of Modern Art, New York, the Whitney Museum of American Art, New York, the Corcoran Gallery of Art, Washington D.C., the San Francisco Museum of Modern Art, the Hirshhorn Museum and Sculpture Garden, Washington, D.C., the Los Angeles County Museum of Art, and the Museum of Fine Arts, Boston, among many others. Wiley was the recipient of the Guggenheim Fellowship Award in 2004.

Wiley territory

Wiley, William T

Picasso From the Musee Picasso Paris

Bozo, Dominique

Artist and printer: Six American print studios

Beal, Graham W.J.

Media Arts in Transition , 8 -11 June 1983 Walker Arts Center

The knee plays: The American section from The civil wars : a tree is best measured when it is down by Robert Wilson

Byrne,David

Bound in publisher's original wrappers with an illustrated front cover. Publisher's release letter laid-in.

Robert Motherwell the Collaged Image

Flam, Jack

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Books by Walker Art Center