I don't touch, I touch with the eye— David Smith Rosalind Krauss believes that the body of work produced by David Smith over the past three decades constitutes the most important sculptural achievement of this century. This book characterizes his work in a way that will make the reader see it on the grounds of its own intense originality. Several arguments are developed simultaneously in the text: an historical description of Smith's career which shows how, from the beginning, his art departed from the conventional concepts and criticized the essential conservatism of modern sculpture—whether the welded work of Picasso and Gonzalez or the constructivism of Gabo or the surrealism of Giacometti; an explicit analysis of a few of Smith's greatest works indicating that his stylistic ambitions were consistent throughout his career; and an iconographic explanation of the nature of Smith's imagery (the cannon, the totem, the sacrifice) as he insistently repeated it. Documentary evidence garnered from the sculptor's archive of sketchbooks and personal records supports this last argument. Dr. Krauss tracks the content of Smith's style back through the labyrinth of his development and examines the formal alternatives he found to 20th century sculpture—indicating that it was his ambition to completely restructure the relationship between the viewer and the single work of art. The book's basic supposition is that, by a variety of means, David Smith made sculpture that would defeat the viewer's attempt to possess it, either physically or intellectually; he created a sculptural language that arrogantly refuted possession, by touch or by theory of style. Indeed, the author asserts that a real understanding of Smith's sculpture will show that he did not, as his critics have said, predicate his work on a transformation of European art styles, or on characteristics of American abstract painting. His was a revolt from the historical community of ideas, from the concept of a volumetric core and a strict interpretation of media. The book acknowledges the man behind his self-created myth of vulcan, the welder-hero, to see how and at what level Smith's formal convictions intersected private sources of feeling. It covers his work from the first private, highly subjective pieces which lacked an organizing spine, to the large public sculptures which were formalized in related series (the Tanktotems, Zigs, and huge stainless steel cubes, discs, cylinders and bar that made up the Cubis). David Smith's work speaks for itself. Nearly 150 halftones complement Dr. Kreuss' compelling text: photographs of Smith's sculpture taken by the artist, illustrations of works that influenced him, and drawings from the Smith Archive.

Terminal Iron Works: The Sculpture of David Smith

Arts & Photography

KRAUSS, ROSALIND

Individual Artists

Mit Pr

OCTOBER 47: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 1988

Crimp, Douglas

Copjec, Joan

Michelson, Annette, (Editors)

MIT Press Journals

Art Since 1900: Modernism, Antimodernism, Postmodernism

A landmark study in the history of modern art€”revised, updated, and expanded.Conceived by four of the most influential art historians of our time, this groundbreaking book has now been updated and expanded to include the most recent developments in contemporary art. The original authors have been joined by David Joselit to provide the most comprehensive history of art in the twentieth and twenty-first centuries ever published.More than 120 articles are presented in a year-by-year structure, with each focusing on a crucial event€”from the creation of a seminal work to the opening of a major exhibition€”to tell the myriad stories of art from 1900 to the present. Key turning points and breakthroughs in modernism are explored, as are the antimodernist reactions that proposed alternative visions of art and the world. The book€™s flexible structure and extensive cross-referencing allow readers to follow the many developments in the art world

FOSTER, HAL

Bois, Yve-Alain

Joselit, David

Buchloh, Benjamin H.D.

Reference

Thames&Hudson

A landmark in art history and the most anticipated art publishing event of the new millennium. In this groundbreaking and original work of scholarship, four of the most influential and provocative art historians of our time have come together to provide a comprehensive history of art in the twentieth century, an age when artists in the United States, Europe, and elsewhere sought to overturn the traditions of the past and expectations of the present in order to invent new practices and forms. Adopting a unique year-by-year approach, Foster, Krauss, Bois, and Buchloh present more than 100 short essays, each focusing on a crucial event―the creation of a seminal work, the publication of an artistic manifesto, the opening of a major exhibition―to tell the story of the dazzling diversity of practice and interpretation that characterizes the art of the period. All the turning points and breakthroughs of modernism and postmodernism are explored in depth, as are the frequent and sustained antimodernist reactions that proposed alternative visions of art and the world. Illustrating the authors' texts are more than 600 of the most important works of the century, many reproduced in full color. The book's flexible structure and extensive cross-referencing allow readers to follow any one of the many narratives that unfold, whether that be the history of a medium such as photography or painting, the development of art in a particular country, the influence of a movement such as surrealism or feminism, or the emergence of a stylistic or conceptual category like abstraction or minimalism. Boxes give further background information on the important figures and issues. In their insightful introductions, the four authors explain the different methods of art history at work in the book, providing the reader with the conceptual tools for further study. Two roundtable discussions ―one at midcentury, the other at the close of the book―consider the questions raised by the preceding decades and look ahead to the art of the future. A glossary of terms and concepts completes this extraordinary volume. 600 illustrations, 400 in color

Art Since 1900: Modernism, Antimodernism, Postmodernism (Vol. 2: 1945 to the Present)

History

A landmark in art history and the most anticipated art publishing event of the new millennium.In this groundbreaking and original work of scholarship, four of the most influential and provocative art historians of our time have come together to provide a comprehensive history of art in the twentieth century, an age when artists in the United States, Europe, and elsewhere sought to overturn the traditions of the past and expectations of the present in order to invent new practices and forms.Adopting a unique year-by-year approach, Foster, Krauss, Bois, and Buchloh present more than 50 short essays, each focusing on a crucial event—the creation of a seminal work, the publication of an artistic manifesto, the opening of a major exhibition—to tell the story of the dazzling diversity of practice and interpretation that characterizes the art of the period. All the turning points and breakthroughs of modernism and postmodernism are explored in depth, as are the frequent and sustained antimodernist reactions that proposed alternative visions of art and the world. Illustrating the authors' texts are more than 300 of the most important works of the century, many reproduced in full color.The book's flexible structure and extensive cross-referencing allow readers to follow any one of the many narratives that unfold, whether that be the history of a medium such as photography or painting, the development of art in a particular country, the influence of a movement such as surrealism or feminism, or the emergence of a stylistic or conceptual category like abstraction or minimalism. Boxes give further background information on the important figures and issues.In their insightful introductions, the four authors explain the different methods of art history at work in the book, providing the reader with the conceptual tools for further study. A roundtable discussion at the close of the book considers the questions raised by the preceding decades and look ahead to the art of the future. A glossary of terms and concepts completes this extraordinary volume. 300 illustrations, 200 in color. This college edition also includes the Art 20 CD-ROM.

Art Since 1900: Modernism, Antimodernism, Postmodernism, Volume 1: 1900 to 1944 (College Text Edition with Art 20 CD-ROM)

History & Criticism

Art Since 1900: Modernism, Antimodernism, Postmodernism, Volume 2: 1945 to the Present (College Text Edition with Art 20 CD-ROM)

A landmark in art history and the most anticipated art publishing event of the new millennium.In this groundbreaking and original work of scholarship, four of the most influential and provocative art historians of our time have come together to provide a comprehensive history of art in the twentieth century, an age when artists in the United States, Europe, and elsewhere sought to overturn the traditions of the past and expectations of the present in order to invent new practices and forms. Adopting a unique year-by-year approach, Foster, Krauss, Bois, and Buchloh present more than 100 short essays, each focusing on a crucial event—the creation of a seminal work, the publication of an artistic manifesto, the opening of a major exhibition—to tell the story of the dazzling diversity of practice and interpretation that characterizes the art of the period. All the turning points and breakthroughs of modernism and postmodernism are explored in depth, as are the frequent and sustained antimodernist reactions that proposed alternative visions of art and the world. Illustrating the authors' texts are more than 600 of the most important works of the century, many reproduced in full color.The book's flexible structure and extensive cross-referencing allow readers to follow any one of the many narratives that unfold, whether that be the history of a medium such as photography or painting, the development of art in a particular country, the influence of a movement such as surrealism or feminism, or the emergence of a stylistic or conceptual category like abstraction or minimalism. Boxes give further background information on the important figures and issues.In their insightful introductions, the four authors explain the different methods of art history at work in the book, providing the reader with the conceptual tools for further study. Two roundtable discussions —one at midcentury, the other at the close of the book—consider the questions raised by the preceding decades and look ahead to the art of the future. A glossary of terms and concepts completes this extraordinary volume. 600 illustrations, 400 in color. This college edition also includes the Art 20 CD-ROM.

Art Since 1900: Modernism, Antimodernism, Postmodernism, Volumes 1- 2 (College Text Paperback Two-Volume Edition with Art 20 CD-ROM))

Five of the most influential and provocative art historians of our time have come together to provide a comprehensive history of art in the twentieth and twenty-first centuries―the most important chronicle of modern art for a generation. The authors of Art Since 1900 adopt a unique, year-by-year structure in which they present more than one hundred and twenty short essays, each focusing on crucial events and the creation of a seminal work, the publication of an artistic manifesto, or the opening of a major exhibition that tell the story of the dazzling diversity of practice and interpretation that characterizes art of this period. Each turning point and breakthrough of modernism and postmodernism is explored in depth, as are the frequent anti-modernist reactions that proposed alternative visions of art and the world. Art Since 1900 introduces students to the key theoretical approaches to modern and contemporary art in a way that enables them to comprehend the many “voices” of art in the twentieth and twenty-first centuries. 544 full-color and 246 black-and-white illustrations

Five of the most influential and provocative art historians of our time have come together to provide a comprehensive history of art in the twentieth and twenty-first centuries―the most important chronicle of modern art for a generation. The authors of Art Since 1900 adopt a unique, year-by-year structure in which they present more than one hundred and twenty short essays, each focusing on crucial events and the creation of a seminal work, the publication of an artistic manifesto, or the opening of a major exhibition that tell the story of the dazzling diversity of practice and interpretation that characterizes art of this period. Each turning point and breakthrough of modernism and postmodernism is explored in depth, as are the frequent anti-modernist reactions that proposed alternative visions of art and the world. Art Since 1900 introduces students to the key theoretical approaches to modern and contemporary art in a way that enables them to comprehend the many “voices” of art in the twentieth and twenty-first centuries. 233 full-color and 188 black-and-white illustrations

Art Since 1900: 1900 to 1944

Five of the most influential and provocative art historians of our time have come together to provide a comprehensive history of art in the twentieth and twenty-first centuries―the most important chronicle of modern art for a generation. The authors of Art Since 1900 adopt a unique, year-by-year structure in which they present more than one hundred and twenty short essays, each focusing on crucial events and the creation of a seminal work, the publication of an artistic manifesto, or the opening of a major exhibition that tell the story of the dazzling diversity of practice and interpretation that characterizes art of this period. Each turning point and breakthrough of modernism and postmodernism is explored in depth, as are the frequent anti-modernist reactions that proposed alternative visions of art and the world. Art Since 1900 introduces students to the key theoretical approaches to modern and contemporary art in a way that enables them to comprehend the many “voices” of art in the twentieth and twenty-first centuries. 311 full-color and 128 black-and-white illustrations

Art Since 1900: Modernism, Antimodernism, Postmodernism, Vol. 2 - 1945 to the Present, 2nd Edition

See the best price to sell, buy, or rent books by KRAUSS, ROSALIND. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by KRAUSS, ROSALIND

See the best price to sell, buy, or rent books by KRAUSS, ROSALIND. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Terminal Iron Works: The Sculpture of David Smith

OCTOBER 47: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 1988

Art Since 1900: Modernism, Antimodernism, Postmodernism

Art Since 1900: Modernism, Antimodernism, Postmodernism (Vol. 2: 1945 to the Present)

Art Since 1900: Modernism, Antimodernism, Postmodernism, Volume 1: 1900 to 1944 (College Text Edition with Art 20 CD-ROM)

Art Since 1900: Modernism, Antimodernism, Postmodernism, Volume 2: 1945 to the Present (College Text Edition with Art 20 CD-ROM)

Art Since 1900: Modernism, Antimodernism, Postmodernism, Volumes 1- 2 (College Text Paperback Two-Volume Edition with Art 20 CD-ROM))

Art Since 1900: Modernism, Antimodernism, Postmodernism

Art Since 1900: 1900 to 1944

Art Since 1900: Modernism, Antimodernism, Postmodernism, Vol. 2 - 1945 to the Present, 2nd Edition