With the dramatic increase in popularity of fashion exhibitions over the past decade, this groundbreaking book provides a timely look at the evolution of the practice, taking as its anchor the seminal 1971 Victoria and Albert Museum exhibition Fashion: An Anthology by Cecil Beaton, revealing it to be symptomatic of a shift in museological attitudes. The authors’ combined experience of more than forty years, one in architecture and exhibition design and the other in fashion history and curating, informs their detailed account of the exhibition. Accompanied by photographs of Beaton’s museum work published here for the first time, their narrative establishes a perspective from which to view working practices today. Research into international exhibitions from the early 20th century to the present results in some 150 stunning illustrations, including previously unpublished exhibition photographs and out-of-print documents. Through this research and the testimony of curators, exhibition designers, and mannequin manufacturers, the authors discover striking continuity in the development of the fundamental equation of mannequin, dress, and mise-en-scène. A comprehensive chronology from 1971 illustrates the exponential rise in exhibitions of Western dress on an international scale.

Exhibiting Fashion: Before and After 1971

Arts & Photography

Clark, Judith

De LA Haye, Amy

Collections, Catalogs & Exhibitions

Yale University Press

An exploration of the role of the handbag in the history of culture, fashion, and material production The history of the handbag—its design, how it has been made, used, and worn—reveals something essential about women's lives over the past 500 years. Perhaps the most universal item of fashionable adornment, it can also be elusive, an object of desire, secrecy, and even fear. Handbags explores these rich histories and multiple meanings.
This book features specially commissioned photographs of an extraordinary, newly formed collection of fashionable handbags that date from the 16th century to the present day. It has been acquired for exhibition in the first museum devoted to the handbag, in Seoul, South Korea. The project is a commission undertaken by experimental exhibition-maker Judith Clark, whose innovative practices are revealed in Handbags.
Essays by leading fashion historians and an acclaimed psychoanalyst investigate the history of gesture, the psychoanalysis of bags, and the museum's state-of-the-art mannequins and archive cabinets. In order to preserve the words that describe the unique qualities of each bag, a terminology of handbags has been compiled.

Handbags: The Making of a Museum

Evans, Caroline

Wilcox, Claire

Phillips, Adam.

Graphic Design

Hannah Gluckstein (who called herself Gluck; 1895–1976) was a distinctive, original voice in the early evolution of modern art in Britain. This handsome book presents a major reassessment of Gluck's life and work, examining, among other things, the artist's numerous personal relationships and contemporary notions of gender and social history. Gluck's paintings comprise a full range of artistic genres—still life, landscape, portraiture—as well as images of popular entertainers. Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artist is known for a powerful series of self-portraits that played with conventions of masculinity and femininity. Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter.

Gluck: Art and Identity

Pel, Martin

History & Criticism

<div>An exploration of how the rose--the most ravishingly beautiful and symbolic of flowers--has inspired fashion&nbsp;over hundreds of years&#8203; The Rose in Fashion:&nbsp;Ravishing is a fascinating exploration of how the rose has inspired the way we look, dress, feel, and fantasize. It foregrounds innovative, refined, and challenging fashion design from elite 18th-century woven silks to the latest gender-neutral catwalk trends and Alexander McQueen rose dresses. Drawing upon fashion clothing, everyday dress, millinery, fine jewelry, perfume, and artificial and fresh roses, multiple expert contributors make reference to love, beauty, sex, sin, gendered identities, rites of passage, transgression, degradation, and death. This sumptuously illustrated book also includes a contribution and stunning images of roses by visionary photographer Nick Knight. Wild yet cultivated, savage yet delicate, this flower has remained an enduring symbol perhaps due to its versatility and the dichotomies it represents.</div>

The Rose in Fashion: Ravishing

From the invention of the needle some 40,000 years ago to the birth of grunge in the 1990s; from the neolithic weavers to the biggest names in the fashion industry today - this is a guide to the landmarks of costume history and to the forms and materials used through the ages. Also featured are the underlying motives of fashion and the ways in which clothes have been used to protect, to express identity, and to attract or to influence others. This is a revised edition of Laver's study. It includes a new final chapter by Amy de la Haye, Assistant Curator of Costume and Textiles at the Victoria and Albert Museum, in which she chronicles the trends and developments in fashion from 1940 to the 1990s, with a special emphasis on international design and designers. A new selection of illustrations for this section is included.

Costume and Fashion: A Concise History (World of Art)

LAVER, James

Thames&Hudson

From the turn-of-the-century S-bend silhouette to the bumster and bustier of today, this comprehensive survey explores all the significant developments in fashion in a century that has witnessed a growing preoccupation with personal appearance and clothing. Written by two experts in costume from the Victoria and Albert Museum in London, it explores movements and innovations in style for both men and women through the work of the most original and influential designers and couturiers. Organized around crucial shifts in style and major world events, the book places exciting, even revolutionary, developments in fashion within their socioeconomic, political, and cultural contexts. International in scope, it encompasses the century's most important designers and metropolitan fashion centers, including developments in accessories, hairstyles, and make-up. The importance of mass production, advances in man-made fibers, the growth of ready-to-wear, and the major influences of postwar subcultures on contemporary fashion are also discussed. A reference section includes an extensive bibliography and a glossary of designers.

20th Century Fashion

Mendes,Valerie

History

\The vagaries of fashion throughout the ages are a source of endless interest, not only as indication of our infinite capacity for invention, but also because of the relationship of costume to shifting cultural patterns. Laver presents in this classic study the underlying motives of fashion as well as a survey of the history of costume. He describes the means which have been adopted to satisfy the three functions of clothes: protection, expression of the personality by sartorial display, and attractiveness to others. The momentous invention of the needle (some 40,000 years ago), making possible the sewing together of pelts, and the subsequent introduction of weaving, launched the development of costume as we know it. All the major historical landmarks -- the Renaissance, the French Revolution, the Industrial Revolution, the emancipation of women, the two world wars -- wrought profound changes in attitudes to dress: with matchless skill and panache Laver related the development of costume and fashion to these social changes. A new final chapter by Christina Probert brings the history up to the present day [sic] with a detailed discussion of the enormous variety of postwar styles, including the New Look, the mini, and punk-influenced clothes. James Laver (1899-1975) was keeper of the Departments of Prints and Drawings and of Paintings at the Victoria and Albert Museum, London, from 1938 until 1959. He was also an important and pioneering fashion historian described as “the man in England who made the study of costume respectable”. Laver is perhaps best remembered for his contributions to the field of fashion history, an interest in which emerged through a desire to date images accurately through the clothing depicted within. Laver defined the relationships between dress design and other applied arts, and discussed the influence of economic and social factors upon the development of fashionable taste.

Tucker, Andrew

“Excellent . . . makes many revealing connections between fashion and modern painting styles, theatricalism, ethnographic design, and sports clothing.”―Bloomsbury Review From the turn-of-the-century S-bend silhouette to the “green fashion” and celebrity couture of the new millennium, this comprehensive survey explores all the significant developments in fashion in a period that has seen a growing preoccupation with personal appearance and clothes. It focuses on key movements and innovations in style for both men and women, and explores these through the work of the most original and influential designers. Chapters are organized around crucial shifts in style and major world events, and exciting advances in fashion are placed within their socioeconomic, political, and cultural contexts. International in scope, this new edition includes updates on the most important new designers and the reinvention of brands. The reference section includes an extensive bibliography. 78 color, 222 b&amp;w illustrations

Fashion Since 1900 (World of Art)

“A standard reference for anyone interested in the history of style and clothes.” ―Arts and Antiques
From the momentous invention of the needle some 40,000 years ago to the development of blue denim, this classic guide covers the landmarks of costume history, the forms and materials used through the ages, as well as the ways in which clothes have been used to protect, to express identity, and to attract or influence others.
For the fifth edition, Amy de la Haye, former Curator of Twentieth-Century Dress at the Victoria and Albert Museum, has revised the final chapter and included a new section addressing the fashion industry in the twenty-first century. She discusses the expansion of the Asian luxury market; the rise of “fast fashion,” stylists, and celebrity endorsements; and the influence of the Internet. 348 illustrations, 85 in color

Costume and Fashion (World of Art)

This lavishly illustrated catalogue will accompany an exhibition at Brighton Museum and Art Gallery in 2006.The items on display are drawn from the extensive wardrobe of four generations of Lord Snowdon's family--the Messel-Rosse-Linley-Sambourne-Snowdons. The book uses these examples to trace the evolution of stylish English dress from the late nineteenth century to the 1970s, and is brought up to modern times through items lent by living family members.

A Family of Fashion: The Messel Dress Collection, 1865-2005

Taylor, Lou

Thompson, Eleanor

Philip Wilson Publishers

See the best price to sell, buy, or rent books by De LA Haye, Amy. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by De LA Haye, Amy

See the best price to sell, buy, or rent books by De LA Haye, Amy. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Exhibiting Fashion: Before and After 1971

Handbags: The Making of a Museum

Gluck: Art and Identity

The Rose in Fashion: Ravishing

Costume and Fashion: A Concise History (World of Art)

20th Century Fashion

Costume and Fashion: A Concise History (World of Art)

Fashion Since 1900 (World of Art)

Costume and Fashion (World of Art)

A Family of Fashion: The Messel Dress Collection, 1865-2005