Caroline Evans analyses the work of experimental designers, the images of fashion photographers, and the spectacular fashion shows that developed in the final decade of the twentieth century to arrive at a new understanding of fashion's dark side and what it signifies? Drawing on a variety of literary and theoretical perspectives - from Marx to Benjamin - Evans argues that fashion plays a leading role in constructing images and meanings during periods of rapid change. She shows persuasively that fashion stands at the very centre of the contemporary, where it voices some of Western culture's deepest concerns.

Fashion at the Edge: Spectacle, Modernity, and Deathliness

Arts & Photography

Evans, Caroline

Graphic Design

Yale University Press

From Savile Row to Carnaby Street, from the bohemian dress of the Oscar Wilde circle in the nineteenth century to the punk street styles of recent years, London has been a significant source of fashion style. This stunning book, a rich and stimulating history of two hundred years of London fashion, explores the circumstances and characteristics that have made the London look” distinctive.
Focusing on the design, production, marketing, and consumption of clothing during this period, the authors place these activities in the context of social, cultural, and economic change in the capital. They move chronologically, discussing the rise of the West End as a center of fashionable life; the era of imperial fashion when London dominated the world politically and economically; the increasing democratization of fashionable dress; the challenges and conflicts of modernity; the school of couturiers that emerged midcentury; and the rise of the independent fashion designer and small boutiques. Finally they describe the London punks who, toward the end of the twentieth century, theatricalized the street in a mood of social and sartorial dissent and paved the way for postmodern styles.
Lavishly illustrated, the book draws on photographs of the Museum of London’s remarkable collection of objects and images, and material from the London Institute.

The London Look: Fashion from Street to Catwalk

Ehrman, Edwina

Breward, Christopher

What do images of illness, vampirism, wounds, and addiction say about contemporary fashion? An unexpected discussion of fashion and its relation to deep cultural anxieties Recent experimental fashion has a dark side, a preoccupation with representations of death, trauma, alienation, and decay. This intriguing book looks closely at this strand of fashion design in the 1990s, exploring what its disturbing themes tell us about consumer culture and contemporary anxieties. Caroline Evans analyzes the work of experimental designers, the images of fashion photographers, and the spectacular fashion shows that developed in the final decade of the twentieth century to arrive at a new understanding of fashion’s dark side and what it signifies. Fashion at the Edge considersa range of cutting-edge contemporary fashion in unprecedented depth and detail, including the work of such current designers as John Galliano, Alexander McQueen, Hussein Chalayan, and Viktor &amp; Rolf. Contrasting images by photographers like Steven Meisel, Nick Knight, and Juergen Teller are also reviewed. Drawing on diverse perspectives from Marx to Walter Benjamin, Evans shows that fashion stands at the very center of the contemporary, and that it voices some of Western culture’s deepest concerns.

History & Criticism

An exploration of the role of the handbag in the history of culture, fashion, and material production The history of the handbag—its design, how it has been made, used, and worn—reveals something essential about women's lives over the past 500 years. Perhaps the most universal item of fashionable adornment, it can also be elusive, an object of desire, secrecy, and even fear. Handbags explores these rich histories and multiple meanings.
This book features specially commissioned photographs of an extraordinary, newly formed collection of fashionable handbags that date from the 16th century to the present day. It has been acquired for exhibition in the first museum devoted to the handbag, in Seoul, South Korea. The project is a commission undertaken by experimental exhibition-maker Judith Clark, whose innovative practices are revealed in Handbags.
Essays by leading fashion historians and an acclaimed psychoanalyst investigate the history of gesture, the psychoanalysis of bags, and the museum's state-of-the-art mannequins and archive cabinets. In order to preserve the words that describe the unique qualities of each bag, a terminology of handbags has been compiled.

Handbags: The Making of a Museum

Clark, Judith

De LA Haye, Amy

Wilcox, Claire

Phillips, Adam.

A superlative study of the roots of the modern fashion show In the early 20th century, the desire to see clothing in motion flourished on both sides of the Atlantic: models tangoed, slithered, swaggered, and undulated before customers in couture houses and department stores. The Mechanical Smile traces the history of the earliest fashion shows in France and the United States from their origins in the 1880s to 1929, situating them in the context of modernism and the rationalization of the body. Fashion shows came into being concurrently with film, and this book explores the connections between fashion and early cinema, which arguably functioned as what Walter Benjamin called “new velocities”—forces that altered the rhythms of modern life.
Using significant new archival evidence, The Mechanical Smile shows how so-called “mannequin parades” employed the visual language of modernism to translate business and management methods into visual seduction. Caroline Evans, a leading fashion historian, argues for an expanded definition of modernism as both gestural and performative, drawing on literary and performance theory rather than relying on art and design history. The fashion show, Evans posits, is a singular nodal point where the disparate histories of commerce, modernism, gender, and the body converge.

The Mechanical Smile: Modernism and the First Fashion Shows in France and America, 1900-1929

<div> Experimental fashion has a dark side, a preoccupation with representations of death, trauma, alienation and decay. This seminal publication offers an unexpected discussion of cutting-edge fashion in the 1990s, exploring what its disturbing themes tell us about consumer culture and contemporary anxieties. Caroline Evans analyses the work of innovative designers, the images of fashion photographers and the spectacular fashion shows that developed in the final decade of the twentieth century to arrive at a new understanding of fashion's dark side and what it signifies. Fashion at the Edge considers a range of ground- breaking fashion in unprecedented depth and detail, including the work of such designers as John Galliano, Alexander McQueen, Hussein Chalayan and Viktor & Rolf, and photographers such as Steven Meisel, Nick Knight and Juergen Teller. Drawing on diverse perspectives from Marx to Walter Benjamin, Evans shows that fashion stands at the very centre of the contemporary, and that it voices some of Western culture's deepest concerns. </div>

Product Description 
Considered the profession's ideal learning resource, DIRECT SOCIAL WORK PRACTICE: THEORY AND SKILLS, Eleventh Edition, prepares you for effective real-world practice. Packed with case examples, illustrations and relevant learning experiences from the authors and other social work practitioners, the text integrates the major theories and skills needed for contemporary direct social work practice. Part of the Brooks/Cole Empowerment Series, the Eleventh Edition is completely up to date, exploring evolving ethical and practice challenges, the impact of COVID-19, implications of electronic service delivery, social injustice, Black Lives Matter and other issues related to racial inequity. In addition, the authors have carefully revised the text to incorporate gender-neutral language and explore key structural implications affecting clients and practice. The text thoroughly integrates the core competencies and recommended practice behaviors outlined in the 2015 Educational Policy and Accreditation Standards (EPAS) set by the Council on Social Work Education (CSWE). As you're preparing to practice social work in today's complex world, this trusted text is an ideal resource to equip you for exam and career success. 
 About the Author 
Highly respected social work educators, Dean H. Hepworth and Jo Ann Larsen originally defined how direct practice should be taught.\nPa Der Vang, Ph.D., MSW, LICSW, is an associate professor at St. Catherine University in the Department of Social Work. She teaches social work methods with individuals, groups and communities; human behavior in the social environment; group work; and communication and interviewing skills. Dr. Vang�s publications center on Hmong immigration and culture change. She co-founded the Minnesota Hmong Social Workers� Coalition and serves on the Minnesota Board of Social Work. She is also editor of Staring Down the Tiger: Stories of Hmong American Women (Minnesota Historical Society Press, 2020).\nJoan Marie Blakey, PhD, LMSW, is an associate professor in the School of Social Work at Tulane University. Before her administrative role as the associate dean of academic affairs, Dr. Blakey taught generalist micro practice and direct practice and children and families at the Master of Social Work (MSW) level. She also has developed several courses related to trauma, substance abuse and co-occurring disorders, and she teaches doctoral-level courses. Dr. Blakey�s scholarly research interests and practice experiences primarily involve trauma and substance abuse among African American women involved with the child protection and criminal justice system. More recently, her research and consulting work has focused on organizational and structural assessments and evaluations related to racial equity. Dr. Blakey also serves on the Council on Social Work Education and the Black Administrators, Researchers and Scholars� Board of Directors.\nCraig Schwalbe, Ph.D., MSW, is a professor in the Columbia University School of Social Work. Prior to joining the School of Social Work, he was in direct practice in child welfare, child mental health and adult mental health settings in rural communities. Dr. Schwalbe�s current scholarship focuses on the development of evidence-based strategies for probation-involved adolescents. He was the recipient of the WT Grant Foundation Scholars award in 2009, which funded a study of success and failure on probation, and he led a UNICEF-funded international development effort to design and implement juvenile diversion programs for delinquent youths in Jordan. Most recently, he is a co-principal investigator of the COVID-19 Community Supervision Survey, which seeks to explore how probation and parole have adapted to the COVID-19 pandemic.\nCaroline Evans is currently the lead evaluator for the Substance Use Prevention, Education and Research (SUPER) project, an adolescent substance use prevention program in North Carolina. Dr. Evans' re

Empowerment Series: Direct Social Work Practice (MindTap Course List)

Politics & Social Sciences

Vang, Pa Der

Schwalbe, Craig

Hepworth, Dean

Blakey, Joan

Social Sciences

Cengage Learning'

Women & fashion : a new look

Thornton, Minna

Decorative Arts & Design

Quartet Books

A beautifully photographed insider’s look at the highly influential personal style and wardrobe of Isabella Blow, one of fashion’s most courageous, outrageous, and imaginative muses. Isabella Blow was said to have been a one-off of her own creation in a world of copycats. She had a gift for spotting fashion genius—her discoveries included Alexander McQueen, Hussein Chalayan, and Sophie Dahl, all of whom became instantaneously iconic. Her eye put her at the center of the high fashion scene, yet Isabella’s pedigree, intoxicating energy, wicked sense of humor, boundaries-pushing aesthetics, and her willingness to wear the outrageous made her into a fashion icon. This elaborate volume—published with Somerset House and in association with the Isabella Blow Foundation and Central Saint Martins to accompany the fall 2013 exhibition—is an exhaustive survey of Isabella’s personal collection. With over 100 gorgeous full-color and black-and-white photographs shot exclusively for this publication by Nick Knight, this volume is the first to catalogue her own famous wardrobe that includes thousands of pieces by the most important contemporary designers, including McQueen, Philip Treacy, and Manolo Blahnik. The impact of Isabella’s influence can be seen within this captivating and inspiring volume, an essential addition to libraries of the fashionable, cultured, and eclectic.

Isabella Blow: Fashion Galore!

Fury, Alexander

Marshall, Shonagh

Rizzoli

Aural Test Survival Grade 6

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