How can we, in this crazy world, teach children to be kind? How can we gently guide them to seek their peace of mind?How can we help them understand the differences in others? How can they begin to accept we are all sisters and brothers?Follow Soulful Sydney as she meets the girl next door And together they set out to wander and explore. What they find is just beyond the Gratitude Garden gate.Come along and join the fun--new adventures here await.

Soulful Sydney: Explores Diversity

Murphy, Terry

Azeez, Mariam

Clarke, Deborah

Children's Books

Soulful Sydney Press

Over the years, cars have helped to define the experiences and self-perceptions of women in complex and sometimes unexpected ways. When women take the wheel, family structure and public space are reconfigured and re-gendered, creating a context for a literary tradition in which the car has served as a substitute for, an escape from, and an extension of the home, as well as a surrogate mother, a financial safeguard, and a means of self-expression.Driving Women examines the intersection of American fiction―primarily but not exclusively by women―and automobile culture. Deborah Clarke argues that issues critical to twentieth-century American society―technology, mobility, domesticity, and agency―are repeatedly articulated through women's relationships with cars. Women writers took surprisingly intense interest in car culture and its import for modern life, as the car, replete with material and symbolic meaning, recast literal and literary female power in the automotive age. Clarke draws on a wide range of literary works, both canonical and popular, to document women's fascination with cars from many perspectives: historical, psychological, economic, ethnic. Authors discussed include Wharton, Stein, Faulkner, O’Connor, Morrison, Erdrich, Mason, Kingsolver, Lopez, Kadohata, Smiley, Senna, Viramontes, Allison, and Silko. By investigating how cars can function as female space, reflect female identity, and reshape female agency, this engaging study opens up new angles from which to approach fiction by and about women and traces new directions in the intersection of literature, technology, and gender.

Driving Women: Fiction and Automobile Culture in Twentieth-Century America

Literature & Fiction

History & Criticism

Johns Hopkins University Press

Over the years, cars have helped to define the experiences and self-perceptions of women in complex and sometimes unexpected ways. When women take the wheel, family structure and public space are reconfigured and re-gendered, creating a context for a literary tradition in which the car has served as a substitute for, an escape from, and an extension of the home, as well as a surrogate mother, a financial safeguard, and a means of self-expression.
Driving Women examines the intersection of American fiction―primarily but not exclusively by women―and automobile culture. Deborah Clarke argues that issues critical to twentieth-century American society―technology, mobility, domesticity, and agency―are repeatedly articulated through women's relationships with cars. Women writers took surprisingly intense interest in car culture and its import for modern life, as the car, replete with material and symbolic meaning, recast literal and literary female power in the automotive age. 
Clarke draws on a wide range of literary works, both canonical and popular, to document women's fascination with cars from many perspectives: historical, psychological, economic, ethnic. Authors discussed include Wharton, Stein, Faulkner, O’Connor, Morrison, Erdrich, Mason, Kingsolver, Lopez, Kadohata, Smiley, Senna, Viramontes, Allison, and Silko. By investigating how cars can function as female space, reflect female identity, and reshape female agency, this engaging study opens up new angles from which to approach fiction by and about women and traces new directions in the intersection of literature, technology, and gender.

Robbing the Mother: Women in Faulkner

Robbing The Mother: Women in Faulkner

William Faulkner claimed that it may be necessary for a writer to "rob his mother," should the need arise. "If a writer has to rob his mother, he will not hesitate; the 'Ode on a Grecian Urn' is worth any number of old ladies," he remarked.This study of Faulkner's paradoxical attitude toward women, particularly mothers, will stimulate debate and concern, for his novels are shown here to have presented them as both a source and a threat to being and to language."My reading of Faulkner," the author says, "attempts more than an identification of female stereotypes and an examination of misogyny, for Faulkner, who almost certainly feared and mistrusted women, also sees in them a mysterious, often threatening power, which is often aligned with his own creativity and the grounds of his own fiction."Drawing on both American and French feminist criticism, Robbing the Mother explores Faulkner's artistic vision through the maternal influence in such works as The Sound and the

Univ Pr of Mississippi

William Faulkner claimed that it may be necessary for a writer to "rob his mother," should the need arise. "If a writer has to rob his mother, he will not hesitate; the 'Ode on a Grecian Urn' is worth any number of old ladies," he remarked.
This study of Faulkner's paradoxical attitude toward women, particularly mothers, will stimulate debate and concern, for his novels are shown here to have presented them as both a source and a threat to being and to language.
"My reading of Faulkner," the author says, "attempts more than an identification of female stereotypes and an examination of misogyny, for Faulkner, who almost certainly feared and mistrusted women, also sees in them a mysterious, often threatening power, which is often aligned with his own creativity and the grounds of his own fiction."
Drawing on both American and French feminist criticism, Robbing the Mother explores Faulkner's artistic vision through the maternal influence in such works as The Sound and the Fury, As I Lay Dying, Sanctuary, Absalom, Absalom!, The Hamlet, Light in August, and The Wild Palms.

UNIVERSITY PRESS OF MISSISSIPPI

Women at Work: An Essential Guide for the Working Woman

Women at Work: An Essential Guide for the Working Woman

Business & Money

Business Culture

Element Books Ltd.

Assertion Training

Education & Teaching

Underwood, Jacky

Schools & Teaching

National Extension College

Throughout its history, Scotland has produced a wealth of great works of art, and the Scottish Enlightenment in particular provided a powerful impetus for new forms of art and new artistic subjects. This survey of Scottish art in the Royal Collection brings together more than one hundred reproductions of works from the Enlightenment to the twentieth century to highlight the importance and influence of this period, while also sharing recent research on the subject.The first book devoted to Scottish art in the Royal Collection, Scottish Artists fully explores this rich artistic tradition, incorporating discussions of artists whose inspiration remained firmly rooted in their native land, such as Alexander Nasmyth and James Giles, as well as artists who were born in Scotland and traveled abroad, from the eighteenth-century portraitist Allan Ramsay to David Wilkie, who traveled to London and is well-known for his paintings portraying everyday life. Broadly chronological, the book also traces the royal patronage of Scottish artists throughout the centuries, including works collected by monarchs from George III to Queen Victoria, and the official roles, Royal Limner for Scotland and King’s Painter in Ordinary.Profusely illustrated with examples from among all the arts—paintings, drawings, miniatures, and decorative arts—Scottish Artists is a comprehensive survey well-suited to anyone with an interest in Scotland or Enlightenment art.

Scottish Artists 1750-1900: From Caledonia to the Continent

Arts & Photography

Remington, Vanessa

Royal Collection Trust

The Palace of Holyroodhouse: "A House of Many Memories"

History

Fawcett, Richard

Goodsir, Sally

Hutton, Ailsa

Europe

This souvenir publication celebrates the remarkable 99-year life of His Royal Highness Prince Philip, The Duke of Edinburgh, Britain's longest serving consort. Drawing on private archives as well as official records, the book explores the major events in Prince Philip's life, from his birth in Corfu, his education and naval and wartime service, to his marriage to Her Majesty The Queen, his support for the sovereign at home and abroad, his interests and his patronage of more than 750 organisations. With more than 150 images of His Royal Highness, this personal yet authoritative account offers a fresh look at a lifetime of achievement. Drawing on private archives as well as official records, the book considers the many sides to the UK's longest serving Prince Consort, on a personal level as a son, husband and father, as a sportsman and artist, and his role as a champion of science and industry and a leader in environmental and conservation causes. With more than 150 images of His Royal Highness, this personal yet authoritative account offers a fresh look at a lifetime of achievements.

Prince Philip 1921-2021: A Celebration

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Books by Clarke, Deborah