This catalogue accompanies the exhibition of portrait miniatures from the Royal Collection to be shown in 1996-97 at the Queen's Gallery, Buckingham Palace, the Metropolitan Museum of Art, New York, the Huntington Library, and the Virginia Museum of Fine Arts. The artists range from Lucas Hornebolte, Henry VIII's limner, painting in the 1520s, to Sir William Charles Ross and his Victorian contemporaries. The collection has particular strengths in the Tudor and Stuart period and there are fine examples of the work of Hans Holbein the Younger, Nicholas Hilliard, Isaac and Peter Oliver, John Hoskins, Samuel Cooper, Jean Petitot and Charles Boit; eighteenth-century miniaturists include C.F. Zincke, Jeremiah Meyer and Richard Cosway. Theseventy-five miniatures are illustrated in colour, each with an extended catalogue entry. Three introductory essays discuss the formation of the Royal Collection; the development of the miniature, its style and technique; and the social history of the miniature. There is a full bibliography. CHRISTOPHER LLOYD is Surveyor of the Queen's Pictures; VANESSA REMINGTON works for the Royal Collection Trust.

Masterpieces in Little: Portrait Miniatures from the Collection of Her Majesty Queen Elizabeth II

Arts & Photography

Remington, Vanessa

Lloyd,Christopher

History & Criticism

Boydell Press

The reign of Queen Victoria spanned a period of dramatic technical advance in the art of portrait painting, and her patronage helped drive the growth of the art form. Yet by the close of the nineteenth century, the photograph had usurped the role of the portrait miniature, and the number of practitioners had dwindled almost to nothing.
The Royal Collection houses one of the largest groups of portrait miniatures in existence. Here, in two large volumes, are the more than one thousand pieces of this collection from leading miniaturists of the time—all newly photographed for this catalog. Descriptions and genealogical tables cast light on the central role miniatures occupied in sustaining Victoria’s contact with her extended family throughout Europe, particularly in the etiquette surrounding bereavement. The first detailed treatment of Victorian-age portrait miniatures, this catalog traces the last great flourish of the art form.

Victorian Miniatures: In the Collection of Her Majesty The Queen - 2 Volume Set

Royal Collection Trust

The garden is of perennial interest to artists. Yet, as cultural attitudes toward the garden and how we enjoy it have changed, so too have the ways in which it has been represented in art. From a space for solitary communion with nature to the backdrop for a budding romance, and from a place for scientific study to the source of the foods we eat, Painting Paradise looks at why the garden has remained such a seductive artistic subject. For centuries, gardens have prompted reflection on the relationship between nature and man. They have also been considered representations of the divine, as in Flemish master Jan Brueghel’s famous Adam and Eve in the Garden of Paradise. Their ability to carry messages about their creator’s status will be clear to all who have had the pleasure of walking the grounds of meticulously manicured palaces or stately homes, but they are also evocative of prevailing cultural values and a desire to better understand, classify, and collect elements of the natural world. By the sixteenth century, artists were also attempting to bring the garden indoors as a source of design elements in the decorative arts, from seventeenth-century Flemish Pergola tapestries to handcrafted flowers from the Russian House of Fabergé. Tracing these and other themes that attracted the attention of artists from the fifteenth to the early twentieth century, Painting Paradise explores how these ideas came to be expressed in ways characteristic to a particular place and time, including works in both the Eastern and Western traditions. The curator of an accompanying exhibition opening at Buckingham Palace, Vanessa Remington has weeded through the Royal Collection to cultivate a selection of paintings, drawings, manuscripts, tapestries, and jewelry of exceptional value and extraordinary beauty. With more than three hundred color illustrations—including many treasures that have been previously unpublished—the book will be of great interest to artists, art and design historians, and all who find inspiration in the beauty of the garden.

Painting Paradise: The Art of the Garden

Throughout its history, Scotland has produced a wealth of great works of art, and the Scottish Enlightenment in particular provided a powerful impetus for new forms of art and new artistic subjects. This survey of Scottish art in the Royal Collection brings together more than one hundred reproductions of works from the Enlightenment to the twentieth century to highlight the importance and influence of this period, while also sharing recent research on the subject.The first book devoted to Scottish art in the Royal Collection, Scottish Artists fully explores this rich artistic tradition, incorporating discussions of artists whose inspiration remained firmly rooted in their native land, such as Alexander Nasmyth and James Giles, as well as artists who were born in Scotland and traveled abroad, from the eighteenth-century portraitist Allan Ramsay to David Wilkie, who traveled to London and is well-known for his paintings portraying everyday life. Broadly chronological, the book also traces the royal patronage of Scottish artists throughout the centuries, including works collected by monarchs from George III to Queen Victoria, and the official roles, Royal Limner for Scotland and King’s Painter in Ordinary.Profusely illustrated with examples from among all the arts—paintings, drawings, miniatures, and decorative arts—Scottish Artists is a comprehensive survey well-suited to anyone with an interest in Scotland or Enlightenment art.

Scottish Artists 1750-1900: From Caledonia to the Continent

Clarke, Deborah

Ein Bild vom Paradies: Gärten und Kunst

Other Media

Gerstenberg Verlag

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