Most monumental buildings of France’s global empire – such as the famous Saigon and Hanoi Opera Houses – were built in South and Southeast Asia. Much of this architecture, and the history of who built it and how, has been overlooked. The Architecture of Empire considers the large-scale public architecture associated with French imperialism in seventeenth- and eighteenth-century India, Siam, and Vietnam, and nineteenth- and twentieth-century Indochina, the largest colony France ever administered in Asia. Offering a sweeping panorama of the buildings of France’s colonial project, this is the first study to encompass the architecture of both the ancien régime and modern empires, from the founding of the French trading company in the seventeenth century to the independence and nationalist movements of the mid-twentieth century. Gauvin Bailey places particular emphasis on the human factor: the people who commissioned, built, and lived in these buildings. Almost all of these architects, both Europeans and non-Europeans, have remained unknown beyond – at best – their surnames. Through extensive archival research, this book reconstructs their lives, providing vital background for the buildings themselves. Much more than in the French empire of the Western Hemisphere, the buildings in this book adapt to indigenous styles, regardless of whether they were designed and built by European or non-European architects. The Architecture of Empire provides a unique, comprehensive study of structures that rank among the most fascinating examples of intercultural exchange in the history of global empires.

The Architecture of Empire: France in India and Southeast Asia, 1664–1962

Arts & Photography

Bailey, Gauvin Alexander

History & Criticism

McGill-Queen's University Press

For over three hundred years, from the era of Christopher Columbus to the struggles for independence around 1820, Latin America witnessed an artistic flowering of enormous creativity and originality. In a unique way, the art and architecture of Aztec, Inca and Guaraní civilizations blended with those of Europe, North Africa and the Far East. In particular, the Spanish and Portuguese empires in Central and South America created the climate for a flourishing, diverse and distinct version of Renaissance and Baroque culture, produced under utterly different social and geographic conditions from those found in Europe. The products of this unique culture include some of the most lavish and visually arresting works of art and architecture in the world. In this lively overview of the tremendously rich and varied artistic output of the area from southern Chile to northern California, Gauvin Alexander Bailey discusses viceregal and missionary as well as civic and rural architecture, alongside religious and secular painting, sculpture, metalwork, textiles and ceramics. But he also looks back to pre-colonial influences and concludes with an examination of how twentieth-century artists such as Diego Rivera and Frida Kahlo interpreted their artistic heritage. Even today, the art of the colonial period remains at the centre of Latin American society, culture and identity. The result is a book that provides a new and comprehensive understanding of all the influences that led to one of the most cosmopolitan artistic outpourings in the whole history of art.

Art of Colonial Latin America (Art and Ideas)

Phaidon Press

A study of the core elements of the artistic styles looks at the works of well- and lesser-known artists, including painters, sculptors, interior designers, and architects.

Baroque & Rococo (Art & Ideas)

Art in Time is the first book to embed art movements within the larger context of politics and history. Global in scope and featuring an innovative present&amp;hyphen;to&amp;hyphen;past arrangement, the book’s accessible text looks back on the most significant art styles and movements, from the present day to antiquity.
Pages of historical photographs, documents, newspaper headlines, and other ephemera evoke the times in which styles and movements arose. The book opens with The Information Age (Internet Art, Neo&amp;hyphen;Expressionaism, Arte Povera) and closes with The Classical Age (Roman wall painting, Hellenistic Greek style), covering everything from Photorealism, Art Brut, Ukiyo&amp;hyphen;e, and Byzantine style in between. An integrated timeline provides a linear thread throughout the book, while succinct, authoritative text illuminates key points.

Art in Time: A World History of Styles and Movements

Rider, Alistair

McKelway, Matthew

Spanning from the West African coast to the Canadian prairies and south to Louisiana, the Caribbean, and Guiana, France's Atlantic empire was one of the largest political entities in the Western Hemisphere. Yet despite France's status as a nation at the forefront of architecture and the structures and designs from this period that still remain, its colonial building program has never been considered on a hemispheric scale. Drawing from hundreds of plans, drawings, photographic field surveys, and extensive archival sources, Architecture and Urbanism in the French Atlantic Empire focuses on the French state's and the Catholic Church's ideals and motivations for their urban and architectural projects in the Americas. In vibrant detail, Gauvin Alexander Bailey recreates a world that has been largely destroyed by wars, natural disasters, and fires ? from Cap-François (now Cap-Haïtien), which once boasted palaces in the styles of Louis XV and formal gardens patterned after Versailles, to failed utopian cities like Kourou in Guiana. Vividly illustrated with examples of grand buildings, churches, and gardens, as well as simple houses and cottages, this volume also brings to life the architects who built these structures, not only French military engineers and white civilian builders, but also the free people of colour and slaves who contributed so much to the tropical colonies. Taking readers on a historical tour through the striking landmarks of the French colonial landscape, Architecture and Urbanism in the French Atlantic Empire presents a sweeping panorama of an entire hemisphere of architecture and its legacy.

Architecture and Urbanism in the French Atlantic Empire: State, Church, and Society, 1604-1830 (Volume 1) (McGill-Queen’s French Atlantic Worlds Series)

History

Europe

Between Renaissance and Baroque is a stunning achievement - the first book to be written about the original painting commissions of the Jesuits in Rome. Offering a uniquely comprehensive and comparative analysis of the paintings and stuccoes which adorned all of the Jesuit foundations in the city during their first half century of existence, the study treats some of the most crucial monuments of late Renaissance painting including the original decorations of the church of the Gesù and the Collegio Romano, and the martyrdom frescoes at S. Stefano Rotondo.
Based on extensive new archival research from Rome, Florence, Parma, and Perugia, Gauvin Alexander Bailey's study presents an original, revisionist treatment of Italian painting in the last four decades of the sixteenth century, a critical transitional period between Renaissance and Baroque. Bailey relates the Jesuit painting cycles to the great religious and intellectual climate of the period, isolates the new stylistic trends which appeared after the Council of Trent, and looks at the different ways in which artists met the challenges for devotional art made by the religious climate of the post-Tridentine period.
Bailey also succeeds in providing the first ever written reconstructions of the Jesuit churches of S. Tommaso di Canterbury, S. Saba, and S. Apollinare, and the original novitiate complex of S. Andrea al Quirinale, the site of the most complex and original hospital decoration in late Renaissance Italy. Through these reconstructions, Bailey sheds new light on such works as Louis Richeôme's meditation manual on the paintings at S. Andrea, Le peinture spirituelle, a lively and detailed treatise on late Renaissance art that has never before been the subject of a thorough study. Ultimately, Bailey provides us with a new understanding of the stylistic and iconographic strands which shortly afterward were woven together to form the Baroque.

Between Renaissance and Baroque: Jesuit Art in Rome, 1565-1610

University of Toronto Press, Scholarly Publishing Division

Art on the Jesuit Missions in Asia and Latin America, 1542-1773

When the Jesuit missionaries ventured from Europe to newly discovered territories in Asia and Latin America, they brought with them the rich traditions of Renaissance and Baroque art and architecture. What happened to the artistic and social practices already thriving in the communities that the missionaries encountered is the story told by art historian and Jesuit specialist Gauvin Alexander Bailey.
The Jesuits, determined to convert both spiritually and culturally, put great effort into imparting their own artistic techniques and knowledge. At the same time they were unusually tolerant of the non-European cultures, making artistic accommodations in order to communicate with each particular society. The resulting hybridization was complex: German, Italian, and Flemish as well as the dominant Spanish and Portuguese idioms mingled with multiple Asian and Amerindian traditions.
Bailey argues that this cross-pollination of early modern art became the first truly global visual currency for cultural exchange. Through a sweeping look at Japan, China, Mughul India, and Paraguay, the author focuses on four of the most flourishing artistic encounters and discovers much unrecognized or misunderstood art. He overturns the simple thesis that art was imposed on subject cultures in favour of the more difficult paradigm of exchange. This meticulously researched book has over 100 beautiful illustrations and a thorough index.
Winner of the 2000 Roland H. Bainton Prize Winner for Art and Music History - Sixteenth Century Studies Conference

University of Toronto Press

The Spiritual Rococo: Decor and Divinity from the Salons of Paris to the Missions of Patagonia (Visual Culture in Early Modernity)

A groundbreaking approach to Rococo religious décor and spirituality in Europe and South America, The Spiritual Rococo addresses three basic conundrums that impede our understanding of eighteenth-century aesthetics and culture. Why did the Rococo, ostensibly the least spiritual style in the pre-Modern canon, transform into one of the world’s most important modes for adorning sacred spaces? And why is Rococo still treated as a decadent nemesis of the Enlightenment when the two had fundamental characteristics in common? This book seeks to answer these questions by treating Rococo as a global phenomenon for the first time and by exploring its moral and spiritual dimensions through the lens of populist French religious literature of the day-a body of work the author calls the ’Spiritual Rococo’ and which has never been applied directly to the arts. The book traces Rococo’s development from France through Central Europe, Portugal, Brazil, and South America by following a chain of interlocking case studies, whether artistic, literary, or ideological, and it also considers the parallel diffusion of the literature of the Spiritual Rococo in these same regions, placing particular emphasis on unpublished primary sources such as inventories. One of the ultimate goals of this study is to move beyond the cliché of Rococo’s frivolity and acknowledge its essential modernity. Thoroughly interdisciplinary, The Spiritual Rococo not only integrates different art historical fields in novel ways but also interacts with church and social history, literary and post-colonial studies, and anthropology, opening up new horizons in these fields.

Reference

Routledge

A groundbreaking approach to Rococo religious décor and spirituality in Europe and South America, The Spiritual Rococo addresses three basic conundrums that impede our understanding of eighteenth-century aesthetics and culture. Why did the Rococo, ostensibly the least spiritual style in the pre-Modern canon, transform into one of the world’s most important modes for adorning sacred spaces? And why is Rococo still treated as a decadent nemesis of the Enlightenment when the two had fundamental characteristics in common? This book seeks to answer these questions by treating Rococo as a global phenomenon for the first time and by exploring its moral and spiritual dimensions through the lens of populist French religious literature of the day-a body of work the author calls the ’Spiritual Rococo’ and which has never been applied directly to the arts. The book traces Rococo’s development from France through Central Europe, Portugal, Brazil, and South America by following a chain of interlocking case studies, whether artistic, literary, or ideological, and it also considers the parallel diffusion of the literature of the Spiritual Rococo in these same regions, placing particular emphasis on unpublished primary sources such as inventories. One of the ultimate goals of this study is to move beyond the cliché of Rococo’s frivolity and acknowledge its essential modernity. Thoroughly interdisciplinary, The Spiritual Rococo not only integrates different art historical fields in novel ways but also interacts with church and social history, literary and post-colonial studies, and anthropology, opening up new horizons in these fields.

See the best price to sell, buy, or rent books by Bailey, Gauvin Alexander. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Bailey, Gauvin Alexander

See the best price to sell, buy, or rent books by Bailey, Gauvin Alexander. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Architecture of Empire: France in India and Southeast Asia, 1664–1962

Art of Colonial Latin America (Art and Ideas)

Baroque & Rococo (Art & Ideas)

Art in Time: A World History of Styles and Movements

Architecture and Urbanism in the French Atlantic Empire: State, Church, and Society, 1604-1830 (Volume 1) (McGill-Queen’s French Atlantic Worlds Series)

Between Renaissance and Baroque: Jesuit Art in Rome, 1565-1610

Art on the Jesuit Missions in Asia and Latin America, 1542-1773

Art on the Jesuit Missions in Asia and Latin America, 1542-1773

The Spiritual Rococo: Decor and Divinity from the Salons of Paris to the Missions of Patagonia (Visual Culture in Early Modernity)

The Spiritual Rococo: Decor and Divinity from the Salons of Paris to the Missions of Patagonia (Visual Culture in Early Modernity)