The young New York artist Phoebe Washburn creates environmental-scale sculptures made of common or discarded materials. Combining countless numbers of cardboard boxes or thousands of pieces of scrap wood to form undulating installations, Washburn's works tell the story of their own making, incorporating by-products of their creation into the final project. This volume documents Washburn's commission for the Deutsche Guggenheim in Berlin, where she constructed a Rube Goldbergian factory to produce grass for the project's sod roof over the course of the exhibition. This catalogue documents the development of the sculpture in the artist's studio, along with original source material and sketches, and features a career overview by Jan Avgikos, an interview by curator Joan Young and text by Rivethead author, Ben Hamper.

Phoebe Washburn: Regulated Fool's Milk Meadow

Arts & Photography

Hamper, Ben

Avgikos, Jan

Young, Joan

Individual Artists

Guggenheim Museum

<p>During the 1990s a number of artists claimed the exhibition as their medium. Working independently or in various collaborative constellations, they eschewed the individual object in favor of the exhibition environment as a dynamic arena, ever expanding its physical and temporal parameters. For these artists an exhibition can comprise a film, a novel, a shared meal, a social space, a performance or a journey. Their work engages directly with the vicissitudes of everyday life, offering subtle moments of transformation. This catalogue, which accompanies a major exhibition at the Solomon R. Guggenheim Museum, New York, is the first in the U.S. to examine the dynamic interchange among a core group of these artists--Angela Bulloch, Maurizio Cattelan, Liam Gillick, Dominique Gonzalez-Foerster, Douglas Gordon, Carsten Höller, Pierre Huyghe, Jorge Pardo, Philippe Parreno and Rirkrit Tiravanija--a many-sided conversation that helped shape the cultural landscape of the 1990s and beyond.</p>

Theanyspacewhatever

Foster, Hal

Blom, Ina

Von Hantelmann, Dorothea

BOURRIAUD, NICOLAS

Bonami, Francesco

King, Emily

Gioni, Massimiliano

Hoffmann, Jens

Iles, Chrissie

Birnbaum, Daniel

Govan, Michael

Joseph, Branden

Boeri, Stefano

Falguières, Patricia

Douroux, Xavier

Föll, Heike

Lange, Christy

Archer, Michael

History & Criticism

Guggenheim Museum Publications

The exhibition of Gerber's work at The Renaissance Society in 1992 marked the culmination of a ten-year period in which Gerber persistently painted the same opaque, monochromatic still-life over and over, in a bold artistic assertion that seeing is not believing but simply perceiving. This catalog is the first monograph publication of Gerber's work, and documents the artist's installations of these paintings at various international exhibitions, including Documenta 9 in 1992, and Robbin Lockett Gallery in Chicago in 1988. At the Society's exhibition, Gerber hung a single row of his paintings abutted end to end on a wall crossing the entire gallery space.Jan Avgiko's catalog essay, written in close tandem with Gerber, is a brilliant investigation of the role perceptual aesthetic theories play in the modernist and postmodernist monochrome.

Gaylen Gerber

Gerber, Gaylen

Renaissance Society

Edited by Beatrix Ruf. Contributions by Jan Avgikos, Jan Winkelmann.

Ugo Rondinone: Guided By Voices

Rondinone, Ugo

Hatje Cantz Publishers

For use in his installations The Impetuous Process, My Special Purpose, and The Liver Pool, artist Jason Rhoades developed a material called PeaRoeFoam, made of light green dried peas, bright red salmon roe and small white styrofoam balls. Witness what Rhoades calls the "cliché of inventing a media."

Jason Rhoades: Pearoefoam

Hochdörfer, Achim

Walther König, Köln

<p>Thomas Schutte's works are almost always proposals, and are consequently almost always in the form of models. At the core of this system of presentation lies hypothesis and speculation, moralism and romanticism, melancholy and black humor. Through early architectural installations and small-scale modeled figures and proposals for monuments, through extensive series of watercolors, banners, flags and photographs, Schutte takes a skeptical look at the world. This new monograph explores in detail the vast scope and extraordinary inventiveness of Schutte's work by documenting his tripartite exhibition at the Dia Center for the Arts, New York. "Scenewright" focuses on issues relating to sceneography and theater; "Gloria in Memoria" explores memorials, monuments and antiheroes; and "In Media Res" presents recent ceramics and a related series of monumental steel sculptures.</p>

Thomas Schutte

Kluge, Alexander

Steward, Susan

Richter Verlag

This new catalogue documents a current exhibition of works by German artist Thomas Schütte at the Goetz Collection in Munich, and features over 60 full-color reproductions of his work. Schütte's work in various media, including sculpture and installation, has gained increasing recognition Stateside over the past few years, after impressing audiences and critics in Europe. In addition to Schütte's works, there are several illuminating essays on the artist's oeuvre: Cay Sophie Rabinowitch focuses on Schütte's work from the past five years, particularly his large-scale sculptures of nude women; Jan Avgikos discusses the reception of Schütte's work in the United States; Robert Fleck places Schütte's work in the context of contemporary European art; and Rainald Schumacher documents the exhibition history of the works presented in the catalogue, and explores their connection to other works by Schütte.

Kothenschulte, Daniel

KELLEY, MIKE

Fleck, Robert

Schütte, Thomas

Rabinowitz, Cay Sohpie

Sammlung Goetz

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