Richmond 1987 1st Virginia Museum of Fine Arts. With essays by Jack L. Davis and E. Oustinoff. "Carved on the islands known as the Cyclades in the Aegean Sea, these fragile and aged objects of marble date between 3200 and 2200 BC."(jacket) Hardcover. Large 4to., 345pp., many illustrations, index, cloth. Deaccessioned from Christies (bookplate--no other owner ship marks). Fine in Fair Good DJ, worn.

Early Cycladic Art in North American Collections

Arts & Photography

Getz-Preziosi, Pat

Collections, Catalogs & Exhibitions

Virginia Museum of Fine Arts

xx + 345 pp. with 147 illus. &amp; 15 color plates, 4to.

Early Cycladic Art in North American Collections.

Pat Getz-Preziosi

A richly illustrated book featuring recent revelations about China’s first emperor, Ying Zheng, and his famous burial site containing an army of life-size terracotta soldiers and other artifacts First discovered by a farmer in 1974, the burial site of China’s first emperor, Ying Zheng, has yielded thousands of life-size terracotta figures and artifacts, and continues to be excavated today. This fascinating publication features more than 130 works including ten of these majestic terracotta figures, arms and armor, horse and chariot fittings, ritual bronze vessels, works in gold and silver, jade ornaments, precious jewelry, and ceramics. Dating from the Eastern Zhou dynasty (770–256 BC) through the Qin dynasty (221–206 BC), these objects represent the complex history, myths, and burial customs of ancient China. The texts introduce recent scholarship on this material culture to illuminate not only the first emperor’s burial complex, but also his powerful influence in Chinese history and the myriad ways in which his political and economic reforms transformed the daily lives of the Chinese people.

Terracotta Army: Legacy of the First Emperor of China

Jian, Li

Sung, Hou-Mei

History & Criticism

A dazzling look at a superb collection of magnificent jewelry and objets d’art by one of the 20th century’s most inventive and influential designers Famous for his inventive interpretations of animal and botanical subjects, artist-jeweler Jean Schlumberger (1907–1987) played a key role in 20th-century fashion with his vibrant sculptural designs for whimsical jewelry and accessories. After beginning his career crafting costume jewelry for designer Elsa Schiaparelli in 1930s Paris, Schlumberger opened his own private salon at Tiffany &amp; Co. in the mid-1950s and began attracting celebrity clients, including Greta Garbo, Audrey Hepburn, and Jacqueline Kennedy. This stylish catalogue presents highlights from the unrivaled collection of Schlumberger’s work given to the Virginia Museum of Fine Arts by horticulturist, philanthropist, and longtime supporter of the museum Rachel Lambert Mellon. Both commissioned and collected by Mrs. Mellon, these magnificent cigarette cases, pill boxes, brooches, necklaces, bracelets, and objets d’art celebrate the shared passions that united artist and patron: love of nature, dedication to perfection and beauty, and clarity of vision.

Jean Schlumberger: The Rachel Lambert Mellon Collection from the Virginia Museum of Fine Arts

Couser, Kristie

This splendid illustrated exploration of masks and masking ceremonies from the Democratic Republic of the Congo presents more than 130 outstanding wooden masks dating from the 18th to the 20th century. Visually stunning and spiritually charged, these objects connected wearers with their ancestors and were part of elaborate costumes used in ritual performances. Including some of the finest works of African art in private hands, this volume features masks from eleven distinct stylistic zones: Ukongo, Ukwango, Ukete, Ukuba, Urunda, Uruwa, Utanganyika, Umaniema, Uituri, Ubangi, and Umongo. Displaying an enormous diversity of materials, design, and craftsmanship, these masks reflect the wide range of natural resources available throughout the Congo region and illuminate the unique belief systems of local populations. Accessible and informative essays provide insight into these extraordinary objects and are enlivened by both new photography and archival images showing the ceremonial use of masks in early 20th-century Congo.

Congo Masks: Masterpieces from Central Africa

An innovative and compelling presentation of world-class Tibetan Buddhist art, elucidating its esoteric themes through visual storytelling Encouraging personal engagement with Tibetan Buddhism, this dynamic book presents spectacular Himalayan art and explores the philosophical tenets encoded in its imagery. Taking as its theme the universally accessible experience of Awakening, the book’s main text leads readers along an immersive journey of self-discovery, aided by a virtual guide, or lama, and traditional art meant to support meditative practice. Complementary essays examine Tibetan Buddhism’s ritual tools, paintings, symbolic imagery, and artistic traditions. Beautiful color images of all artworks, including three by contemporary Nepalese-American artist Tsherin Sherpa, and selected important details enhance our understanding of their complex iconography.

Awaken: A Tibetan Buddhist Journey Toward Enlightenment

Durham, Jeffrey

Rice, John Henry

Using recreated itineraries, travel along with Edward Hopper on his various road trips and encounter hotels, staff, and guests as seen through the artist's eyes The painter, draftsman, and illustrator Edward Hopper (1882–1967) is one of America’s best-known and most frequently exhibited artists. Hotels, motels, and tourist homes are recurring motifs in his work, along with streets, lighthouses, and gas stations forming a visual vocabulary of transportation infrastructure. In ten essays, this fascinating volume explores Hopper’s lifelong investigation of such spaces, shedding light on both his professional practice and far-reaching changes in transportation and communications, which affected not only work and leisure but also dynamics of race, class, and gender. Hopper’s covers for the trade journal Hotel Management, in addition to other well-known works, invite reflection on the complicated roles of the nascent New Woman; the erasure of hotel work and workers; contemporary associations of the color white with cleanliness and purity; the watercolors Hopper made from hotel windows and rooftops in Mexico; and the broader context of transportation history. A final chapter then situates Hopper's contribution to the fascinating role that the hotel has played in the broader development of American art in the 20th century. As a unique feature, the book's backflap also holds two "TripTik"-like, removable maps that trace the journeys that Hopper and his wife, the artist Josephine “Jo” Nivison Hopper, took by car in the 1940s and 1950s; selected correspondence and quotations from Jo’s own diaries join reproductions of postcards and ephemera illuminating their—and fellow Americans’—shifting travel habits.

Edward Hopper and the American Hotel

Mazow, Leo G.

Powers, Sarah G

<div>A groundbreaking analysis of one of the most significant collections of African art in the United States The collection of African art at the Virginia Museum of Fine Arts is among the most comprehensive in the United States, featuring works in all media from across the continent dating from antiquity to today. This handsome volume, the product of a groundbreaking collaboration between the museum's curators and conservators, supported by a major grant from the Andrew W. Mellon Foundation, presents highlights from the collection--some never before published--alongside new scientific analysis and imaging. Six chapters detail both the historiographical and technical concerns at play in collecting and conserving African art. The result promises to deepen our understanding of the art in the dynamics of their original communities and as they appear now in a museum context.</div>

The Arts of Africa: Studying and Conserving the Collection; Virginia Museum of Fine Arts

Woodward, Richard B.

Duhrkoop, Ash

Ezeluomba, Ndubuisi

Payaqui, Sheila

Harrison, Ainslie

Mallinckrodt, Casey

Gabrielli, Kathryn Brugioni

Product Description 
A close look at Man Ray’s interwar portraiture, as well as the friendships between the photographer and his subjects: the international avant garde in Paris\nShortly after his arrival in Paris in July 1921, Man Ray (1890–1976)—the pseudonym of Emmanuel Radnitzky—embarked on a sustained campaign to document the city’s international avant-garde in a series of remarkable portraits that established his reputation as one of the leading photographers of his era. Man Ray’s subjects included cultural luminaries such as Berenice Abbott, André Breton, Jean Cocteau, Marcel Duchamp, Ernest Hemingway, Miriam Hopkins, Aldous Huxley, James Joyce, Lee Miller, Méret Oppenheim, Pablo Picasso, Alice Prin (Kiki de Montparnasse), Elsa Schiaparelli, Erik Satie, and Gertrude Stein. As this lavishly illustrated publication demonstrates, Man Ray’s portraits went beyond recording the mere outward appearance of the person depicted and aimed instead to capture the essence of his sitters as creative individuals, as well as the collective nature and character of 
Les Années folles (the crazy years) of Paris between the two world wars, when the city became famous the world over as a powerful and evocative symbol of artistic freedom and daring experimentation.\nAbout the Author 
Michael R. Taylor is chief curator and deputy director for art and education at the Virginia Museum of Fine Arts, Richmond.

Man Ray: The Paris Years

Taylor, Michael R.

Photography & Video

The Virginia Museum of Fine Arts has long been renowned for its fine collection of sporting art. Owing to Paul Mellon’s interest in this genre, the VMFA’s collection comprises not only British but also American and French works. With Country Pursuits: Sporting Art from the Mellon Collections in the Virginia Museum of Fine Arts, Malcolm Cormack provides a consideration of these three national traditions, combined for the first time in one book. Presenting an in-depth survey of sporting art that is supported by catalog-style entries and corresponding color reproductions, this lavish coffeetable book also represents the work of each nationality in its own section.
Containing animal studies and scenes of horse racing, foxhunting and coursing, shooting and fishing, coaching and carriages, and other country pursuits, by artists such as George Stubbs, John Wooton, Sir Alfred J. Munnings, Alfred de Dreux, and George Catlin, this volume also offers a major introductory essay in which the author addresses the definition of sporting art with a particular emphasis on British artists in the context of prevailing artistic trends. Destroying the myth that only a coarse class of country squires collected sporting pictures, a separate section on British patronage describes the social and political context of sporting art.
Including biographies of the artists found in the Mellon collections and an index, Country Pursuits is a truly handsome collection for the sporting art enthusiast.

Country Pursuits: British, American, and French Sporting Art from the Mellon Collections in the Virginia Museum of Fine Arts

Cormack, Malcolm

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