<div>A groundbreaking analysis of one of the most significant collections of African art in the United States The collection of African art at the Virginia Museum of Fine Arts is among the most comprehensive in the United States, featuring works in all media from across the continent dating from antiquity to today. This handsome volume, the product of a groundbreaking collaboration between the museum's curators and conservators, supported by a major grant from the Andrew W. Mellon Foundation, presents highlights from the collection--some never before published--alongside new scientific analysis and imaging. Six chapters detail both the historiographical and technical concerns at play in collecting and conserving African art. The result promises to deepen our understanding of the art in the dynamics of their original communities and as they appear now in a museum context.</div>

The Arts of Africa: Studying and Conserving the Collection; Virginia Museum of Fine Arts

Arts & Photography

Woodward, Richard B.

Duhrkoop, Ash

Ezeluomba, Ndubuisi

Payaqui, Sheila

Harrison, Ainslie

Mallinckrodt, Casey

Gabrielli, Kathryn Brugioni

History & Criticism

Virginia Museum of Fine Arts

Conservation of Orbital Symmetry

Verlag Chemie / Academic Press

Details of exhibition at Virginia Museum, Richmond, November 29, 1977 - January 8, 1978.

American folk painting: Selections from the collection of Mr. and Mrs. William E. Wiltshire III : an exhibition on display at the Virginia Museum, Richmond, November 29, 1977- January 8, 1978

The Museum

Virginia Museum Of Fine Arts

American Federation of Arts

Photographs of sculptures, masks, scepters, crowns, and other objects, most created within the past century or two in sub-Sahara Africa. Short articles discuss the function and meaning of the object within its culture, and identify the title, materials, size, date, culture, and location. Distributed by the U. of Washington Press. Annotation c. by Book News, Inc., Portland, Or.

African Art: Virginia Museum of Fine Arts

Univ of Washington Pr

Now in its second edition, this book is further enhanced by African proverbs. Intended as an introduction to African art, this book investigates five key themes common to many cultures in Africa: the human figure, community status symbols, objects for personal use, animal symbols, and cermonial masks. The author examines the roots of the art and the ideas that bring this continent to life.

African Art

In the weeks immediately following September 11, Kevin Bubriski made four pilgrimages to the World Trade Center site from his home in Vermont to witness and record the impact of the tragedy. Like so many who had experienced the events from a distance, Bubriski was driven to visit Ground Zero in an attempt to come to terms with the horrifying scenes reported on television and in the papers. At the barricades surrounding the site, Bubriski found people experiencing not only a remarkable sense of community, but also the deepest kind of personal reflection on loss and mortality. Businessmen, teenage friends, families, young lovers, and visitors from around the world approached the site slowly, and eventually came to a full stop, planting their feet firmly as if to keep themselves from wavering or falling. Each visitor then began a moment of quiet reflection, staring off at the mountainous ruins of twisted steel and debris amidst an omnipresent swirl of acidic smoke. It was at this time that the reality of the devastation set in. “[Bubriski’s] photographs are among the most shattering to come out of the event, and the quietest. By keeping his focus on the stunned faces of individuals within a crowd, he has captured a series of private moments within a mass demonstration of surging, national grief. Everyone in the city during those confusing days will recognize the look and remember the feeling all too well.” —Richard B. Woodward

Pilgrimage: Looking At Ground Zero

Bubriski, Kevin

Individual Artists

powerHouse Books

In one of An-My Le's photographs of American Marines training for Iraq in the Mojave desert, a group of barrels is marked with the phrase “Do Not Shoot.” Obviously, the photographer didn't heed this warning, and the result is the most recent, timely series inof images in this compelling first monograph. Earlier photographs document a group of Vietnam War reenactors in South Carolina who, like their better-known Civil War counterparts, restage battles, training and the daily life of soldiers. An-My Le is part of a new crop of artists who merge documentary and landscape photography to explore history and current events with an emotional subtext and from a very personal point of view.

An-My Lê: Small Wars

Aperture Direct

Andy Warhol was a relentless chronicler of life and its encounters. Carrying a Polaroid camera from the late 1950s until his death in 1987, he amassed a huge collection of instant pictures of friends, lovers, patrons, the famous, the obscure, the scenic, the fashionable, and himself. Created in collaboration with the Andy Warhol Foundation, this book features hundreds of these instant photos. Portraits of celebrities such as Mick Jagger, Alfred Hitchcock, Jack Nicholson, Yves Saint Laurent, Pelé, Debbie Harry are included alongside images of Warhol's entourage and high life, landscapes, and still lifes from Cabbage Patch dolls to the iconic soup cans. Often raw and impromptu, the Polaroids document Warhol's era like Instagram captures our own, offering a unique record of the life, world, and vision behind the Pop Art maestro and modernist giant. © The Andy Warhol Foundation for the Visual Arts, Inc.

Andy Warhol. Polaroids 1958-1987

Taschen America, LLC

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Books by Woodward, Richard B.