In Orange Wine, a novel set in Colombia during the early part of the twentieth century, Ines Camargo divides her life between two men. First she falls in love with and marries the dashing Alessandro Scala, son of Italian immigrants who leaves her for her sister Isabel. Ines then moves to Bogota with her newborn daughter and three-year-old son. While living there she meets Regulo Vaca Pineros, an ambitious man from Somondoco who is working for the Belgians that own the Railroad Company in Colombia. Ines and Regulo remain together until Alessandro returns and her sisters pressure Ines to go back to him. Regulo and Ines live apart for many years. However, their dialogue continues through letters long after Regulo has found comfort in other women's arms. Theirs is a love outside the boundaries of marriage and Catholicism, a love healed by the orange wine Regulo makes. He sends a bottle to Ines___

Orange Wine

Mariët Westermann

Somondoco Press

"Chains" is a collection of poems divided into five parts. Part one, "Chains," deals with attachment. The poems in "Fragments of a Shattered Life" examine break-up and loss. "Poems of Letting Go" explore acceptance and surrender. "Mythologies" tries to explain personal experience within mythical contexts while "Snapshots" aims to describe places, people and experiences dear to the poet.

Chains

Maxwell-Snyder, Hope

Strings of Broken Hearts is a collection of photographs and poems divided into three parts. Part one, "Places," deals with geographical locations. Part two, "Lovers" explores the world of the emotions, while part III, "La Familia" contains pieces about family.

Strings of Broken Hearts

Snyder, Hope Maxwell

The narrator goes to shopping malls and discount stores with YHWH/God, who also speaks candidly in these funny-with-a-bite, formal poems that tell "more truth than all of the tv preachers and all of the tv pitchmen put together" (Bill McKibben). "Surely God laughs, but I do hope Ed wears a crash helmet. . . . These poems are a Blue-light Special on sanity" (Annie Dillard). "This is a book of fun with the gods of commerce and language" (Len Fulton).

Mall-Hopping With The Great I Am

Zahniser, Ed

Weather Report returns to the ancient tradition of oracular stories, but remains in today's language - a langue of &amp; evoking the imagination - not this intellectual language of doggerel we often find in today's letters. I also find, for the most part, that these poems grow and intermingle with one another. After I've read one poem &amp; involved myself with it sufficiently, I turn to the next poem, &amp; by its end, I'm enlightened into the previous poem, &amp; must return to it. This back and forth reflects how Carney simultaneously moves forward and reflects, as the great mythmakers do. His book arrives at a necessary place and time for anyone who is about to drag their last foot into the world of adulthood, or who is already there, or who will be there. For Weather Report provides a forecast of where you might be &amp; conditions you could expect should you get lost in the grown-up world - a world filled with the generic, xenophobia, &amp; habits. But there are no judgments in Weather Report, rather, it is a report - a report of how to move in the adulthood of stasis &amp; withering imagination. In these poems, you will find a "language enough of us can speak" - a language of regenerative myths &amp; rituals that are rooted in the continual &amp; imaginative why? Weather Report is for all ages &amp; professions, is filled with poems that celebrate living, &amp; has poems that move forwards &amp; backwards in time, up &amp; down in imagination, out &amp; into a young soul, &amp; over &amp; under your skin. And one final word about the cover art, "Catching Colors for Butterflies" - This collection of poems will reawaken your imagination &amp; reconnect you to the childhood creativities &amp; energies you have forgotten or misplaced. After you have found your way through these poems, you will see the painting anew &amp; as "Catching Colors for Adults." Read this collection so you can catch more colors for yourself. -Tom Holmes

Weather Report

Science & Math

Rob Carney

Environment

This volume of poetry, The Houdini Chronicles, which is written in three voices, depicts a love affair between Harry Houdini and his muse, who falls in love with him after seeing his picture on the Internet. Their relationship questions traditional roles and explores boundaries with humor and melancholy.

The Houdini Chronicles

Hope Maxwell-Snyder

This book is witty, erudite, wise, frightening, and beautiful. If I had a friend leaving on a solitary journey I would give her this book and say "Take this with you as a companion." It is the story of a woman living alone with a dog, in a neighborhood, with headlines and shadows. People turn up naked and unsurprised here. Tame animals, birds, dogs and cats, notice their owner is missing. Sometimes it's the pet that disappears. Physically, this world where wrens fly in the window is in Brooklyn, from the Bridge to the canal, but the imaginative scope of the wren-world is wide, especially through its playful encounters with newspaper headlines. In both neighborhood walks and national news, there is violence, and nakedness, and solitude. In life, difficult as it is, there are funny things to look at everywhere. How to notice such points of interest? It is good to have an eagle-eyed companion with a quick tongue. Words are delicious here. This is brilliant, gracious, and dangerous poetry.

Wrens Fly Through This Opened Window

Amy Holman

Rob Carney must believe in the power of myths: the poetry that can't be explained by science, the stories with the power to change the course of our lives unexpectedly, late at night, around a crackling campfire. This is lucky for us. Like those stories, the poems in the book will make you laugh, rock back in joy, fall out of your chair in amazement and, while you're on your back recovering, wonder how we ever forgot that the night sky is full of stars. Review by Scott Poole

Story Problems

In this book Peter Stitt writes two stories, one an interpretation of arcane historical events, the other an account of some complex events in his own recent life. Both stories are chaotic, written in a style that moves in eccentric and repetitive ways, but orchestrated toward a conclusion that is like the end of a hard-fought basketball game. Readers will occasionally wonder how the author will finish negotiating these hard roads, if he will be able to bring off their merging. Stitt does bring if off, lovingly, humanely, skillfully, and with some recognitions that will affect the rest of his life, and the life of a careful reader. - Paul Zimmer Peter Stitt is the founding editor of The Gettysburg Review and the author of two books on American poetry, The World's Hieroglyphic Beauty-selected by The New York Times Book Review in 1987 as a notable book of the year - and Uncertainty and Plenitude (1997). His poems, reviews, and essays critical and creative have appeared in The Southern Review, The Sewanee Review, The Kenyon Review, Shenandoah, and many other periodicals. He has interviewed several poets on behalf of The Paris Review and was, for eleven years, the regular reviewer of the poetry for The Georgia Review. His collection of personal essays, Searching for Paradise, is forthcoming in 2012 from Tupelo Press. Currently professor of English at Gettysburg College, he has also taught at the University of Minnesota, Michigan Technological University, the University of North Carolina at Chapel Hill, Middlebury College, and the University of Houston. With his dog and an uncertain number of cats, he lives in an old farm house in rural Pennsylvania.

Hard Roads Home

Peter Stitt

A collection of works capturing the essence of Alamo fact and legend in vivid detail.

What Harvest - Poems on the Siege & Battle of the Alamo

Floyd Collins

See the best price to sell, buy or rent books by the Somondoco Press publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Somondoco Press