Trumpet Mania! is a unique book of trumpet studies designed for serious students who want to bring their technique to the next level. The author, a professional with more than two decades in the field, has provided numerous exercises and warmups specially designed to enhance stamina and technique along with practical advice on how to get it done. Tichenor's volume is an absolute essential for any trumpet player wanting to move to the professional level, written in an engaging friendly style.

Trumpet Mania!

Andy Tichenor

Serenissima Music, Inc.

Wieniawki's second concerto might have been started as early as 1856, but the work was not finished until shortly before its premiere, given in St. Petersburg on November 27, 1862 with the composer as soloist and the orchestra conducted by Anton Rubinstein. Dedicated to Wienawski's fellow violin virtuoso Pablo Sarasate, the work had to wait another 17 years (1879) before it was finally published. The affordable study score offered here is a reduced-format reproduction of the freshly engraved and researched edition prepared by Howard K. Wolf which was first issued by E.F. Kalmus in 2003 in large score and parts.

Violin Concerto No.2, Op.22: Study score

Arts & Photography

Wieniawski, Henri

Music

Originally composed for piano duet and published in 1889, Debussy's delightful suite was immediately popular. Its widespread popularity resulted in demands for an orchestral setting. The composer, too busy with new works, ultimately assigned the orchestration task to the conductor Henri Büsser. This new study score is an unabridged, digitally restored reissue of the full score first printed in 1908 by A. Durand et Fils, Paris. It is the orchestral version most widely performed and recorded. 1. En bateau 2. Cortege 3. Menuet 4. Ballet

Petite Suite - Orchestra version: Study score

Debussy, CLaude

Büsser, Henri

Contents: 1. Kyrie - Andante con moto 2. Gloria - Allegro maestoso 3. Credo - Allegro moderato 4. Sanctus - Allegro maestoso 5. Benedictus - Andante grazioso 6. Agnus Dei - Lento This is new, unabridged, digitally enhanced reprint of the classic vocal score for Schubert's youthful masterpiece prepared by Friedrich Spiro and published in 1904 by Breitkopf & Hartel. Composed when Schubert was only 17, the Mass in G entered the choral repertoire soon after its first publication in the mid-1800s. It's been a staple of the repertoire ever since.

Mass In G, D.167 - Vocal Score (Latin Edition)

Schubert, Franz

Spiro, Friedrich

A newly engraved vocal score from the piano reduction prepared by the composer's son-in-law, Josef Suk (1874-1935). Dvorak composed the "Te Deum" in 1892, which was given its premiere at a delayed Columbus Day quadricentennial concert on Oct. 21, 1892 in New York.

Te Deum, Op.103: Vocal score (Latin Edition)

Antonín Dvořák

Josef Suk

Composed around 1779 while still in Salzburg, this youthful setting of the Marian text in C major has been a staple of the choral repertoire for more than a century. This new, digitally-enhanced vocal score is reproduced from the one originally issued by Breitkopf und Hartel, Leipzig, to coincide with the complete works (1876-1905) with a piano reduction by J. G. Scheel.

Regina Coeli, K. 276 (321b): Vocal score (Latin Edition)

Mozart, Wolfgang Amadeus

Tchaikovsky considered an orchestral suite from his first great ballet, but never got around to extracting it. An unknown editor compiled the first version, which was issued by Jurgenson in 1900. Muzgiz, the Soviet state publishers produced their own version in 1954, adding 3 dance movements and omitting the finale of the original suite. This newly engraved critical edition by Carl Simpson includes all the movements found in the two previous versions of the suite.  1. Scene 2. Valse 3. Danse de cygnes 4. Pas d'action 5. Danse hongroise 6. Danse espagnole 7. Danse napolitaine 8. Mazurka 9. Scene et Finale

Swan Lake Suite, Op.20a: Study score

Peter Ilich Tchaikovsky

Unabridged digitally enhanced reissue of the vocal score prepared by musicologist Karl Straube and published by C.F. Peters, Leipzig in the early 20th century. Bach composed the initial version in E-flat major in 1723 for the Christmas Vespers service in Leipzig which contained several Christmas texts. Over the years he removed the Christmas-specific texts to make the work suitable for year-round performance, transposing it into D major to provide better sonority for the trumpets. The work is divided into twelve parts which can be grouped into three movements, each beginning with an aria and completed by the choir. This large-format, easy-to-read vocal score, a welcome addition to the libraries of choruses and orchestras everywhere, is completely compatible with the widely available orchestra material reprinted by E. F. Kalmus. 1. Magnificat Anima Mea (Coro) 2. Et Exultavit (Aria) 3. Quia Respexit (Aria) 4. Omnes Generationes (Coro) 5. Quia Fecit Mihi Magna (Aria) 6. Et Misericordia (Duetto) 7. Fecit Potentiam (Coro) 8. Deposuit (Aria) 9. Esurientes (Aria) 10. Suscepit Israel (Terzetto) 11. Sicut Locutus (Coro) 12. Gloria Patri (Coro)

Magnificat, Bwv 243 - Vocal Score

BACH, Johann Sebastian

Newly engraved and revised edition of Gleichauf's classic vocal score. Composed in in Salzburg in 1769, Mozart modeled this youthful work closely on a similar one by Michael Haydn (for which reason its authenticity had long been questioned). Mozart's piece divides the lengthy liturgical text into three contrasting sections, including a final rousing double fugue.&nbsp;Musicologist Alfred Einstein described the work as "sure in construction, thrilling in its choral declamation, and having a certain rustic South-German grandeur."

Te Deum, K. 141 (66b): Vocal score (Latin Edition)

Composed in 1892 as he he was working on his Ninth Symphony, Psalm 150 is Bruckner's final sacred work. The composer had set various psalms over the course of his career before finally turning to the very last of the Book of Psalms, No. 150. It is one of the most musical of all, invoking a veritable orchestra of percussion, wind, and string instruments to join the people's voices in praise of God with music and dance.

Psalm 150, WAB 38: Vocal score (Latin Edition)

Bruckner, Anton

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