Marco Breuer: Tremors, Ephemera documents two groundbreaking projects by Marco Breuer. Tremors consists of Icamera-less pictures:' working in the darkroom, Breuer employs an assortment of household tools--a hot plate or an electric pan, for example--and moves them with varying degrees of pressure across photographic paper, registering their movement as an irregular, seismographic trace. The paper responds to the heat from the tool by recording a latent image, which, once developed, turns the emulsion a range of colors from deep umber to burnt sienna and charcoal black. In Ephemera, Breuer goes one step further in relinquishing his commitment to a particular medium and literally attacks standard drawing paper, using the format of generically designed handmade books. The pages document direct activities taking place deep within the book cavity--an ignited fuse creeps through the book gutter, leaving a snake-like trail, fanning out in a smudge of brown smoke; an electric shock mars the heart of a centerfold in an explosive display of colorful splashes.

Marco Breuer: Tremors, Ephemera

Arts & Photography

Elkins, James

De Cruz, Gemma

Individual Artists

Roth Horowitz, LLC

"The history of the photographic book goes back well more than a century; the medium of photography and the book format were understood very early on to relate to each other on both technical and aesthetic levels. The examples of truly great combinations of photographic image and text, great design and typography bound together as books are numerous, and make up an impressive artistic, social, and documentary statement of the 20th century. Writer and rare book expert Andrew Roth has selected for this volume a group of 101 of the best photography books ever published: books that bring all of the elements of great bookmaking together to create, ultimately, a thing of beauty, a work of art. Mostly made up of publications in which the photographs were meant to be seen in book form, as opposed to the book being merely a repository of images, this list includes many artists and titles that will be familiar to the collector, but also not a few surprises. Chronologically, the first book is Volume One of Edward Curtis's seminal 1907 The North American Indian, the last is David LaChapelle's LaChapelle Land from 1996, and in between are books by Walker Evans and Berenice Abbott, Atget and Brassai, Robert Frank and Garry Winogrand, and many other seminal photographers from all over the world. Each book in the catalogue will receive a double page spread which will include publication information, several image spreads, and a short text about it. The Book of 101 Books, however, is far more than simply an annotated and illustrated catalogue. Six important new essays on a variety of related topics from respected scholars, critics, and artists are included as well: here you will find Richard Benson on the history of printing techniques, Shelley Rice on the societal significance of photography books, May Castleberry on reprints, exhibitions, and keeping books alive for the public; Daido Moriyama on his personal memories of making his classic Bye Bye Photography, Dear, Neville Wakefield on the particular attributes of one of the most recent books in this group: Richard Prince's 1995 Adult Comedy Action Drama, and Jeffrey Fraenkel on the myriad perils of publishing photography books. The catalogue entries themselves are written by the well known critics Vince Aletti and David Levi Strauss. Taken together, the depth and beauty of these essays and images will make The Book of 101 Books both an essential reference and an aesthetically compelling object."

Book of 101 Books, The: Seminal Photographic Books of the Twentieth Century, LIMITED EDITION

Benson, Richard

Rice, Shelley

Wakefield, Neville

Castleberry, May

Levi Strauss, David

Photography & Video

"The history of the photographic book goes back well more than a century; the medium of photography and the book format were understood very early on to relate to each other on both technical and aesthetic levels. The examples of truly great combinations of photographic image and text, great design and typography bound together as books are numerous, and make up an impressive artistic, social, and documentary statement of the 20th century. Writer and rare book expert Andrew Roth has selected for this volume a group of 101 of the best photography books ever published: books that bring all of the elements of great bookmaking together to create, ultimately, a thing of beauty, a work of art. Mostly made up of publications in which the photographs were meant to be seen in book form, as opposed to the book being merely a repository of images, this list includes many artists and titles that will be familiar to the collector, but also not a few surprises. Chronologically, the first book is Volume One of Edward Curtis's seminal 1907 The North American Indian, the last is David LaChapelle's LaChapelle Land from 1996, and in between are books by Walker Evans and Berenice Abbott, Atget and Brassai, Robert Frank and Garry Winogrand, and many other seminal photographers from all over the world. Each book in the catalogue will receive a double page spread which will include publication information, several image spreads, and a short text about it. The Book of 101 Books, however, is far more than simply an annotated and illustrated catalogue. Six important new essays on a variety of related topics from respected scholars, critics, and artists are included as well: here you will find Richard Benson on the history of printing techniques, Shelley Rice on the societal significance of photography books, May Castleberry on reprints, exhibitions, and keeping books alive for the public; Daido Moriyama on his personal memories of making his classic Bye Bye Photography, Dear, Neville Wakefield on the particular attributes of one of the most recent books in this group: Richard Prince's 1995 Adult Comedy Action Drama, and Jeffrey Fraenkel on the myriad perils of publishing photography books. The catalogue entries themselves are written by the well known critics Vince Aletti and David Levi Strauss. Taken together, the depth and beauty of these essays and images will make The Book of 101 Books both an essential reference and an aesthetically compelling object.   In order to insure safe delivery for this item we can only ship Federal Express 3rd Day. An additional charge of $25.00 will be added to your purchase.   "

Book of 101 Books, The: Seminal Photographic Books of the Twentieth Century, Deluxe Edition

Marco Breuer makes photographs without using a camera. In a process similar to that used to make photograms, one of the oldest photographic forms, Breuer directly exposes photo-sensitive paper to light and heat and materials like spit, blood, nail clippings, Windex, jello, beer, mold, kitchen matches, bomb fuses and hot coals. The result produces nearly pure abstractions that hover somewhere on photography's outer limits. This two-volume set presents Breuer's cameraless photographs together with a wide range of responses written by fiction writers, a psychiatrist, a poet, a composer and a chemical laboratory. Volume I contains images, volume II contains text, and both are spiral bound, providing an intimate, mysterious and coolly elegant notebook-sized package.

Marco Breuer: S M T W T F S

TILLMAN, Lynne

HOWARD, Richard

Klein, Adam

Hause, Evan

Wilner, Martin

In 1971, Japanese photographer Daido Moriyama took a trip to New York City with Tadanori Yokoo. He stayed at the Chelsea Hotel and spent his days in The Museum of Modern Art Photography Study Center looking at pictures taken by Weegee. He shot 100 rolls of film with a half-frame camera, yielding 70 images per roll. Some of those pictures are presented here.

'71 - NY

Neville Wakefield

Daidō Moriyama

Robert Adams: Eden

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