It was like being the village idiot with O-levels. I jack-knifed trailers, got outwitted by even the dimmest animals and was dragged through a hedge backwards on a tractor ...' Richard Benson was never cut out for the family farm, but he returned from London when his dad had to sell up and found that their shared loss was part of a profound change in rural life. In the house after the sale, dad gave a heavy raspy sigh and sank against my mum. Everything seemed to freeze for a moment as the clock kept ticking ...'

Farm : The Story of One Family and the English Countryside

Benson, Richard

Gardners Books

This engaging photograph album of Yale’s third century contains a rich and surprising assortment of pictures selected by the photographer Richard Benson. Punctuated with essays by past and present notables of the Yale community and by Benson’s own commentary, the album moves from Old Yale at the turn of the century to challenges facing the university in the new millennium. The people, events, objects, and settings encountered along the way have contributed to the making of the Yale experience in the twentieth century. Published on the occasion of Yale University’s tercentennial celebration, the album opens with the bicentennial years and a charming evocation of college life before World War I. The next section chronicles the great building boom on campus―including the transition to a residential college system―prompted by the generous bequests of John Hay Whitney, John Sterling, and Edward S. Harkness. A campus transformed by world events is depicted in sections on Yale between the wars and during World War II. About midway through the volume and the century, the focus turns to campus life, including athletics, the growth of the arts, the political turmoil of the sixties and seventies, and the advent of coeducation. Following a photo essay on life at Yale today, the album concludes, as does Yale each academic year, with the ebullient rituals and regalia of commencement. For all those who are, were, or hope to be part of the Yale community, Benson has created an exceptional memento from the bounty of Yale’s archives.

A Yale Album: The Third Century (A Yale Tercentennial Book)

Arts & Photography

Photography & Video

Yale University Press

A collection of 17 years of writing in "The Face", a magazine which reflects trends in popular music and culture. The pieces range from the early days of New Romanticism and New Wave to Electro, the Acid House boom and the changes that followed.

Night Fever: Club Writing in "The Face", 1980-1996

Politics & Social Sciences

Social Sciences

Boxtree

The Farm

After 200 years of farming in Yorkshire, the Benson family has been forced to sell up. Like so many farmers, they found that modern economics make it impossible for the land to support them. While the farming way of life never came naturally to Richard Benson - a point that sent him running to London - he still feels the loss and returns to do what he can to help his father and brother find other ways to earn a living. Set after the sale of the farm, its aftermath and the family's recovery against a background of cataclysmic change in the English countryside. Benson tells of his childhood memories, the lost generation of people in his village and his own attempts to fit in.

Biographies & Memoirs

Memoirs

Isis Audio

After 200 years of farming in Yorkshire, the Benson family has been forced to sell up. Like so many farmers, they found that modern economics make it impossible for the land to support them. While the farming way of life never came naturally to Richard Benson - a point that sent him running to London - he still feels the loss and returns to do what he can to help his father and brother find other ways to earn a living. Set after the sale of the farm, its aftermath and the family's recovery against a background of cataclysmic change in the English countryside, Benson tells of his childhood memories, the lost generation of people in his village and his own attempts to fit in.

Isis Audio Books

"It's instant comic relief." - Daily Glow Celebrating the creative side of failure: "F" stands for "funny" in this perfect gift for students or anyone who has ever had to struggle through a test and needs a good laugh. Celebrating the creative side of failure in a way we can all relate to, F in Exams gathers the most hilarious and inventive test answers provided by students who, faced with a question they have no hope of getting right, decide to have a little fun instead. Whether in science (Q: What is the highest frequency noise that a human can register? A: Mariah Carey), the humanities (Q: What did Mahatma Gandhi and Genghis Khan have in common? A: Unusual names), math, or other subjects, Richard Benson's book proves that while everyone enjoys the spectacle of failure, it's even sweeter to see a FAIL turn into a WIN. <ul>
<li>Contains 250 hilariously wrong test answers from exams in Chemistry, Biology, Physics, Math, Business and Technology, Psychology, History and Geography, and English. </li>
<li>Laugh out loud funny for teachers and students alike. </li>
<li>With the handwriting – and doodles – of the test taker, readers will have flashbacks of anxiously sitting over a test paper chewing on the end of a pencil. </li>
</ul>
Fans of F for Effort and F This Test will love F in Exams...and perhaps be a little envious of the students who took full advantage of not knowing the correct answer. Celebrating the creative side of failure with 250 totally wrong test answers. <ul>A perfect coffee table, bathroom or bar top conversation-starting book<li>Makes a great graduation, teacher appreciation and teacher retirement gift</li>
</ul>

F in Exams: The Very Best Totally Wrong Test Answers

Humor & Entertainment

Humor

Chronicle Books+

Writing about The Museum of Modern Art, New York's monumental and critically acclaimed 2005 Lee Friedlander retrospective, Richard Lacayo of Time magazine said: "If a sophisticated notion of what a picture can look like, the continuous construction of new avenues of feeling, and sheer, sustained inventiveness are the measures we go by, then Friedlander is one of the most important American artists of any kind since World War II Friedlander loves the muchness of the world. He loves the haphazard multitude of things that can pop up in every picture--street signs, sunbeams, bits of roofline, a jagged shadow--all colliding and contradicting one another. In his breezy but very acute introduction to the show's catalogue, Peter Galassi, MoMA's Chief Curator of Photography, gets it just right when he says some of Friedlander's pictures give you the impression that 'the physical world had been broken into fragments and reconstituted under pressure at three times its original density.'"

Friedlander

GALASSI, Peter

Individual Artists

The Museum of Modern Art, New York

The Printed Picture traces the changing technology of picture-making from the Renaissance to the present, focusing on the vital role of images in multiple copies. The book surveys printing techniques before the invention of photography; the photographic processes that began to appear in the early nineteenth century; the marriage of printing and photography; and the rapidly evolving digital inventions of our time. From woodblocks to chromolithographs, from engravings to bar codes, from daguerreotypes to contemporary color photographs, the book succinctly examines the full range of pictorial processes. Exploring how pictures look by describing how they are made, author Richard Benson reaches fascinating and original conclusions about what pictures can mean. Although many of the techniques he discusses have been used to create exceptional works of art, Benson concentrates on the typical, everyday pictures that have played and continue to play such a prominent role in our lives. In conjunction with the publication of the book, an educational installation of this material will be presented in the photography galleries at The Museum of Modern Art, New York in the fall of 2008. Presented as a series of one-page essays opposite the pictures they examine, the book retains the lively, engaging style of the informal lectures through which Benson developed his ideas over the course of 30 years at Yale University. Rooted in hands-on descriptions of practical techniques, The Printed Picture offers a rich and imaginative interpretation of the enormous cultural and social influence of multiple images. Richard Benson is a MacArthur Fellow and the former Dean of the Yale School of Art. A photographer, printer and collector, he has devoted a considerable part of his career to research in photomechanical reproduction. As a printer Benson was instrumental in developing the technologies presently used in the industry to reproduce photographs in ink. He has taught many workshops and given many lectures on photography, printing and their associated technologies. He is the co-author of Lay This Laurel (Eakins Press) with Lincoln Kirstein and A Maritime Album (The Mariner's Museum of Newport News, Virginia) with John Szarkowski. His photographic work is in the collections of The Museum of Modern Art and the Metropolitan Museum of Art in New York City, The Yale University Art Gallery, New Haven and many other institutions and private collections.

The Printed Picture

Reference

One of the most compelling Civil War stories is that of the Fifty-Fourth Regiment, made up of African-American soldiers who volunteered for the Union Army. Their heroic but futile battle at Fort Wagner was memorialized by sculptor Augustus Saint-Gaudens in Boston Common in 1897. Both the commemorative book and limited-edition volume depict the monument in stirring detail while celebrating its 100-year anniversary. For photography connoisseurs and Civil War buffs. 
First Edition, 1973

Lay This Laurel

History

KIRSTEIN, Lincoln

Americas

Eakins Pr Foundation

Photographs from the archives of the Mariners' Museum depict shipbuilding, pleasure craft, naval confrontations, shipwrecks, and icebreakers

A Maritime Album: 100 Photographs and Their Stories

Mariners' Museum (Newport News, Va.)

SZARKOWSKI,JOHN

Collections, Catalogs & Exhibitions

Mariners' Museum

See the best price to sell, buy, or rent books by Benson, Richard. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Benson, Richard

See the best price to sell, buy, or rent books by Benson, Richard. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Farm : The Story of One Family and the English Countryside

A Yale Album: The Third Century (A Yale Tercentennial Book)

Night Fever: Club Writing in "The Face", 1980-1996

The Farm

The Farm

F in Exams: The Very Best Totally Wrong Test Answers

Friedlander

The Printed Picture

Lay This Laurel

A Maritime Album: 100 Photographs and Their Stories