First edition. The last years of the nineteenth century saw the final stages in the transition of type manufacture from a craft to an industrial process, and the first appearance of complex mechanical systems for the composition of text. A hundred years later, text composition used only the simple mechanisms inside laser printers and image-setters, and type manufacture was well on the way to becoming a craft process once again; though now with computer displays and software replacing steel punches and copper matrices. Printer's Type in the Twentieth Century traces the evolution of type manufacture and design from hand punch-cutting through hot-metal and photographic composition to laser image-setting and the PostScript revolution. The book takes a theoretical view of its topic, rather than a simple narrative approach. It is intended for readers interested in recent typographic history, and the relationships between design methods and production technologies in type manufacture. Richard Southall has been involved with type and typography since the early 1960s; in publishing, composing-machine manufacture and development, teaching, research and consultancy. All enthusiasts of typography and its fascinating history will enjoy this important work. Contains 150 illustrations. Bound upside down. 256 pages. cloth, dust jacket. 8vo..

Printer's Type in the Twentieth Century: Manufacturing and Design Methods

Crafts, Hobbies & Home

Southall, Richard

Crafts & Hobbies

Oak Knoll Press and The British Library

Eighth edition, completely revised and re-set, with additional information and an Introduction by Nicolas Barker. Shaken, Unsophisticated, Harleian Style, Fingerprint, E-book, Dentelle. Can you define these terms? If not, this is the book for you! John Carter's ABC For Book Collectors has long been established as the most enjoyable as well as the most informative reference book on the subject. Here, in over 490 alphabetical entries, ranging in length from a single line to several pages, may be found definition and analysis of the technical terms used in book collecting and bibliography, interspersed with salutary comments on such subjects as auctions, condition, facsimiles and fakes, 'points', rarity, etc. This eighth edition has been revised by Nicolas Barker, editor of The Book Collector and incorporates additional words created by the introduction of web-based collecting. The ABC For Book Collectors retains its humorous character as the one indispensable guide to book collecting while also keeping us up-to-date with modern terminology.

ABC for Book Collectors

Reference

Nicolas Barker

john-carter

Writing, Research & Publishing Guides

This volume offers a new edition of Andrea Krupp's groundbreaking article, which first appeared in the Papers of the Bibliographical Society of America, and includes an expanded Catalogue of Bookcloth Grains, with illustrations in a larger format and, for the first time, in color. Sue Allen has written the preface for the book. Ms. Krupp's three-part essay, with several illustrations, covers the introduction of bookcloth and the early decades of its use, discusses bookcloth grain nomenclature and concludes with detailed observations on several cloth grain patterns. The first of three appendices is an information-dense table that lists each grain pattern with date range and frequency and provides cross references to previous nomenclature. Appendices 2 and 3, which together comprise the Catalogue of Nineteenth-Century Bookcloth Grains, include images of the various grains, reproduced at actual size. In this edition, the number of catalogue entries has been expanded from 222 to 248. The s

Bookcloth in England and America, 1823-50

Andrea Krupp

Antiques & Collectibles

This new bibliography of Rudyard Kipling, the first English-language author to win the Nobel Prize for Literature, is the first to appear in fifty years and the first to incorporate modern standards of collation, binding cloth description, publication dates and prices, and dust jacket description. It fully describes 480 first editions, authorized and unauthorized, appearing as books, pamphlets, leaflets, and broadsides from 1881 through 2008 in British India, England, the United States, Canada, New Zealand, South Africa, and Chile--a dozen of which titles were not noted by prior bibliographers. This work also includes 127 titles of books with contributions from Kipling, 17 titles containing prefaces, introductory letters and forewords by Kipling, and 123 titles first printing his private letters. These primary entries, besides describing each edition by publication type, size, pagination formula, binding, binding texture, ISCC-NBS color system name, dust jacket, copyright data, and cross-references to prior bibliographies, also include information on institutional library locations, manuscripts, and significant first editions of the title in later publishers' series and in other countries. Also described are all important association and presentation copies of Kipling's earliest works, with full inscriptions and institutional collection locations. Other major sections describe collected and uniform sets, editions listed by prior bibliographers that are not first editions but are collectible, and misattributions. Significant innovations in this bibliography include the first complete chronological list of all of Kipling's newspaper and periodical appearances, the first examination of all English and American auction sale catalogues with lots of his editions (significant copies are cross-referenced in the entry texts), and separate listings of unauthorized private editions and private editions as first editions, musical settings of the poems, plays based on Kipling's works, film treatments in motion pictures and for television, published drawings and caricatures, and Kipling's symbols: the swastika and the Ganesh. Further appendices include a chronology of the author's life and major works, and titles of biographical studies of Rudyard and his immediate family. These contents are present in one substantial volume containing the primary entries, grayscale images of bindings and title pages, and indices. The second volume, containing all the other classified sections, is included on the enclosed CD-ROM, along with color images of bindings and title pages.

Rudyard Kipling: A Bibliography

David Alan Richards

Catalogs & Directories

This volume of eight original essays, with contributions by specialists in the promotion and marketing of print, as well as by leading historians of the book, explores themes that include the advertising and marketing techniques of booksellers and publishers across early modern Europe, the increasing use of newspaper and periodical advertisements in England and Ireland during the eighteenth and nineteenth centuries, and the dramatic impact of online marketing on the book trade. Other promotional tools discussed here range from the illustrated trade cards of eighteenth-century Paris to the rise of the book jacket and the cult of literary prizes in the twentieth century.

Books for Sale: The Advertising and Promotion of Print Since the Fifteenth Century

Literature & Fiction

Edited by: Robin Myers

Michael Harris and Giles Mandelbrote

History & Criticism

The purpose of this book is to guide the reader through the sequence of operations involved in creating a book bound in leather, or a "fine binding." The author defines a fine binding as a book fully covered in leather, with leather-jointed endpapers, gilt edges, and leather doublures. Although a basic knowledge of bookbinding terms and techniques is assumed, this book is meant for both novice and experienced bookmakers. The book is intended to be used as an active guide during the process of fine binding. It is arranged into sixteen sections, in the order of how they are to be undertaken (or a "sequence of operations"), beginning with preliminary work and ending with preparing and putting in leather doublures. Each section includes appropriately numbered instructions so that the user can find his or her place in the sequence of operations and have a reference for what step is next. There are also numbered explanatory sections that include a rationale (why you do it) and technique (how you do it). The work includes close to 300 black and white illustrations, four appendices, and a bibliography.

Fine Bookbinding: A Technical Guide

Jen Lindsay

Thomas Bewick can be called one of the best English exponents of wood engraving. Born in 1753, he grew up on a small farm, where his chores came second to his interest in the countryside, fishing, and watching birds and animals. These early passions set the stage for his future endeavors. His early work of cutting soft wood for woodcuts eventually turned into fine detailed designs into hard wood. Beginning in the late 1700s onwards, Thomas illustrated many children's books with one of his most famous books, The History of British Birds. The book contained bird engravings and wood cuts and was an immediate success. Other major publications that helped solidify Bewick's success include The Chillingham Bull, Waiting for Death, A General History of Quadrupeds, and The Fables of Aesop and Others. Bewick's celebrated histories of quadrupeds and birds of 1790, 1797, and 1804 have obscured the immense number of other books of all denominations illustrated in his modest workshop. From its inception in 1765 until its demise in 1849, the workshop provided illustrations to books, pamphlets, periodicals, and newspapers. The range of illustrations encompassed natural histories, children's storybooks, cookery books, religious tracts, spelling books, mathematical treatises, Bibles, agricultural manuals, local town and county histories, joke books, and even a book of sermons. Generously illustrated and arranged alphabetically, this book details some 750 titles, over 450 of which are unrecorded in earlier bibliographies. In addition it provides sections on newspaper mastheads, book cover designs, copy-book covers, maps, and large single prints. Whether appealing to the Bewick aficionado, book historian, art historian, provincial printing enthusiast, or admirer of engraving on wood or copper, this will be an indispensable work.

Thomas Bewick: The Complete Illustrative Work

Arts & Photography

Nigel Tattersfield

Graphic Design

Next in the Publishing Pathways series, Publishing the Fine and Applied Arts examines aspects of the relationship between the business of print and the practice of art and design across five centuries.

Publishing the Fine and Applied Arts 1500-2000 (Publishing Pathways)

MICHAEL HARRIS

and Giles Mandelbrote

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