Using photography and film, the New York-based artist investigates her native Islamic society, especially the position of women. Publication of the exhibition touring the United States throughout 2003.

Shirin Neshat

Arts & Photography

Gagnon, Paulette

Individual Artists

Musee D'Art Contemporain De

This publication, produced in collaboration with the Collection Lambert in Avignon France, provides a rare perspective on the transformation of Goldin's work with photographs produced from 1972 to today. Drawn essentially from the Collection Lambert, a unique collection built by art dealer Yvon Lambert, this publication testifies to a privileged relationship. Mézil describes the intense artist/dealer bond that produced Goldin's first show in Paris and encouraged her to undertake radically different work, including landscapes and still lifes, reproduced here. Éric Mézil is director of the Collection Lambert. Paulette Gagnon is senior curator at the Musée d'art contemporain de Montréal.

Nan Goldin

Born in Albania, educated in Paris and now living in Berlin, Anri Sala represents a truly international contemporary vision. Working in a range of media, including video, photography and sound installation he has developed a very personal vision of a posthistorical world with a simplicity that transcends borders and cultures. His subtle weaving of the basic elements of light and darkness, achrome and colour, and sound and silence create a transformative experience that mesmerizes the viewer. Composed of two volumes bound into a single book, this original publication documents a rare North American exhibition and provides an introduction to the artist's career. The second section of the book is devoted to the project 'Inversion (Creating Space Where There Appears to Be None)' jointly conceived by Anri Sala with Edi Rama. The project is explored through four conversations with the artist as well as an artist's statement.

Anri Sala (French Edition)

Michael Fried

Philippe Parreno

Marcus Steinweg

Marie Fraser

Erion Veliaj

Anri Sala

History & Criticism

Employing virtually every sculptural technique - from moulding, casting, carving and modeling to assemblage and bricolage - Valerie Blass explores the territories between animal, human and inanimate forms, creating unique hybrid objects. The impact of Blass's work resides in the anachronistic way she navigates between two sculptural traditions. On the one hand she makes free-standing, vertical, humanscale pieces that locate her squarely within the classical tradition of figurative sculpture. On the other, the diversity of her materials and the plethora of bought and found objects she uses, stemming from an enthusiastic engagement with the material culture of the twenty-first century, anchor her art in assemblage and bricolage. This publication presents new and recent work by Valerie Blass and contains two original essays as well as an interview with the artist.

Valerie Blass

Johnstone, Lesley

Founded in 1964, Montreal's Musee d'art contemporain was the first major Canadian art institution to champion contemporary art. Today the museum celebrates its unparalleled collection with this encyclopedic review of abstract art, artists and art movements from the 1940s to today. A vast panorama of 110 works by 60 artists over seven decades is magnificently illustrated and discussed with both original essays by leading scholars and with rare archival texts written in the heat of the debates on the question of abstraction in Canada, particularly in Quebec. Accompanied by a bibliographic list of artists as well as an complete repertory of Canadian abstract art exhibitions since 1942.

La Question de l'abstraction / The Question of Abstraction (English and French Edition)

Belisle, Josee

The world-renowned novelist, poet and singer/songwriter inspired generations of writers, musicians and artists. For decades, Leonard Cohen tenaciously supplied the world with melancholy but urgent observations on the state of the human heart. With equal parts gravitas and grace, he teased out a startlingly inventive and singular language, depicting both an exalted spirituality and an earthly sexuality. His interweaving of the sacred and the profane, of mystery and accessibility, was such a compelling combination it became seared into memory. Situated between monograph and devotional exercise, this visually striking publication documents a unique exhibition and pays homage to a global star's enormous cultural achievements. Visual artists, filmmakers, performers and musicians from around the world revisit Cohen's words, songs, and biography with new perspectives. Cohen himself makes an appearance as a visual artist with a projection of his many self-portraits. Co-curators John Zeppetelli and Victor Shiffman discuss the two years that went into bringing the ambitious event to fruition, from its original conception as a celebration to its final form of a tribute suffused in elegy. Cohen biographer Sylvie Simmons reviews Cohen's career from early promise to unexpected paths, through set-backs, and onto its astounding culmination. Chantal Ringuet draws upon specific moments in Cohen's life from early childhood to his last writings where he seems to be reciting his own Kaddish, the Jewish prayer for the dead. Also featured are artist statements from each of the 40 participants.

Leonard Cohen: A Crack in Everything

Zeppetelli, John

Shiffman, Victor

See the best price to sell, buy or rent books by the Musee D'Art Contemporain De publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.