This is a catalog of an exhibition organized to celebrate the 10th anniversary of the artist's first one-man show, and  contains over 30 black and white and color plates and well as the articles: "Eric Fischl's  View: To Whom Does it Belong" by Jean-Christophe Ammann;  "Voyeurism, American-Style: Eric Fischl's Vision Of The Perverse" by Donald B. Kuspit; and, "Corrupting Realism: Four Probes Into A Body Of Work" by Bruce W. Ferguson.

Eric Fischl Paintings

Bruce W. Ferguson

Jean-Christophe Ammann

Donald B. Kuspit

Mendel Art Gallery

Ann Newdigate Mills: Look at it this way

Bell, Lynne S

Saskatoon imagined: Art and architecture in the wonder city

Arts & Photography

Kerr, Don

DeCoursey, Elaine

Architecture

The Flat side of the landscape: The Emma Lake Artists' Workshops : essays

O’Brian, John

Linda Duvall : Enough White Lies to Ice a Wedding Cake

RING

Dan (Co-Curator)

Jansma Linda (Co-Curator) Duvall Linda (Artist)

<p>The first publication on the paintings and drawings of singer/songwriter Joni Mitchell. Her art is vast and varied: large abstract canvases, intimate landscapes relating to her lyrics, sketches from the 1960s and 1970s, and portraits in oils. Produced with the collaboration of Joni Mitchell, this superbly produced hardcover limited edition contains original writings and more than 50 color illustrations of her work.</p>

Voices : The Work of Joni Mitchell

Hebert, G.

Collections, Catalogs & Exhibitions

This publication documents the first thoroughly researched retrospective of works by the James Henderson (1871-1951) and is lavishly illustrated with portraits and landscape paintings. Born in Glasgow, Henderson moved to Canada in 1910. Living in Fort Qu Appelle, Saskatchewan, he was commissioned by the University of Saskatchewan to paint a series of portraits of individuals of the Western tribes. These portraits were exhibited nationally and internationally throughout his lifetime.

James Henderson: Wicite Owapi Wicasa, The Man Who Paints The Old Men

Dan Ring

James Lanigan

Neal McLeod

Linda Many Guns

Sherry Farrell Racette

Susan McArthur

Lynn Acoose

History & Criticism

For six decades, since his first solo exhibition in 1950, the work of the Saskatchewan painter William Perehudoff has embodied the highest standards of aesthetic seriousness and excellence. His impressive reputation extends widely and he is celebrated not only in his native Prairie region, but also across Canada, and in the United States and Great Britain. This lavishly illustrated account of Perehudoff's career and the most comprehensive overview to date of the artist's early work in conjunction with his later abstract paintings.

The Optimism of Colour: William Perehudoff, a Retrospective

Karen Wilkin

Robert Christie

Roald Nasgaard

Courtney Milne: The Pool Project

Thomas, Moore

Sherrill Miller

Best-known for his Structuralist reliefs, the American-born Canadian painter has an active practice going back nearly five decades. Bornstein's early work was based on nature, later incorporating abstract and Cubist techniques. Over the course of his career, Bornstein's works have progressed in complexity and the reliefs exhibit subtle shifts in color under changing light conditions. This monograph contextualizes a singular ongoing practice in relation to both early Modernist movements and the current revival of perceptual and experiential art, while also calling attention to Bornstein's achievement as editor and publisher of Canada's longest-running art journal, The Structurist (1960-2010).

An Art at the Mercy of Light: Recent Work by Eli Bornstein

Botar, Oliver A. I.

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Books by Mendel Art Gallery