Published on the occasion of the exhibition, "David Row: The Shape of Things", May 29 - September 12, 2021 at the Center for Maine Contemporary Art in Rockland, ME.

David Row: The Shape of Things

Karen Wilkin

Centre for Maine Contemporary Art

Ken Greenleaf

Center for Maine Contemporary Art

Hans Hofmann's art "has the authority of pure vision. Van Gogh had that. Picasso has it. And Hans Hofmann also has a place with those giants who move straight into the light without being blinded by it."Tennessee Williams, 1949 The painter Hans Hofmann (1880-1966) is one of the most important figures in post-war American art. In his lifetime, he came to be admired for his exuberant, color-filled canvases, but it was as an influential teacher, first in his native Germany, later in New York and Provincetown, that he was most renowned. Today, he is celebrated a giant of twentieth-century abstraction, and his pivotal role, along with Jackson Pollock, Willem de Kooning, and Arshile Gorky, in the development of Abstract Expressionism is widely acknowledged. Published to accompany a retrospective of the artist's work at the Naples Museum of Art, Florida, Hans Hofmann examines the full range of his achievement and influence as both artist and theorist. As a painter, Hofmann was distinguished by his ability to create expressive drama and evocative space with contrasts of intense color, richly modulated surfaces, and a vocabulary of shapes ranging from the geometric to the calligraphic. As a teacher, he brought to America first-hand knowledge of the work of such European modernists as Pablo Picasso and Henri Matisse, who he met as a young man studying in Paris, during the early years of twentieth-century modernism. As a theorist, he developed an original philosophy of what a work of art could be, which formed the basis of his teaching, lectures, and essays. One of these statements, about the role of color in painting, is included in Hans Hofmann. More than sixty paintings highlight key stages of Hofmann's career, with a generous representation of works from the late flowering of his last decades, when he produced many of his most inventive pictures. 63 illustrations in color, 10 in black and white.

Hans Hofmann: A Retrospective

Reference

George Braziller, Inc.

Kenneth Noland (20th Century Artists)

Arts & Photography

Graphic Design

Rizzoli

Judith Rothschild: Image and Abstraction

Knoedler and Company

Morris Louis: Veils

Louis, Morris

Diane Upright

Mnuchin Gallery

The Joy of Color

The World of Edward Gorey

Clifford, Ross

Individual Artists

Barnes&Noble

For six decades, since his first solo exhibition in 1950, the work of the Saskatchewan painter William Perehudoff has embodied the highest standards of aesthetic seriousness and excellence. His impressive reputation extends widely and he is celebrated not only in his native Prairie region, but also across Canada, and in the United States and Great Britain. This lavishly illustrated account of Perehudoff's career and the most comprehensive overview to date of the artist's early work in conjunction with his later abstract paintings.

The Optimism of Colour: William Perehudoff, a Retrospective

Robert Christie

Roald Nasgaard

History & Criticism

Mendel Art Gallery

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Books by Karen Wilkin