"In the beginning people spent their days walking upright and their nights lying down. Eventually someone invented sitting. And chairs. Chairs evolved ... and multiplied. A million years (give or take) pass. A boy named Rolf is born into a family in Basel that builds shops. Their neighbors make cheese and chocolate. 1953: Rolf's father, Wili Fehlbaum, goes to America and sees a chair that blows his mind. It is by Charles and Ray Eames".Thus begins Chairman, a poetic and humorous true story about Swiss enterpreneur Rolf Fehlbaum and his internationally known furniture design company, Vitra. Acclaimed graphic designer Tibor Kalman's 600-page pictorial essay tells the story of chair design, from the invention of the chair to the success story of Vitra.The company developed a strategy of fostering collaboration with top architects, including Philippe Starck, Frank Gehry, Tadao Ando, Alvaro Siza, Zaha Hadid, and, of course, Charles and Ray Eames; work by these designers appears alongside chairs designed by Marcel Breuer, Gerrit Rietveld, Le Corbusier, Josef Hoffmann, Eero Saarinen, Isamu Noguchi, and Mies van der Rohe. This whimsical book, loaded with color illustrations, will knock you off your seat!

Chairman: Rolf Fehlbaum hc*OP*

Tibor Kalman

Lars Muller

Bridging between design, geopolitics, architecture, and branding, Metahaven's "Uncorporate Identity" defies easy categorization as a monograph. The book is organized as a sequence of five chapters, dealing with data havens and statehood, post-communist architecture, visual legacies of the war on terror, tourist brands and border control, and social networks restructuring soft power, branding and governance internationally. With each chapter comprised of case studies, notes and essays, it explores visual identity in a networked and multi-polar world. "Uncorporate Identity" is conceived and edited by Metahaven (Daniel van der Velden and Vinca Kruk) with Marina Vishmidt, and has contributions by Boris Groys, David Singh Grewal, Vladimir Kolossov, Keller Easterling, Dieter Lesage, China Miéville, Chantal Mouffe, Pier Vittorio Aureli, Bruno Besana, Michael Taussig, Regula Stämpfli, Mihnea Mircan, Florian Schneider, Marina Vishmidt, and others.

Uncorporate Identity

Reference

Sieben Begriffe hat Ruedi Baur gewählt um seine konzeptionelle Haltung zu umschreiben: Antizipieren, Hinterfragen, Identifizieren, Kontextualisieren, Irritieren, Einschreiben und Übersetzen. Sie dienen als Struktur des Buches und als Basis für sieben Dialoge zwischen ihm und Gesprächspartnern aus unterschiedlichen Disziplinen. Dazwischen wird die praktische Umsetzung der Begriffe anhand verschiedener Projekte aus seinem Atelier Integral in Zürich und Paris präsentiert, die ihrerseits nach Begriffen wie adäquat, farblos oder transparent sortiert sind. Unpublizierte neue Projekte werden dadurch thematisch integriert in die Entwicklung des Werkes von Baur. Das Buch ermöglicht so eine konzeptuelle und gestalterische Konstante oder auch Faszination der Arbeit von Ruedi Baur festzustellen. Fünf Jahre nach dem Erfolg von "Ruedi Baur, Integral et associés" zieht der Autor Bilanz und manifestiert die Grundsätze seiner gestalterischen Arbeit und Haltung.

Ruedi Baur Integral (French Edition)

Arts & Photography

Baur, Ruedi

Graphic Design

Steven Holl has set up a documentation centre for the Norwegian author Knut Hamsun (1859-1952) on Hamaroy, in northern Norway. This unconventional building reflects the author's no less unusual personality. The centre in the barren landscape of Hamaroy, where Hamsun lived and worked, the silence and solitude, challenge visitors to involve themselves with him and his work. The book records the connection between Hamsun, the architecture and the landscape. Photographer Iwan Baan relates the landscape and the building to each other, and historical documents illustrate Hamsun's contradictory life and influential work, et al. the novel Hunger (1890), with which Hamsun achieved his fame. In 1920 the poet was awarded with the Nobel Prize for Literature.

Hamsun, Holl, Hamaroy: Literature, Architecture, Landscape

Photography & Video

Green roofs, artificial mountains and geological forms; buildings you walk on or over; networks of ramps and warped surfaces; buildings that carve into the ground or landscapes lifted high into the air: all these are commonplace in architecture today. New technologies, new design techniques and a demand for enhanced environmental performance have provoked a re-thinking of architecture's traditional relationship to the ground. The book Landform Building sets out to examine the many manifestations of landscape and ecology in contemporary architectural practice: not as a cross-disciplinary phenomenon (architects working in the landscape) but as new design techniques, new formal strategies and technical problems within architecture.

Landform Building: Architecture's New Terrain

In 1960, Brasilia was celebrated as the realisation of an urban planning vision based on designs by Lucio Costa and Oscar Niemeyer. At the same time, the sectoral city of Chandigarh was rising according to plans by Le Corbusier. The test tube cityA" arose as an export of modernity from a Western planning euphoria that displayed utopian traits. In both cities, foreign architecture entered into a harmonious relationship with indigenous culture, forming new and independent identities. This publication addresses the question of how modernism has been appropriated in both cities, and how the people who live in them deal with it. Commonalities and differences are identified and images of everyday urban life showcased. On the initiative of the publisher, the young photographer Iwan Baan has taken stock of contemporary life in both cities. With commentary in the form of essays by Cees Nooteboom on the photographs and by Martino Stierli on the architectural and planning history.

Brasilia - Chandigarh Living With Modernity

Stierli, Martino

NOOTEBOOM, CEES.

Baan, Iwan

Like a living skin, the architectural surface provides an impression and expression of human needs, moods and time-related commitments of our designed environment.
 The surface is what we perceive with all our senses at the same time as spontaneous, synaesthetic, multi-dimensional experience. Working on the basis of his work in his department at the ETH in Zurich, in this publication Gregor Eichinger therefore shifts emotional relationships between people and architecture into the centre. Touch Me's
 associative switches between interdisciplinary texts and pictorial sequences create a cosmos of our perceptions of the built and designed environment.

Touch Me: The Mystery on the Surface

Eichinger, Gregor

Tröger, Eberhard

Architecture

The islands of Naoshima, Teshima, and Inujima in Japan’s Seto Inland Sea are places of pilgrimage for friends of contemporary art and architecture. Alongside works in public spaces as well as site-specific installations, the islands are also full of numerous museums and collections of contemporary art. This publication offers a comprehensive documentation of this unique cultural landscape surrounded by Japan’s Inland Sea. The photographs by the Dutch photographer Iwan Baan, ranging from tiny details to giant panoramas, create a comprehensive portrait of the islands with their fluid transitions between nature, art, and architecture. Numerous texts introduce readers to the individual areas and projects that are either permanently on display on the islands or have taken place there temporarily. In addition, other essays deal with the island as a cultural concept and phenomenon. Among others, the book presents buildings by Kazuyo Sejima, Ruye Nishizawa, Tadao Ando, and Hiroshi Sambuichi.

Insular Insight: Where Art and Architecture Conspire with Nature

Collections, Catalogs & Exhibitions

Swiss Photobooks from 1927 to the Present is the first comprehensive overview of the major publications that influenced Swiss photography in the 20th century. Seventy historic photographic books are introduced alongside numerous images, interpreted by expert specialists. The selected works offer a framework for a fresh look at the development of photographic styles and forms of expression, from the beginnings of modern photographic books in the 1930s to their ascendance in the present day. In-depth summaries covering the various epochs as well as a bibliography complement the chronologically laid-out essays on the individual publications. On the occasion of its 40th anniversary the Fotostiftung Schweiz will add a companion piece to its earlier standard work on Swiss photography with this compact portrait. In doing so they not only recognize numerous outstanding photographers, but also provide an innovative key to understanding the visual culture of Switzerland. The book is published in parallel to an exhibition at the Fotostiftung Schweiz in Winterthur.

Swiss Photobooks from 1927 to the Present: A Different History of Photography

Pfrunder, Peter

Deutsche Lufthansa is one of the most important airlines in the world, with a long and diverse history that goes back to 1926. The visual identity of Lufthansa is just as long and diverse. The beginning of the 1960s saw one of the most important steps in the development of corporate communication. The company employed the designer Otl Aicher and his Gruppe E5 student group to develop a visual identity for Lufthansa. It was substantially realized in 1963 and up until the present day counts as one of the most groundbreaking corporate design solutions of the 20th century. With a focus on the famous brand identity, the design and advertising history of Deutsche Lufthansa from the 1920s to today is comprehensively documented here for the first time. This volume contains numerous illustrations from the corporate archive and background articles and interviews.

A5/05: Lufthansa and Graphic Design: Visual History of an Airplane

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Books by Lars Muller