Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this groundbreaking new work, Martino Stierli charts the history of montage in late 19th‑century urban and architectural contexts, its application by the early 20th‑century avant‑gardes, and its eventual appropriation in the postmodern period. With chapters focusing on photomontage, the film theories of Sergei Eisenstein, Mies van der Rohe’s spatial experiments, and Rem Koolhaas’s use of literary montage in his seminal manifesto Delirious New York (1978), Stierli demonstrates the centrality of montage in modern explorations of space, and in conceiving and representing the contemporary city. Beautifully illustrated, this interdisciplinary book looks at architecture, photography, film, literature, and visual culture, featuring works by artists and architects including Mies, Koolhaas, Paul Citroen, George Grosz, Hannah Höch, El Lissitzky, and Le Corbusier.

Montage and the Metropolis: Architecture, Modernity, and the Representation of Space

Arts & Photography

Stierli, Martino

History & Criticism

Yale University Press

Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this groundbreaking new work, Martino Stierli charts the history of montage in late 19th‑century urban and architectural contexts, its application by the early 20th‑century avant‑gardes, and its eventual appropriation in the postmodern period. With chapters focusing on photomontage, the film theories of Sergei Eisenstein, Mies van der Rohe’s spatial experiments, and Rem Koolhaas’s use of literary montage in his seminal manifesto Delirious New York (1978), Stierli demonstrates the centrality of montage in modern explorations of space, and in conceiving and representing the contemporary city. Beautifully illustrated, this interdisciplinary book looks at architecture, photography, film, literature, and visual culture, featuring works by artists and architects including Mies, Koolhaas, Paul Citroen, George Grosz, Hannah Höch, El Lissitzky, and Le Corbusier.

Casa Wabi Revised Edition

Travel

Sodi, Bosco

Food, Lodging & Transportation

Rizzoli Electa

Casa Wabi, a nonprofit arts center located in Puerto Escondido, Oaxaca, Mexico, is a stage for world-renowned contemporary artists and architects to engage with the local community. Tadao Ando's remarkable Casa Wabi dots the Pacific coastline of Mexico with structures by Alberto Kalach, Alvaro Siza, Kengo Kuma, Gloria Cabral, Solano Benitez, Jorge Ambrosi, and Gabriela Etchegaray. Founded in 2013 by renowned Mexican artist Bosco Sodi, it combines artist residencies, a gallery, and living quarters with classrooms, gardens, and public space. Tadao Ando centers the foundation on a 312-meter-long wall; his trademark concrete structures radiate off it, capped in woven palm tree leaves for ventilation. These local palapa-style roofs are often the only element distinguishing indoor and outdoor spaces, an effect complemented by wooden shutters in place of paned glass windows. Other unusual native building materials include Mexican parota wood and marmolina. Led by director Carla Sodi, Casa Wabi challenges architects and artists to contemplate nature deeply, as it provides new tools for area residents. Casa Wabi is both a world-class architectural destination and a model for new strategies of creative intervention within economically depressed communities.

Casa Wabi

Business & Money

Industries

Learning from Las Vegas, published in 1972 by the architects Robert Venturi, Denise Scott Brown, and Steven Izenour, marks the turn in architectural theory from modern to post-modern. Martino Stierli explores the significance of this controversial publication by situating it in the artistic, architectural, and urbanist discourse of the 1960s and ’70s, and by evaluating the book’s enduring influence on visual studies and architectural research. Stierli provides an original, in-depth analysis of the postmodern image of the city and the representation of urban form in visual media, graphics, and typography.Referencing cinematic visualization, the authors of Learning from Las Vegas documented a sprawling postwar American city from a moving car. Stierli examines this methodology against the background of contemporary pop and conceptual art, including the work of artists Ed Ruscha and Stephen Shore. Using both text and image, Stierli assesses the broad intellectual impact of this architectural manifesto and explains why the lessons from Learning from Las Vegas remain relevant today.

Las Vegas in the Rearview Mirror: The City in Theory, Photography, and Film

History

Americas

Getty Research Institute

Over a period of forty years, Hé lè ne Binet has photographed both contemporary and historical architecture - this is the complete monograph of her work, with two extensive critical essays. Marco Iuliano details Hé lè ne Binet' s background, from her childhood in the Italian fishing village of Sperlonga and in Rome, through her early ' discovery' of architectural photographer Lucien Hervé , to other significant influences, like the Architectural Association in London where she met Zaha Hadid. The essay highlights in detail Binet' s approach to photography, her process and archive.Martino Stierli sets Binet' s work within the conceptual framework of architectural photography, discussing whether an architectural photograph is an inventory of a building or space, a translation into a two-dimensional image or, rather, an image in its own right; an artifact that loosely relates to the original object or phenomenon. The two essays are followed by a catalogue of Binet's work, which is framed within a series of her recurring themes emerged through dialogues between the authors and the photographer.

Hélène Binet (Architectural Photographers)

Iuliano, Marco

Photography & Video

Lund Humphries

In 1960, Brasilia was celebrated as the realisation of an urban planning vision based on designs by Lucio Costa and Oscar Niemeyer. At the same time, the sectoral city of Chandigarh was rising according to plans by Le Corbusier. The test tube cityA" arose as an export of modernity from a Western planning euphoria that displayed utopian traits. In both cities, foreign architecture entered into a harmonious relationship with indigenous culture, forming new and independent identities. This publication addresses the question of how modernism has been appropriated in both cities, and how the people who live in them deal with it. Commonalities and differences are identified and images of everyday urban life showcased. On the initiative of the publisher, the young photographer Iwan Baan has taken stock of contemporary life in both cities. With commentary in the form of essays by Cees Nooteboom on the photographs and by Martino Stierli on the architectural and planning history.

Brasilia - Chandigarh Living With Modernity

NOOTEBOOM, CEES.

Baan, Iwan

Lars Muller

Small stone hutongs, built within a courtyard-and-alley system, are emblematic of Beijing's traditional inner-city architecture which still contends with modern, cooperate redevelopments to shape the character of the city. In one of the oldest cities in China, the important tasks of preservation and revitalization require particular sensitivity. Captured at the centre of the battlefield between development, conservation and renovation, the hutongs, on the verge of erasure, call into question the paradoxical nature of these paradigms. The Micro Hutong Renewal series by ZAO/ standardarchitecture focusses on small structures which residents have added to hutong courtyards in the last 60 years. The anchor project of this publication is the Hutong Children's Library & Art Centre, which won the Aga Khan Award for Architecture in 2016. A foreword from the Aga Khan Award director, Farrokh Derakhshani, and a series of photographs and drawings by the architect will present this project alongside another project from the series; The Micro Hutong and Co-living Courtyard, as well as ZAO/standardarchitecture's social housing projects in the center of Beijing. In addition, scholarly essays from across disciplines will explore alternative perspectives of China's historical cities and the challenges they face. Several interviews with different people involved with the Hutong projects, such as residents and users of different ages will ensure a broad range of perspectives. The holistic message of the book will illustrate how ZAO/standardarchitecture's work considers the city and its components as living organisms. This is what gives rise to the title: Hutong Metabolism.

Hutong Metabolism: ZAO/standardarchitecture

FRAMPTON, Kenneth

Mostafavi, Mohsen

Feireiss, Kristin

Correa Mehrotra, Nondita

Ke, Zhang

Commerell, Hans-Jürgen

Ju, Amanda

Architecture

ArchiTangle

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Books by Stierli, Martino