Catalog for September 26-December 17, 1995 exhibition that celebrated the 25th Anniversary of the Stanford American Indian Organization. Artist plates in color and B/W. Artists include Benjamin Atencio, Lesley Jackson, Anthony Kahn, Margo Kerrigan, Jack Kohler, Tasha and Chris McNeil, Nicole Stern and Nancy Mithlo, Donald Warne, W. Richard West Jr., and Powtawche Williams. Exhibition checklist. 28p. Measures 10x8 inches.

Our Art, Our Voices: Native American Cultural Perspectives

Arts & Photography

Woodward, Denni D.

History & Criticism

Iris & B. Gerald Cantor Center for

Building on the Past: The Making of the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University

Casper, Gerhard

Iris & B. Gerald Cantor Center for Visual Arts at Stanford University

Joncas, Richard

Collections, Catalogs & Exhibitions

Beautifully illustrated with color plates. Contributions by Gerhard Casper, Thomas K. Seligman, James Stewart Polshek, Richard Olcott, and Richard Barnes. Bibliography. Measures 10x11 inches. 143p.

Architecture

Catalogue for June 23-August 29, 1999 exhibition at the Iris & B. Gerald Cantor Center for the Visual Arts at Stanford University.

The World of Theodore Wores

Gerdts, William H.

Wores, Theodore

83p. Bibliography. Index. Illustrated. Measures 8.5x10.75 inches.

Introduction to the Rodin Collection of the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University: Including the B. Gerald Cantor Rodin Sculpture Garden

Elsen, Albert Edward

Barryte, Bernard

The exhibition catalogued here explores the pictorial and cultural manifestations of the 19th century female affliction known as "neurasthenia." Along with reproductions of paintings of upper-class women in apparent nervous or melancholy states, the exhibit contains contemporaneous prints and advertising images of women at work and play. The essays address such topics as neurasthenia then and now, the aesthetics of repose, and the emergence of the Gibson Girl. The publisher is the Iris &amp; B. Gerald Cantor Center for the Visual Arts at Stanford University. Annotation ©2004 Book News, Inc., Portland, OR (booknews.com)

Women On The Verge: The Culture of Neurasthenia In Nineteenth-century American Art

Ross, Zachary

Glesmann, Amanda

The works in On the Edge represent the reactions of leading Chinese artists to encounters with the West. Some are contemplative musings on the space that opens up when one culture is observed from the vantage point of another. Others are more confrontational comments on Western dominance in the process of globalization. Some take strategic advantage of an outsider position. Each is symptomatic or expressive of the relationship between China and the West.

On The Edge: Contemporary Chinese Artists Encounter The West

Erickson, Britta

Fired at Davis: Figurative Ceramic Sculpture by Robert Arneson, Visiting Professors And Students [Paperback] [Jun 30, 2005] Faberman, Hilarie

Fired at Davis: Figurative Ceramic Sculpture by Robert Arneson, Visiting Professors And Students

Faberman, Hilarie

Tracing the Past, Drawing the Future: Master Ink Painters in Twentieth Century China

Tracing the Past, Drawing the Future examines a crucial turning point in the development of Chinese ink painting in the twentieth century, a change represented by the beautiful and innovative work of four artists, Wu Changshuo (18441927), Qi Baishi (18631957), Huang Binhong (18641955), and Pan Tianshou (18971971). With careers spanning over a century of radical change in China, these artists were instrumental in propelling the ancient tradition of Chinese ink painting into the modern era in the face of compelling Western influences. As a group, their work represents an alternative approach to questions of relevance and modernity. This lavish book illuminates the context in which these artists worked, describes their overall contribution to the history of Chinese art, and highlights their individual ideas and achievements. In his introductory essay, Xiaoneng Yang offers a brief historical background for the evolution of modern Chinese painting. Richard E. Vinograd analyzes the alternative modernism” represented by these artists, each of whom worked in the brush-and-ink idiom, confronted the shift toward practices of the West, and gave new life through this confrontation to cherished traditions. Essays devoted to each artist are followed by individual entries discussing their works. Featuring more than one hundred works of both painting and calligraphy by the four artists, the book, which is published to accompany a traveling exhibition, also includes a glossary and detailed bibliography.

Yang, Xiaoneng

See the best price to sell, buy or rent books by the Iris & B. Gerald Cantor Center for publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Iris & B. Gerald Cantor Center for

See the best price to sell, buy or rent books by the Iris & B. Gerald Cantor Center for publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Our Art, Our Voices: Native American Cultural Perspectives

Building on the Past: The Making of the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University

Building on the Past: The Making of the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University

The World of Theodore Wores

Introduction to the Rodin Collection of the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University: Including the B. Gerald Cantor Rodin Sculpture Garden

Women On The Verge: The Culture of Neurasthenia In Nineteenth-century American Art

On The Edge: Contemporary Chinese Artists Encounter The West

Fired at Davis: Figurative Ceramic Sculpture by Robert Arneson, Visiting Professors And Students

Tracing the Past, Drawing the Future: Master Ink Painters in Twentieth Century China