Great American Nude: A History in Art

Gerdts, William H.

Praeger Publishers

Showcasing a treasured private collection amassed over several decades, this publication represents the beauty and complexity of still-life painting in the United States. More than 65 works from the Hevrdejs collection, many of which have never been on public view, are accompanied by comprehensive and accessible explanations that contextualize their role in the ongoing development of the genre. Featuring works by prominent and diverse artists such as Raphaelle Peale, Thomas Hart Benton, Georgia O’Keeffe, and Andrew Wyeth, this study expands the overall notion of the still life by examining its use in a variety of painting styles from the 19th century to the present day. With color illustrations and an essay and entries by a distinguished scholar, this book demonstrates why the genre has been a compelling preoccupation for American artists over two centuries.

Two Centuries of American Still-Life Painting: The Frank and Michelle Hevrdejs Collection

Arts & Photography

History & Criticism

Museum of Fine Arts, Houston

Published to coincide with an exhibition of the nineteenth-century artist's fly-fishing paintings, an examination of the author's inspirations and works notes his use of watercolors and his insight into the sport that enabled him to convey its realities through his creations.

Winslow Homer: Artist and Angler

Burns, Sarah

Junker, Patricia A.

Thames&Hudson

The Not-So-Still Life: A Century of California Painting and Sculpture

As E. H. Gombrich once observed, the still life is compelled to challenge and at the same time perpetuate tradition. Without the elements of recognition and comparison, and the discovery of the familiar in the unfamiliar, the genre would lose most of its meaning. This lavishly illustrated volume documents the extraordinary challenges that artists in California have brought to the tradition of the still life as they have transformed and revitalized the genre over the course of the last century. In abundantly illustrated essays, as entertaining as they are informative, The Not-So-Still Life traces the great variety of media and forms these artists have engaged as they have moved the still life not just off the table, but off the wall and into three dimensions. Susan Landauer, William H. Gerdts, and Patricia Trenton investigate a range of forces and influences—whether historical, sociological, economic, psychological, or biographical—that have played into this evolution, from the plein-air Impressionism of the early twentieth century to the Synchromist bouquets of Stanton Macdonald-Wright, the revolving table settings of Charles Ray, and the electronic sculptures of Alan Rath. In doing so they deepen our understanding of American art over the last century. Presenting, interpreting, and celebrating the world-renowned and the lesser-known California artists who have uniquely defined and redefined the still life, this volume offers an exploration of the sensual pleasures, the aesthetic challenges, and the intellectual and perceptual associations of a century of art through the prism of a single genre.

Trenton, Patricia

Landauer, Susan

University of California Press

As E. H. Gombrich once observed, the still life is compelled to challenge and at the same time perpetuate tradition. Without the elements of recognition and comparison, and the discovery of the familiar in the unfamiliar, the genre would lose most of its meaning. This lavishly illustrated volume documents the extraordinary challenges that artists in California have brought to the tradition of the still life as they have transformed and revitalized the genre over the course of the last century. In abundantly illustrated essays, as entertaining as they are informative, The Not-So-Still Life traces the great variety of media and forms these artists have engaged as they have moved the still life not just off the table, but off the wall and into three dimensions. Susan Landauer, William H. Gerdts, and Patricia Trenton investigate a range of forces and influences―whether historical, sociological, economic, psychological, or biographical―that have played into this evolution, from the plein-air Impressionism of the early twentieth century to the Synchromist bouquets of Stanton Macdonald-Wright, the revolving table settings of Charles Ray, and the electronic sculptures of Alan Rath. In doing so they deepen our understanding of American art over the last century. Presenting, interpreting, and celebrating the world-renowned and the lesser-known California artists who have uniquely defined and redefined the still life, this volume offers an exploration of the sensual pleasures, the aesthetic challenges, and the intellectual and perceptual associations of a century of art through the prism of a single genre.

The great American nude: A history in art

Phaidon Press

Featuring artists and professionals who worked outside America's three main cities - Boston, Philadelphia and New York - by 1920, this work chronicles the development of painting in cities and towns. It examines such issues as the evolution of art education, patronage and exhibition.

The East and the Mid-Atlantic: Art Across America : Two Centuries of Regional Painting, 1710-1920

Abbeville Pr

Originally published as volume two of the three volume set "Art Across America." Profusely illustrated.

The South and the Midwest: Art Across America : Two Centuries of Regional Painting, 1710-1920

The Plains States and the West: Art Across America : Two Centuries of Regional Painting, 1710-1920

In recent years, the richly colored, exuberantly painted canvases by artists such as Franz Bischoff, Alson Clark, Joseph Raphael, Guy Rose, and William Wendt have attracted an expanding circle of admirers all across the country. In addition to the work of these established West Coast masters, many less-known California Impressionists are presented here, including John Frost, Evelyn McCormick, Bruce Nelson, and others whose work has not yet been widely discovered. In his far-ranging introductory essay, Dr. Gerdts explores the context of California Impressionism, surveying the movement's sources abroad, the most influential exhibitions in America, and the critical responses to the art and the artists. He introduces the work of an almost entirely forgotten foursome—Helena Dunlap, Detlef Sammann, Ernest Browning Smith, and Jack Gage Stark—who were the first local painters to be identified as Impressionists in Los Angeles and who contributed to an important but long-overlooked moment in the city's cultural history. Will South supplies an enlightening chronological narrative of the California Impressionists, starting with their often-ignored roots in the Hudson River school and other American realist art. Tracing the trajectory of their work from the innovations of the late 1800s to the style's final days in the 1920s and '30s, he offers vital new information and insight about their training and careers, as well as their ideas about art, nature, and the Golden State. Dr. South also provides detailed artists' biographies and an extensive bibliography. At a time when interest in all aspects of regional Impressionism continues to flourish, California Impressionism commands the greatest interest of all. This book will be an invaluable resource and source of pleasure for the innumerable collectors, scholars, and art lovers who find this work—with its wind-swept coasts, majestic mountains, and poppy-strewn fields—irresistibly appealing.

California Impressionism

South, Will

Abbeville Press

See the best price to sell, buy, or rent books by Gerdts, William H.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Gerdts, William H.

See the best price to sell, buy, or rent books by Gerdts, William H.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Great American Nude: A History in Art

Two Centuries of American Still-Life Painting: The Frank and Michelle Hevrdejs Collection

Winslow Homer: Artist and Angler

The Not-So-Still Life: A Century of California Painting and Sculpture

The Not-So-Still Life: A Century of California Painting and Sculpture

The great American nude: A history in art

The East and the Mid-Atlantic: Art Across America : Two Centuries of Regional Painting, 1710-1920

The South and the Midwest: Art Across America : Two Centuries of Regional Painting, 1710-1920

The Plains States and the West: Art Across America : Two Centuries of Regional Painting, 1710-1920

California Impressionism