Threads

Arts & Photography

Evans, Nathan

Photography & Video

Inkandescent

He's Done Ever So Well for Himself

Literature & Fiction

David, Justin

Literary

AutoFellatio: A Memoir

Biographies & Memoirs

Maker, James

Arts & Literature

Pulped fiction just got a whole lot scarier... "An insidiously disquieting tale, flavourfully told. What begins as a dark comedy of book collecting gradually accumulates a profound sense of occult dread, which lingers long after the book is finished. It's a real addition to the literature of the uncanny and an impressive debut for its uncompromising author." RAMSEY CAMPBELL, author of the Brichester Mythos trilogy Few books are treasured. Most linger in the dusty purgatory of the bookshelf, the attic, the charity shop, their sallow pages filled with superfluous knowledge. And with stories. Darker than ink, paler than paper, something is rustling through their pages. Harris delights in collecting the unloved. And in helping people. Or so he says. He wonders if you have anything to donate. To his 'children'. Used books are his game. Neat is sweet; battered is better. Tears, stains, broken spines - ugly doesn't matter. Not a jot. And if you've left a little of yourself between the pages - a receipt or ticket, a mislaid letter, a scrawled note or number - that's just perfect. He might call back. Hangover Square meets Naked Lunch through the lens of a classic M. R. James ghost story. To hell and back again (and again) via Whitby, Scarborough and the Yorkshire Moors. Enjoy your Mobius-trip. "To a soundtrack of wasps, The Pale Ones unsettles in the way of a parable by some contemporary, edgeland Lovecraft, or another of the authors the used-book dealers in this story no doubt seek out, Arthur Machen. The unnerving images which flicker in a sagging English landscape of charity shops, seaside bed and breakfasts and amusement arcades, washed with stale beer, linger in my imagination ages after reading." ANTHONY CARTWRIGHT, author of Heartland, BBC Radio 4 Book at Bedtime

The Pale Ones

Bennett, Bartholomew

Genre Fiction

As King Cnut proved, tide and time wait for no man: An AnthropoScene, the first part of this collection, dives into the rising tides of geo-political change, the second, Our Future Is Now Downloading, explores sea-changes of more personal natures. Nathan's debut, Threads, was long-listed for the Polari First Book Prize. His follow-up bears all the watermarks of someone who's swum life's emotional spectrum. Short and (bitter)sweet, this is poetry for a mobile generation, poetry for sharing - often humorous, always honest about contemporary human experience, saying more in a few lines than politicians say in volumes, it offers an antidote to modern living.

Cnut

Poetry

The Pharmacist

Femme Fatale

WISEMAN

Polly

Humor & Entertainment

Mainstream: An Anthology of Stories from the Edges

De Waal, Kit

Contemporary

Address Book is the new work of fiction by the Costa-shortlisted author of Skin Lane. Neil Bartlett's cycle of stories takes us to seven very different times and situations: from a new millennium civil partnership celebration to erotic obsession in a Victorian tenement, from a council-flat bedroom at the height of the AIDS crisis to a doctor's living-room in the midst of the Coronavirus pandemic, they lead us through decades of change to discover hope in the strangest of places.\n'Bartlett is a pioneer on and off the page and we are lucky to have him telling our stories' 
DAMIAN BARR\n﻿'One of England's finest writers' 
EDMUND WHITE

Address Book

Bartlett, Neil

Manhattan, 1963: weeks before the assassination of President Kennedy, fresh-faced Raymond Wallace lands in the New York Times newsroom on a three-month bursary from Cambridge University. He soon discovers his elusive boss, Bukowski, is being covertly blackmailed by an estranged wife, and that he himself is to assist the straight-laced Doty on an article about the 'explosion of overt homosexuality' in the city. On an undercover assignment, a secret world is revealed to Raymond: a world in which he need no longer pretend to be something or someone he cannot be; a world in which he meets Joey. 
Like so many men of his time and of his kind, Raymond faces a choice between conformity, courage and compartmentalisation. The decision he makes will ricochet destructively through lives and decades until-in another time, another city; in Paris, 2003-Raymond's son Joe finally meets Joey. And the healing begins. 
I Am not Raymond Wallace is a heartrending and mending story spanning generations and continents, told with precision-tooled prose, sharply-imagined settings and compassionately-observed characterisation. 
'Taking as his starting-point a real-life moment of queer history from 1960s New York, Sam Kenyon spins a marvellously stylish and often unexpected story.' NEIL BARTLETT 
'A joyous literary triumph that moved me to tears.' JACK FRITSCHER 
'A triumph. A primer for all ages.' MURRAY MELVIN

I Am Not Raymond Wallace

Kenyon, Sam

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