André Kertész (1894–1985) is one of the most original and celebrated of photographers of the 20th century. He was a founder of the modernist photography that originated in the European avant-garde movements of the 1920s, and although his lifelong unwillingness to compromise his independence and his creation of "photographic poetry" made him an almost marginal figure for most of his life, his influence on the development of photography, particularly photojournalism, during the middle years of the century was profound.
This comprehensive book accompanies a major retrospective exhibition of Kertész’s work at Paris’s Jeu de Paume Museum (also visiting several other European venues including Winterthur, Berlin, and Budapest). The text is organized around the three main periods of Kertész’s seventy-year-long career: Budapest, 1914–25; Paris, 1925–36; and New York, 1936–85. Each section of the text includes an illustrated historical analysis, a portfolio of works, and notes on particular elements of Kertész’s style and practice. Many rare vintage and period prints produced under the photographer’s control are reproduced to highest standards in this beautiful book, reflecting the visual quality of this exceptional body of compelling and poetic images.

André Kertész

Arts & Photography

Frizot, Michel

Wanaverbecq, Annie-Laure

Photography & Video

Editions Hazan, Paris

As the champion of "Art Brut," the artist Jean Dubuffet (1901-1985) is remembered foremost as a painter. Yet his creative instinct extended far beyond the parameters of paint. Later in his life, in 1965, his interest in architecture was sparked by a commission for two large-scale paintings for the University of Nanterre in Paris. Although he ultimately abandoned that project, he became intrigued by the idea of producing large works in a more enduring format, capable of withstanding the elements. He experimented with different media in search of a solution, producing works in ceramic, concrete, and eventually plastic resin. 
The large size and relief surface of his 1967 Mur Bleu (Blue Wall) catapulted his painting into the third dimension in a big way. Many commissions followed, and today Dubuffet's massive architectural forms grace several cities across the globe. The artist did not intend for these structures to be mere supports for his paintings; he meant for them to give his work architectural space. His efforts in this area earned him the medal of the American Institute of Architects in 1982. These stunningly inventive and playful works stand as a testament to Dubuffet's desire to expand his practice through new materials and techniques—and even into new dimensions. Dubuffet as Architect is the first published account of this little-known aspect of this artist's work.

Dubuffet as Architect

Abadie, Daniel

Individual Artists

The Greek-American artist Kosta Alex (1925-2005) initially trained in figure sculpture in Manhattan. In 1947 he moved to Paris, where he mingled with and exhibited alongside the avant-garde artists of his day. His interest in the flattening of forms led him to create his first series of decoupage-collages in about 1950. Like many other artists of the time, he was drawn to using humble, utilitarian materials such as corrugated cardboard, packaging, newspapers, magazines, wallpaper, timetables, lists, maps, and other scraps culled from daily urban life. He integrated these elements into his art in an often poetic and humorous manner, using screws, nuts, staples, rope, string, and glue to connect them into a cohesive whole.  Alex also drew inspiration from classical sculpture, primitive art, and Islamic art, and employed repetitive themes and rhythmic arrangements in his compositions. In the late 1960s and early 1970s he produced groundbreaking collage-reliefs in expanded polystyrene, which Man Ray praised for breaking "the two-dimensional barrier." Handsomely illustrated, Kosta Alex is the first monograph on this intriguing artist.

Kosta Alex

Rodari, Florian

History & Criticism

This sumptuous book brings to life the rich past and the landmark creations of one of the world's great watchmakers. Founded in the Swiss city of Geneva in 1755 by the gifted craftsman and businessman Jean-Marc Vacheron, Vacheron Constantin is the oldest watch manufacturer in the world with an uninterrupted history. Its phenomenal rise to an international reputation of the highest standing in turn throws light on the global success of the great Swiss watchmaking tradition. 
The book traces the principal milestones in the company's history: its founding during the Age of Enlightenment; the successive generations of the Vacheron family; the association in 1819 with François Constantin, who opened up the North American market to the company; the transformational relationship with the inventor Georges-Auguste Leschot; and the company's subsequent international recognition and expansion. Through an array of glorious illustrations, it presents Vacheron Constantin's historical collections, while highlighting the creations of the craftsmen who contribute to the technical excellence of its timepieces—the master-watchmakers—and the artisans who transform them into genuine objets d'art—the master engravers, guillocheurs, jewelers and enamelers.

Treasures of Vacheron Constantin: A Legacy of Watchmaking since 1755

Crafts, Hobbies & Home

Marchenoir, Julien

Antiques & Collectibles

An exemplary study of the career of photographer Berenice Abbott that reveals the astonishing range of her artistic, documentary, and scientific production The American photographer Berenice Abbott (1898–1991) is known best for her documentation of New York in the 1930s and for her efforts to gain recognition for the work of Eugène Atget in both Europe and the United States. This attractive book features 120 photographs and a series of rarely seen documents (including letters, book layouts, and periodicals), illuminating the three major periods of Abbott's career: her early work in the United States and Paris during the 1920s; her project Changing New York (1935–39), created for the Federal Art Project; and her scientific pictures made between 1939 and 1961. By detailing Abbott's influences and production both home and abroad, Berenice Abbott underscores the photographer's role as one of the 20th century's most remarkable artists.
Abbott left the United States in 1921 to study sculpture in Paris, where she was hired by Man Ray in 1923 to be his assistant. She took to photography immediately and by 1926 had set up her own studio. She became famous for her photographs showing bohemian artistic and intellectual life in the city, but in 1929 she returned to the United States and set up a new studio. Her best-known and most influential work, Changing New York, represented both a vast exercise in recording the architecture and urban life of New York and an intensely personal artistic project. Her straightforward method of photography led to her being employed full-time in the 1950s by the Massachusetts Institute of Technology in Boston to produce pictures illustrating the laws of physics.

Berenice Abbott

Morel, Gaëlle

Berthe Morisot (1841–1895) was one of only a handful of women who exhibited both at the famed Paris Salon and with the French Impressionists. Her exquisite work depicts the world of the Parisian bourgeoisie: their clothes, their life-styles, their surroundings, and their relationships.
Over one hundred full-color paintings, graphic works, watercolors, and pastels are reproduced in this volume, and are accompanied by original commentaries that follow the artist's career from her training with Jean-Baptiste-Camille Corot to her final work. Included in the volume is an essay that Morisot wrote about her nephew-in-law Paul Valéry in 1948—a seminal text that has never been included in his collected works—as well as extensive correspondence and sketchbooks held at the Musée Marmottan Monet, which have rarely been accessible. Morisot has been hailed by historians as one of the forgotten women artists of the 19th century, and this volume helps to reveal her artistic influence on her better-known peers.

Berthe Morisot (Editions Hazan)

Mathieu, Marianne

Artistic and musical creativity thrived in the Venetian Republic between the early 16th century and the close of the 18th century. The city-state was known for its superb operas and splendid balls, and the acoustics of the architecture led to complex polyphony in musical composition. Accordingly, notable composers, including Antonio Vivaldi and Adrian Willaert, developed styles that were distinct from those of other Italian cultures. The Venetian music scene, in turn, influenced visual artists, inspiring paintings by artists such as Jacopo Bassano, Canaletto, Francesco Guardi, Pietro Longhi, Bernardo Strozzi, Giambattista and Domenico Tiepolo, Tintoretto, and Titian. Together, art and music served larger aims, whether social, ceremonial, or even political. Lavishly illustrated, Art and Music in Venice brings Venice’s golden age to life through stunning images of paintings, drawings, prints, manuscripts, textbooks, illuminated choir books, musical scores and instruments, and period costumes. New scholarship into these objects by a team of distinguished experts gives a fresh perspective on the cultural life and creative output of the era.

Art and Music in Venice: From the Renaissance to Baroque

A revelatory book about the life and work of an important fashion photographer and artist Erwin Blumenfeld (1897–1969) was one of the most influential photographers of the 20th century. His work offers a unique perspective on the society and politics of the 1930s through the 60s. Born in Berlin, Blumenfeld’s peripatetic career took him first to Amsterdam and then to Paris, where his work in fashion photography began at Vogue in 1938. After two years in a French concentration camp, he made his way to the United States and established himself as an eminent fashion photographer. Over one hundred of his photographs featured on the covers of prominent fashion and general interest magazines, including Vogue, Harper’s Bazaar, Life, Look, and Cosmopolitan. Often minimalist, mainly in color, these photographs testify to Blumenfeld’s lifelong interest in experimentation. This landmark publication broadens our understanding of Blumenfeld’s innovations, reuniting all the media used by the artist throughout his long career: drawing, photography, photomontage, and collage. The motifs of his experimental, sometimes overtly political, black-and-white photographs appear alongside numerous self-portraits and celebrity portraits, as well as the fashion photographs for which he is most known. Presenting some 150 images, this book provides a fresh understanding of Blumenfeld’s photography for the commercial worlds of fashion and advertising.

Erwin Blumenfeld

A beautifully illustrated investigation of the life, work, and legacy of the great 17th-century landscape and garden designer André Le Nôtre (1613–1700), principal gardener to Louis XIV, was France’s greatest landscape and garden designer. The parks created by him at Vaux-le-Vicomte and Versailles are the supreme examples of the French 17th-century style of garden design. He was responsible also for the central pathway through the Tuileries, which became the grand axis of Paris running to the Arc de Triomphe and on to La Défense. This magnificent book sheds new light on the royal gardener’s life and his practice as a landscape architect, engineer and art collector, and examines the legacy of his influence. It highlights his major achievements and enhances our understanding of the French formal-garden model. Le Nôtre’s output is re-examined in terms of its social and cultural contexts; its artistic, technological, material and spatial components; and the dissemination of his ideas. The book contains illustrations of both original documents and the majority of extant drawings by Le Nôtre and his collaborators. Comprehensive and impeccably researched, André Le Nôtre in Perspective brings together the scholarship of some of the world’s leading experts in early-modern art, gardens and allied fields.

André Le Nôtre in Perspective

Biographies & Memoirs

A sumptuously illustrated exploration of American artists’ interpretations of Impressionist styles and themes This lively, beautifully illustrated book focuses on a group of American artists who applied Impressionist ideas and techniques to American subjects, and in so doing, they attracted and cultivated an enthusiastic American audience. These artists, including Mary Cassatt, John Singer Sargent, James McNeill Whistler, Theodore Robinson, William Merritt Chase, and Childe Hassam, invented a new and highly diverse formulation of the Impressionist movement. Essays by experts in the field of Impressionism discuss the impact of Impressionism on the countryside and city paintings of Robinson and Hassam; and consider significant pictures by Cassatt, Sargent, and Whistler that demonstrate their role in the exploration of brilliant color harmonies and compositions developed from contact with French artists such as Claude Monet and Edgar Degas. The book features more than 60 paintings, some well known, others less familiar, produced in Europe and America. By representing American imagery, from the Atlantic coastline to New York’s public gardens, through the most current ideas about art-making, the artists showcased here created a unique expression of an evolving national identity.

American Impressionism: A New Vision, 1880 1900

Fowle, Frances

Brettell, Richard R.

Bourguignon, Katherine M.

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