Berthe Morisot (1841–1895) was one of only a handful of women who exhibited both at the famed Paris Salon and with the French Impressionists. Her exquisite work depicts the world of the Parisian bourgeoisie: their clothes, their life-styles, their surroundings, and their relationships.
Over one hundred full-color paintings, graphic works, watercolors, and pastels are reproduced in this volume, and are accompanied by original commentaries that follow the artist's career from her training with Jean-Baptiste-Camille Corot to her final work. Included in the volume is an essay that Morisot wrote about her nephew-in-law Paul Valéry in 1948—a seminal text that has never been included in his collected works—as well as extensive correspondence and sketchbooks held at the Musée Marmottan Monet, which have rarely been accessible. Morisot has been hailed by historians as one of the forgotten women artists of the 19th century, and this volume helps to reveal her artistic influence on her better-known peers.

Berthe Morisot (Editions Hazan)

Arts & Photography

Mathieu, Marianne

History & Criticism

Editions Hazan, Paris

Establishes a dialogue between Claude Monet's late works and Joan Mitchell's paintings, exploring the parallels between two artists who lived and worked in the same area outside of Paris at different moments in time Monet - Mitchell explores the artistic parallels between Joan Mitchell (1925-1992) and Claude Monet (1840-1926), who lived and worked in the same area outside of Paris at different moments in time, responding to a shared landscape. Mitchell achieved recognition in the New York scene in the 1950s before gradually settling in Paris at the end of the decade and establishing her studio in 1968 in Vétheuil--where Monet lived for several years. The book establishes a dialogue between Monet's late works and Mitchell's paintings following her move to France and the 24 years she spent living and working around Monet's former residence. The publication includes numerous works by both artists and brings together two exceptional ensembles--Monet's Agapanthus triptych and Joan Mitchell's Grande Vallée, a unique and major cycle of 21 paintings. Essays explore the significance of Mitchell's work from this key moment in her career and the significance of the later paintings of Monet. <div> Distributed for Editions Hazan, Paris</div>

Monet Mitchell

Scherf, Angéline

Berthe Morisot et l'art du XVIIIe siècle (catalogue officiel d'exposition)

Lois Oliver

d'Arnoult, Dominique

Gooden, Claire

Hazan

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