A book that teaches hands-on perspective drawing using the projected image method developed by architect and former University of Florida architecture professor Harry Merritt. The book includes detailed instructions on how to generate one-, two- and three-point perspectives. With many illustrations and a Preface by Culicidae Architectural Press editor Mikesch Muecke.

Perspective Drawing: The Projected Image Method

Merritt, Harry

Reference

Culicidae Architectural Press

In Walkscapes Francesco Careri explores the act of walking, taking a deeper look at three important moments of passage in art history—all absolutely familiar to historians—in which an experience linked to walking represented a turning point. These are the passages from Dada to Surrealism (1921-1924), from the Lettrist International to the Situationist International (1956-1957), and from Minimal Art to Land Art (1966-1967). By analyzing these episodes we simultaneously obtain a history of the roamed city that goes from the banal city of Dada to the entropic city of Robert Smithson, passing through the unconscious and oneiric city of the Surrealists and the playful and nomadic city of the Situationists. What the rovings of the artists discover is a liquid city, an amniotic fluid where the spaces of the elsewhere take spontaneous form, an urban archipelago in which to navigate by drifting. A city in which the spaces of staying are the islands in the great sea formed by the space of going. Fundamentally, for Careri, the act of walking—although it does not constitute a physical construction of a space—implies a transformation of a place and its meanings. The mere physical presence of humans in an unmapped space, as well as the variations of perceptions they register while crossing it, already constitute forms of transformation of the landscape that—without leaving tangible signs—culturally modify the meaning of space and therefor the space itself. From the Introduction by Gilles A. Tiberghien In Walkscapes, Francesco Careri does more than write a book on walking considered as a critical tool, an obvious way of looking at landscape, and as a form of emergence of a certain kind of art and architecture. [...H]e offers us a rereading of the history of art in terms of the practice of walking (such as he conceives of it), from the erection of the menhirs, through Egypt and Ancient Greece, up to the protagonists of Land Art. [...] The idea suffusing the book as a whole, and which the author convincingly describes [...] is that walking has always generated architecture and landscape, and that this practice, all but totally forgotten by architects themselves, has been reactivated by poets, philosophers and artists capable of seeing precisely what is not there, in order to make ‘something’ be there. [...] Such an enterprise has a genuine ‘political’ stake—in the primal sense of the word—a way of keeping art, urbanism and the social project at an equal, and sufficient, distance from each other in order to effectively illuminate these empty spaces we have such need of to live well. From the Foreword by Christopher Flynn Careri traces a genealogy of walking across the twentieth century here, but the aggregate does more than that. This is a smart book, and more importantly, a useful one for those interested in what it means to walk through the banal cityscapes and suburbs of a world whose relationship to urbanism is once more in the midst of radical change.

Walkscapes: walking as an aesthetic practice

polytekton

Careri, Francesco

Travel

Confrontation The act of walking-although it does not constitute a physical construction of a space-implies a transformation of a place and its meanings. The mere physical presence of humans in an unmapped space, as well as the variations of perceptions they register while crossing it, already constitute forms of transformation of the landscape that-without leaving tangible signs-culturally modify the meaning of space and therefor the space itself. From the Introduction by Gilles A. Tiberghien In 'Walkscapes', Francesco Careri does more than write a book on walking considered as a critical tool, an obvious way of looking at landscape, and as a form of emergence of a certain kind of art and architecture. [...W]alking has always generated architecture and landscape, and this practice, all but totally forgotten by architects themselves, has been reactivated by poets, philosophers and artists capable of seeing precisely what is not there, in order to make 'something' be there.

Walkscapes

Naegele's "Guide to the Only Good Architecture in Iowa" is a deceptive title but it is not a misnomer. 'Guide' is accurate.' Iowa' is fairly accurate. 'Naegele's' is there because this is a personal account, one that makes no attempt to be unbiased. 'Naegele's' qualifies 'Good', "good" being not absolute but contingent and personal and therefore a very questionable qualifier. 'Only' is the title's difficult word. "Only Good Architecture in Iowa" suggests that architecture is a scarce commodity in Iowa, a suggestion with which Naegele would agree if by "architecture" one means high architecture.By 'Architecture', however, Naegele means "good building," regardless of whether or not that which is built was designed by an architect or whether, in fact, it is a habitable structure or even a building at all. Most entries in this guide are concerned either with vernacular works that are habitable tools-barns, corncribs, ventilator machines, silos-or with built works that are not really buildings at all: billboards, bridges, murals, graveyards, landscapes, wind turbines and water towers. 'Only' brings irony to the title, rendering questionable the assumption it asserts and initiating debate within an otherwise matter-of-fact description. Its inclusion in the title predicts the book's mildly contentious, but always utterly practical, nature.

Naegele's Guide to the Only Good Architecture in Iowa

Daniel Naegele

From the Introduction Como’s Asilo D’Infanzia Sant’Elia occupies a unique position in the oeuvre of Giuseppe Terragni. Executed between his two most celebrated works, the Casa del Fascio of 1932, and the Casa Giuliani Frigerio of 1939, Terragni was possibly at the apex of his architectural prowess, via imagination and creativity, at its execution. The building itself is a physical manifestation encompassing Terrangni’s seminal ideas and theories on architecture and urbanism. [...] The Asilo, a public nursery school, was a relatively modest project, situated in a working class quarter of Como, just south of the city walls. Its humble location alone rendered the project a departure from the conspicuously public site of the Casa del Fascio, located directly behind the Duomo in the center of town. [...] It is one of the few projects that utilize all of Terragni’s architectural canons. It remains the only built project that is neither a casa del fascio, nor a tomb or residential project. The Asilo remains a building largely ignored by both the academy and the architecture profession. However, this humble yet monumental building holds within it a culmination of the lessons and ideas of one of the modern architectural masters of the twentieth century. Careful analysis of this building reveals moments where architecture and meaning come together with both subtlety and consequence. [...] This building represents an unadulterated intellectual exercise where construction, technique, and art are held in careful balance. Marcello Piacentini, the most powerful and influential of all the Italian Fascist architects, known best for the Palazzo di Giustizia in Milan and La Sapienza University of Rome, proposed dividing the built environment into one of two types. The first type is clothed in ‘underwear’, referring to its need for rationalism and structure, and the other clothed in ‘evening dress’, based on primarily the use of sumptuous materiality. Terragni’s Asilo maintains its own category, clothed in a simple white pinafore, a child’s smock, similar to those once worn by the very students who have occupied its halls. This nursery school still appears as decidedly modern and relevant as the day it was completed. What Others Say About the Book: In Rationalism and Poetry we finally get an update to the voluminous Schumacher works [from the early 1990s] and, this time, rendered from an architect’s perspective. Where Schumacher conducted a historian’s reconstruction, Andrews draws for us an architect’s analysis. He minutely examines, and often diagrams, the corpus of each building—not in relationship to history but relative to the bodies of other buildings both historic and contemporary. In this concise volume, each chapter becomes a frame for considering one aspect of Terragni’s enigmatic design. Robert Miller, Tucson As pointed out by Igor Stravinsky, in the first page of his book Poetics of Music, “poetic” is a word related to the concept of “making”, of “doing”. Brian Andrews [...] uses the tool of drawing to dissect the Asilo Sant’Elia, unveiling the compositional principles, the design strategies and the hidden geometries, recognizing the parts and elements, exposing the mechanisms of this particular “machine for teaching and learning”. At the same time the author’s reflections on the urban issues [...], Terragni’s proximity to the world of art (Radice, of course, and the other members of the “Astrattismo Comasco” movement, with a fertile cross-pollination between painting and architecture), the reference to the Italian architectural tradition (Michelangelo, the reinterpretation of classical architectural themes), complete Andrews’ lively and affectionate portrait of Terragni, an architect who preferred to make architecture (with a strong and personal poetic), instead of being a theoretician. Patrizio M. Martinelli, Oxford, Ohio

Rationalism and Poetry: Giuseppe Terragni's Asilo D'Infanzia Sant'Elia

Arts & Photography

Andrews, Brian Delford

Architecture

The drawing has always been our most essential method of communication. Drawings have offered us both a glimpse into the past and a view to the future. As a vehicle of transferring ideas, it is without equal. As the computer gains ground in our society, the drawing and the ability to execute it are diminishing. Many architectural educators continue to extol the virtues of the drawing and the sketch; however, students seem to not comprehend the value and the didactic nature of this fundamental act.The availability of paper during the Renaissance, ushered in a power, recognition and acceptability of the drawing. Suddenly an architect or artist could sketch an idea and the concept could be communicated to others far afield. This phenomenon has remained unchanged for hundreds of years. It lingers today; however, it increasingly is seldomly used. Sketches today are seen more as trophies of the past. Designers often create the sketches after the design is finished, as a nod to the past and as proof of their all too false process.Over the last thirty-five years, Andrews has discovered some interesting and disturbing things about the act of drawing. One should understand the nuances of the both the process and the product. It is a tremendously time-consuming action that offers no easy answers. One should both comprehend and value the end product. One should take possession of the project through the medium of the drawing and know it intimately by constructing it through that process. There are times when the act is accompanied by a sensation that is almost audible. This perception is brought on only by this particular type of toil. The drawing must become part of you.

Vervm Fictvm: Architectural Delineation and Speculation, 1984-2020

Brian Delford Andrews

A Handbook for Experience-Driven Sauna DesignFor Builders of Rustic Sauna Cabins and Designers of Contemporary Apartment SaunasAre you planning a new sauna, renovating an old one, or just dreaming? Do yourself a favor. Save your sauna project and read this wonderfully illustrated book about the design of authentic Finnish saunas!New research has identified Finnish sauna bathing as a source of numerous health benefits. To enjoy these effects, one needs a proper Finnish sauna. This book presents the collective wisdom accumulated by Finnish sauna builders, designers, and researchers across centuries, enabling anyone, anywhere, to design a pleasant bath house for family and friend to enjoy. This book provides answers to three major questions:What is a Finnish sauna?What you should require from its design?How to design a Finnish sauna in detail? The book covers all aspects needed to design a functional, healthy, and delightful sauna, from heating and air quality to interior design. It instructs the reader how to master both tangible and intangible, visible and invisible elements of a sauna. The book puts a special emphasis on the sauna experience, living up to the belief that short-term satisfaction is the first step towards long-term health benefits. It features examples of contemporary Finnish sauna design and outlines why a true sauna experience is so much more than merely 'a hot room'.Author Dr. Lassi A Liikkanen (Aalto University) is a designer and scholar. The book is based on five years of intensive research and interviews of key Finnish sauna experts. For his sauna-focused website at Saunologia.fi, he has authored over two hundred articles. His academic accomplishments include nearly one hundred peer-reviewed papers, the latest of those around sauna bathing!Lassi Liikkanen knows good sauna design. He also knows how critical good design is to enjoying the authentic Finnish bathing experience. I enthusiastically support this effort to share his special knowledge and sauna wisdom with the world. Mikkel Aaland, author of Sweat, and host of the documentary series, Perfect Sweat.

The Secrets of Finnish Sauna Design

Liikkanen, Lassi A.

Dream House on the prairie

Osterberg, Arvid

The Secrets of Finnish Sauna Design: A Handbook for Holistic Finnish Sauna Design

Health, Fitness & Dieting

See the best price to sell, buy or rent books by the Culicidae Architectural Press publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Culicidae Architectural Press

See the best price to sell, buy or rent books by the Culicidae Architectural Press publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Perspective Drawing: The Projected Image Method

Walkscapes: walking as an aesthetic practice

Walkscapes

Naegele's Guide to the Only Good Architecture in Iowa

Rationalism and Poetry: Giuseppe Terragni's Asilo D'Infanzia Sant'Elia

Vervm Fictvm: Architectural Delineation and Speculation, 1984-2020

The Secrets of Finnish Sauna Design

Vervm Fictvm: Architectural Delineation and Speculation, 1984-2020

Dream House on the prairie

The Secrets of Finnish Sauna Design: A Handbook for Holistic Finnish Sauna Design