Jan Dale presents here the viewpoint that humankind is on the threshold of still another step forward in parenting, religion and global safety due to the breakthrough that scientific psychology has brought to the world in this past century. He demonstrates in a warm and funny way how family life can produce happy and emotionally healthy children. He says healthy families produce good people who no longer fit the notion of humankind as depraved and evil. He postulates that our definitions of God throughout history have paralleled our parenting styles and that more positive parenting can result in new more positive definitions of God. Such positive definitions of God can help reduce religious conflict in the world. He goes on to show that healthier, happier people and more positive views of God can better humankind’s chances for survival in the world political arena. He presents here a delightful, humorous and touching portrayal of how good life can be in all its stages. In this book he gives you skills that you can use in your growing family. Dr. Jan Dale has spent his career helping mentally unhealthy people be able to cope and realize some happiness, and he has spent his career helping normal people become happier and more fulfilled. This book is about the latter, namely how normal people can be happy and fulfilled throughout their entire lives. This is a heartwarming story that gives a feeling of great possibilities ahead for humankind.

One Giant Psychological Leap For Humankind: A Future of Healthy Kids, Healthy Adults, Healthy Religions, and Healthy Countries

Health, Fitness & Dieting

polytekton

Dale, Jan

Aging

Family Success Press

A witty, haunting tale of family and friendship, regret and redemption, set on a remote Wyoming cattle ranch in the dead of winter. The White Creek Ranch has been in Hap Cobb’s family for over a century and a half, but Hap is now eighty-two, and the last surviving member of his family. Tart-tongued, moody, and all too often “a miserable old fart” (in the words of his long-suffering ranch hand and closest friend, Aaron Littlefield), Hap has no rival as a home cook, owns the best-stocked private library in the state, and prides himself on his “God-given ability” to exasperate everyone he meets. The enormous ranch house he inherited long ago from his grandfather stands mostly empty these days, save for Hap and Aaron, and while their life together is both busy and comfortable, Hap often loses himself in his past, knowing he has little future left. When a sudden blizzard hits one January evening, however, and Aaron opens the door to a young woman and a teenaged boy seeking shelter from the storm, everything Hap thought he knew about the world begins to shift. With these two unlooked-for houseguests, the White Creek Ranch soon becomes a wellspring of mystery and possibility, and will never be the same again. A story of magical realism in the tradition of Gabriel Garcia Marquez and John Crowley.

White Creek: A Fable

Yates, Bart

Literature & Fiction

Culicidae Press

In Walkscapes Francesco Careri explores the act of walking, taking a deeper look at three important moments of passage in art history—all absolutely familiar to historians—in which an experience linked to walking represented a turning point. These are the passages from Dada to Surrealism (1921-1924), from the Lettrist International to the Situationist International (1956-1957), and from Minimal Art to Land Art (1966-1967). By analyzing these episodes we simultaneously obtain a history of the roamed city that goes from the banal city of Dada to the entropic city of Robert Smithson, passing through the unconscious and oneiric city of the Surrealists and the playful and nomadic city of the Situationists. What the rovings of the artists discover is a liquid city, an amniotic fluid where the spaces of the elsewhere take spontaneous form, an urban archipelago in which to navigate by drifting. A city in which the spaces of staying are the islands in the great sea formed by the space of going. Fundamentally, for Careri, the act of walking—although it does not constitute a physical construction of a space—implies a transformation of a place and its meanings. The mere physical presence of humans in an unmapped space, as well as the variations of perceptions they register while crossing it, already constitute forms of transformation of the landscape that—without leaving tangible signs—culturally modify the meaning of space and therefor the space itself. From the Introduction by Gilles A. Tiberghien In Walkscapes, Francesco Careri does more than write a book on walking considered as a critical tool, an obvious way of looking at landscape, and as a form of emergence of a certain kind of art and architecture. [...H]e offers us a rereading of the history of art in terms of the practice of walking (such as he conceives of it), from the erection of the menhirs, through Egypt and Ancient Greece, up to the protagonists of Land Art. [...] The idea suffusing the book as a whole, and which the author convincingly describes [...] is that walking has always generated architecture and landscape, and that this practice, all but totally forgotten by architects themselves, has been reactivated by poets, philosophers and artists capable of seeing precisely what is not there, in order to make ‘something’ be there. [...] Such an enterprise has a genuine ‘political’ stake—in the primal sense of the word—a way of keeping art, urbanism and the social project at an equal, and sufficient, distance from each other in order to effectively illuminate these empty spaces we have such need of to live well. From the Foreword by Christopher Flynn Careri traces a genealogy of walking across the twentieth century here, but the aggregate does more than that. This is a smart book, and more importantly, a useful one for those interested in what it means to walk through the banal cityscapes and suburbs of a world whose relationship to urbanism is once more in the midst of radical change.

Walkscapes: walking as an aesthetic practice

Careri, Francesco

Travel

Culicidae Architectural Press

I Remembered chronicles my experience—at age forty-nine—when I recalled the sexual abuse by my father as a young girl. Through my journal entries, represented here verbatim, I share my journey to heal from the aftermath of this profound awakening. My story is one of survival. It follows the course of the first year of healing—from my psychotic break and diagnosis of PTSD and paranoia, through the flashbacks and memories, my disclosure to family, working through the grief process, and finally to acceptance and forgiveness. My story is one of survival and hope—one that will interest fellow survivors of sexual abuse, loved ones who want to help them, the recovery community, and those with a general interest in this subject. Silence and shame are hallmarks of sexual abuse and my story lends a personal voice to what survivors experience in their struggle to heal. I read several books on the subject of healing from sexual abuse, and I could not find one like this which shares what it is like to work through this overwhelming process. My story is raw and unflinching, and my purpose in sharing it is to lend hope and help to other survivors.

I Remembered: Recovering from Childhood Sexual Abuse

Parenting & Relationships

Friday, Kristene E.

Family Relationships

The book is the story of a young American girl living in South Africa during the early years of apartheid (1948-1960). One of six children of a Swedenborgian minister who was sent to South Africa to establish a theological school for Africans, the author reaches back into this unique time and place in an effort to rediscover the culture that influenced her own adult attitudes. Rather than following a strictly chronological format, the story is laid out in a series of verbal snapshots, supported by photographs. Family life, experienced through the eyes of a child living in a complex environment, contrasts with the lives of those who were impacted by the institutionalized racism of apartheid. Examples of the Acts of apartheid at the end of each chapter include news articles, interviews, and commentary. Deep childhood fears of some unnamed threat are represented by home invasions, wildfires, and the cry of a hyena in the mountains. The mountains are dangerous, they present a great barrier, but they can be conquered. After returning permanently to America as a teenager—through a confusing and sometimes painful process of discussion and observation—the author uncovers those artifacts of the past that inform her place in the world today. Review of "In the Shadow of the Dragon's Back" Apartheid was the “Dragon’s Shadow,” a dragon dedicated to devouring the people in its path to establish and maintain its power. No matter how carefully parents tried to shield their children from the shadowy tentacles, they could not completely hide the effects of the growing series of draconian laws underpinning the policies of white supremacy. Nor could they protect them from the results among the increasingly oppressed people around them, from the disparity between the white beneficiaries of the laws, and the black victims hidden in the dragon’s shadow. [...] Every dragon needs a St. George to slay it, a voice for the voiceless. It is a great relief, in reading descriptions of the various Apartheid laws—the shadow itself—to see flickers of light of those who stand opposed to Apartheid: the light of Nelson Mandela and his colleagues, the Black Sash, the English press, those who were banned for speaking out. [...] “In the Shadow of the Dragon’s Back” deftly places these two realities side by side: the innocence of childhood and the creeping force of Apartheid, forces inimical to each other, existing in the same place at the same time. [...] Andrew M.T. Dibb, M.Div., D.Th. Dean, Bryn Athyn College of the New Church Theological School Bryn Athyn, Pennsylvania ...a complex and engaging work that places the reader squarely inside both worlds with neither judgment nor regret. Naomi Benaron, author of Running the Rift and winner of the Bellwether Prize for Fiction [Longstaff’s] memories and musings show that the light of social justice burns brightest in the tall shadows of oppression. Professor Archie Dick, Ph.D., Head of Department of Information Science University of Pretoria, South Africa

In the Shadow of the Dragon's Back: A Young American Girl in South Africa During the Early Years of Apartheid

Biographies & Memoirs

Longstaff, Rachel Odhner

Community & Culture

Secrets Of Finnish Sauna Design

Lassi A. Liikkanen

Mikesch Muecke

Gavan Smith

This book is written to help both current runners-and those who want to become a runner-learn how to run more smoothly, more efficiently, and for longer periods of time without injury. We wanted to get rid of the painful early sessions that go with learning to run the traditional way (I used to hate running when I first started). We feel there is no need to "pound the pavement" or feel all beat up after a run (muscle soreness and hard work are OK, feeling beat up is not). Here is what we are going to cover in this book: 1. Screening for Potential Injuries Before You Start 2. Biomechanics: learning good technique always beats "getting stronger". This is the main argument of the book. 3. The Key Points that make up the Grab'N'Go system: - Five parts of running: - Symmetry of arms and legs; - Posture for ergonomics-this is important. - Master these areas before putting more time into anything else. It may take a bit longer to learn but pays off in the long run (pun intended). - We include the appropriate strength and coordination drills for each section, as you need a certain level of strength in order to perform each technique correctly. 4. Build the Machine 5. Speed or Distance? This seems to be the big conundrum for runners. I know I used to think that it was an either/or choice. You were either a distance runner or "one of the speed guys". I now realize that this is no longer true. With a little planning it is possible to work on both parameters as they each have their own benefits. Below we discuss how these very different goals can be merged. 6. Common Injuries and Simple Remedies: none of us like going to the doctor. Every runner at some point or another will experience these, just like falling down and scraping your knee when you learned to ride a bike.

Run Better, Run Faster: Using a Biomechanical Approach

Sports & Outdoors

Kieklak, Herb

Individual Sports

Culicidae Press, LLC

A collection of color photographs that show mobile people in static spaces (museums). The book contains more than 300 images of people and art intersecting formally and informally in museum spaces around the world. Many of the blurred images create impromptu relationships between the museum visitors and the art work. The title of the book acknowledges the single instance of the word in the first chapter of James Joyce's Finnegans Wake, and it is also a reference to Jennifer Bloomer's Assemblage 5 article "In the Museyroom"—a literary journey into John Soane's own house museum, referenced obliquely, like everything else in Joyce's work—that was published in 1988.

Museyrooms: Intersections of People and Art in Museums

Arts & Photography

Muecke, Mikesch W

Collections, Catalogs & Exhibitions

Obvious Press

In music-instrument language a bridge usually refers to the part of the violin that supports the strings and transfers its vibrations to the instrument’s body. It conducts the sound as well as the music produced by the player. In a wider sense, however, a bridge is a passage that connects two worlds—in this case the world of the violin and the world of the fiddle.

The Bridge: Connecting Violin and Fiddle Worlds

Pronker-Coron, Annemieke

Music

From the author of Discovering the Body, ("...a book so sure-handed and graceful that you might forget it's a murder mystery..." New York Times Book Review) comes a suspenseful story of doubt, delusion and fierce loyalty.Linda Garbo's good friend Esther, a voice actress, has a remarkable flair for accents and dialects, and for creating vivid characters on her local radio show Willing Suspension. Esther has schizophrenia, which for years has been controlled so well that only close friends and family have been aware of her occasional psychotic breaks. But as the story opens, the usually warm and witty Esther is behaving strangely in public; on her live show she maintains character and dialect, but wanders alarmingly off plot.When Esther's two-month-old granddaughter Gracie is abducted, it is clear that Esther, suffering the effects of her illness, was responsible. She even confesses to the crime. But what about the baby's mother Annie, who suffers from post-partum depression and has struggled to bond with Gracie? Or the stranger, wearing a shirt with a flying-horse design, whose appearance during Gracie's baptism sent Esther into a rage, driving the "girl with wings" from the church? Evidence confirms Esther as the kidnapper, but blinded by loyalty to her friend, Linda stubbornly insists on trying to prove Esther's innocence and discovers a complication of Esther's madness--while exposing treachery and a motive--that is more evil than anyone expected.

The Girl with Wings

Mystery, Thriller & Suspense

HOWARD, Mary

Mystery

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