Etchings

FREUD, Lucian

Bernard Jacobson Gallery

British painter Peter Lanyon transformed the art of landscape, rescuing it from picturesque depictions of the English countryside and resituating it as an art form capable of expressing radical ideas. The old European tradition of landscape—mostly concerned with ownership and leisure and not the daily life of the working class—was of no interest to Lanyon. His work instead reframed the consequences of war and industrialization upon a rapidly changing coastal landscape. In Peter Lanyon, Andrew Causey sets out to explain just how this transformation occurred. Lanyon’s family resided in West Cornwall for generations, and Causey asserts that the artist’s concern with regional identity, along with his resistance to what he saw as a history of outsider exploitation of St. Ives and the surrounding areas, were integral to his art. Drawing on recent work by cultural geographers, anthropologists, and archeologists, Causey makes sense of Lanyon’s relationship to the landscape and the pre-capitalist economy of his region. Provocative and insightful, Peter Lanyon is a thoroughly illuminating examination of the modern life of a landscape artist.

Peter Lanyon

Arts & Photography

Causey, Andrew

History & Criticism

Shirley Kaneda

William Tillyer

Ostrow, Saul

Published on the occasion of the exhibition on 11th October to 26 November 2011 at Bernard Jacobson Gallery

Robert Motherwell: Works on Paper (BERNARD JACOBSO)

Cornish, Sam

Individual Artists

Ben Nicholson (1894–1982) is a pioneer of abstract art in Britain. An equal if younger colleague of Mondrian, he carved reliefs in an austere geometric style, working toward a pure abstraction that culminated in his celebrated White Reliefs. These works placed Nicholson as a leader of the Constructivist movement in London during the 1930s and 1940s. It was during the 1950s that Nicholson achieved real fame; his paintings of this period owe much to older art, particularly the works of the early Italian Renaissance painters such as Giotto and Piero della Francesca. After being commissioned to make a mural for the Festival of Britain in 1951, he had his first retrospective outside Britain at the Detroit Institute of Art in 1952. Retrospectives at the Tate and a first prize at the São Paulo Biennale followed. This volume offers a concise survey of his career.

Ben Nicholson: Intuition and Order

Kurt Schwitters: Artist Philosopher is published to accompany an exhibition at Bernard Jacobson Gallery, London. In his essay Mel Gooding focuses on what Kurt Schwitters is most famous for―the abstract collages that he began to make in the winter of 1918/19 using found and everyday objects such as labels, bus tickets, fabric and bits of broken wood. They were born out of his feeling that, after the war, "Everything had broken down and new things had to be made out of the fragments; and this is Merz." Schwitters' undogmatic and nonelitist art, by elevating the rejected, the discarded and the useless to fine art, inspired such postwar pioneers as Jasper Johns, Robert Rauschenberg, Eduardo Paolozzi, Richard Hamilton and Joseph Beuys, and he is now seen as the grandfather of many post-1945 art movements, from Pop art to Conceptual, installation and performance art.

Kurt Schwitters: Artist Philosopher (BERNARD JACOBSO)

Gooding, Mel

A number of Robert Motherwell’s most important early works were collage-paintings, beginning with his first effort in the spring of 1943, “Pierrot’s Hat,” made while working alongside Jackson Pollock in the latter’s studio. “I took to collage like a duck to water,” Motherwell later reflected, and he continued to “play with papers” for the rest of his life, esteeming his skill in the medium as one of his “chief gifts.” Collage also helped the artist reconcile his relationship to European modernism (particularly Surrealism) on the one hand, and American Abstract Expressionism on the other. Reproducing a concise selection of collages from throughout the artist’s career in full color, this volume also includes a series of “case studies” on individual collages and broader essays by critic Mel Gooding that examine their composition, palette and literary allusions, and Motherwell’s unique position bridging Surrealism and Abstract Expressionism.

Robert Motherwell: Collage (BERNARD JACOBSO)

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Books by Bernard Jacobson Gallery