Sculpture Since 1945 (Oxford History of Art)

Since 1945 the modern revolution in sculpture has gathered pace, and even the term sculpture has ceased to be the fixed category it once was. In Sculpture Since 1945, Andrew Causey provides a ground-breaking account of the development of post-War sculpture. In over 130 beautiful illustrations, Causey examines innovative and avant-garde works in relation to contemporary events, festivals, commissions, the marketplace, and the changing functions of museums. He also explores the use of everyday objects and the importance of sculptural context, discussing figurative and non-figurative works, Anti-form, Minimalism, experimental form, Earth art, landscape sculpture, installation, and performance art. A final chapter brings the discussion of sculpture right up to the present day by examining sculpture since 1980. The holistic picture of post-War sculpture which emerges in Sculpture Since 1945 establishes for the first time key events and themes around which future debate will center.

Sculpture since 1945 (Oxford History of Art)

Arts & Photography

Causey, Andrew

History & Criticism

Oxford University Press

Since 1945 the modern revolution in sculpture has gathered pace, and even the term sculpture has ceased to be the fixed category it once was. In Sculpture Since 1945, Andrew Causey provides a ground-breaking account of the development of post-War sculpture. In over 130 beautiful illustrations, Causey examines innovative and avant-garde works in relation to contemporary events, festivals, commissions, the marketplace, and the changing functions of museums. He also explores the use of everyday objects and the importance of sculptural context, discussing figurative and non-figurative works, Anti-form, Minimalism, experimental form, Earth art, landscape sculpture, installation, and performance art. A final chapter brings the discussion of sculpture right up to the present day by examining sculpture since 1980. The holistic picture of post-War sculpture which emerges in Sculpture Since 1945 establishes for the first time key events and themes around which future debate will center.

Based on the first complete study of Nash's personal papers in the Tate Gallery Archive, this study of the artist's development relates the pictures to contemporary development in British and Continental painting, and points to the existence of extensive autobiographical references in his work.

Paul Nash

Hard Bargaining in Sumatra: Western Travelers and Toba Bataks in the Marketplace of Souvenirs (Southeast Asia)

Hard Bargaining in Sumatra is an artfully written and penetrating examination of interactions between Western travelers and Toba Batak wood carvers in the souvenir marketplaces of Samosir Island, North Sumatra. Toba Batak carvings, ranging from simple human figures of wood to elaborately engraved water buffalo horns, are described in tourist guidebooks and by Toba Batak vendors alike as "traditional" and "antique," despite many recent changes and inventions in form. This pathbreaking work investigates how notions of place and self are constructed by the travelers and the Bataks in the context of ethnic tourism. The author proposes that these interactions be understood in light of Louis Marin's concept of utopics, suggesting that tourist venues such as hotels and marketplaces are neutral spaces where both locals and visitors can act out behaviors that would ordinarily be constrained by their respective cultures. The transformation of Toba Batak woodcarving is one result of such marketplace interactions. The Western tourist's desire for traditional art has encouraged Batak carvers to continue to make objects based on forms developed by their animist predecessors, the majority of whom converted to Christianity at the turn of the century. Toba Batak carving style, however, is far from static; artisans create innovative pieces that they frame within the same historically legitimizing narratives used for "traditional" objects. Tourists, seeking proof of their travels in representative icons of place, purchase both innovative and traditional forms, largely unaware of the difference. 
Rich in ethnographic description and employing a lively narrative style, Hard Bargaining in Sumatra is essential reading for students and scholars with interests in anthropology, cultural studies, globalization and tourism research, art history, and identity studies.

Business & Money

International

Univ of Hawaii Pr

Hard Bargaining in Sumatra is an artfully written and penetrating examination of interactions between Western travelers and Toba Batak wood carvers in the souvenir marketplaces of Samosir Island, North Sumatra. Toba Batak carvings, ranging from simple human figures of wood to elaborately engraved water buffalo horns, are described in tourist guidebooks and by Toba Batak vendors alike as traditional and antique, despite many recent changes and inventions in form. This pathbreaking work investigates how notions of place and self are constructed by the travelers and the Bataks in the context of ethnic tourism. The author proposes that these interactions be understood in light of Louis Marin's concept of utopics, suggesting that tourist venues such as hotels and marketplaces are neutral spaces where both locals and visitors can act out behaviors that would ordinarily be constrained by their respective cultures. Rich in ethnographic description and employing a lively narrative style, Hard Bargaining in Sumatra is essential reading for students and scholars with interests in anthropology, cultural studies, globalization and tourism research, art history, and identity studies.

Economics

In this meditation/how-to guide on drawing as an ethnographic method, Andrew Causey offers insights, inspiration, practical techniques, and encouragement for social scientists interested in exploring drawing as a way of translating what they "see" during their research.

Drawn to See: Drawing as an Ethnographic Method

Drawing

University of Toronto Press

In this meditation/how-to guide on drawing as an ethnographic method, Andrew Causey offers insights, inspiration, practical techniques, and encouragement for social scientists interested in exploring drawing as a way of translating what they "see" during their research.

University of Toronto Press, Higher Education Division

Henry Moore's Shelter Drawings are universally recognised as a key element of his oeuvre. However, these drawings should not be seen in isolation: this volume provides a highly readable account of the development of Moore's work as a draughtsman so providing a well-rounded discussion of this significant aspect of his artistic output. In 1953 Moore wrote, 'there is a general idea that sculptors' drawings should be diagrammatic studies, without any sense of background behind the object or of any atmosphere around it. 'And yet the sculptor is as much concerned with space as the painter'. This statement gains resonance in the pages of this book - it becomes clear that Moore's drawing often ran ahead of his sculpture and that at certain points he was exercising an almost parallel career exploring essentially pictorial ideas that were difficult or even impossible to realise in sculpture. Including a wealth of colour reproductions, "The Drawings of Henry Moore" balances first-class imagery with discussion of a range of fascinating themes such as the relationship between the sculptural and the pictorial and Moore's engagement with Surrealism and British Neo-Romanticism. For both scholars and enthusiasts, it is an essential resource.

The Drawings of Henry Moore

Lund Humphries

Paul Nash (1889-1946) created an individual pathway through English art in the first half of the 20th century, shaping a body of work that recognised the importance of the modern movement and stimulated him to evolve his own English landscape-based Surrealism. Within a narrative that is both chronological and thematic, Andrew Causey, the leading authority on Paul Nash, teases out the character of Nash's vision and unravels his personal mythology.

Paul Nash: Landscape and the Life of Objects

Stanley Spencer (1891-1959) explored fundamental issues of life with an urgency and persistence unique among British artists of his generation. His art comments on religion, love, sexuality, fraternity and community. Charting the trajectory of Spencer's painting career in depth, this original publication provides a comprehensive analysis of the artist's oeuvre. Central to understanding Spencer's work is the man himself - deeply subjective, his paintings reflect the ideas and beliefs that motivated him. While he had less emotional attachment with his landscapes, he viewed each figure painting as constituent of a body of work which, viewed as a whole, was representative of his personal and professional evolution. Examining critically the artist's key works from all periods, Andrew Causey places Spencer's art within the wider context of the spiritual, social and even, exceptionally, political values that underpin his work and make him such an outstanding painter. While strong emphasis is placed on Spencer's 'visionary' paintings of the 1910s and1920s and the important crowd scenes and portraiture of the 1930s, Stanley Spencer gives due attention to the works produced later in the artist's career. The result is a well-rounded, original analysis of one of Britain's greatest painters that will enhance the libraries of general and specialist readers alike.

Stanley Spencer: Art as a Mirror of Himself

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Books by Causey, Andrew

See the best price to sell, buy, or rent books by Causey, Andrew. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Sculpture since 1945 (Oxford History of Art)

Sculpture Since 1945 (Oxford History of Art)

Paul Nash

Hard Bargaining in Sumatra: Western Travelers and Toba Bataks in the Marketplace of Souvenirs (Southeast Asia)

Hard Bargaining in Sumatra: Western Travelers and Toba Bataks in the Marketplace of Souvenirs (Southeast Asia)

Drawn to See: Drawing as an Ethnographic Method

Drawn to See: Drawing as an Ethnographic Method

The Drawings of Henry Moore

Paul Nash: Landscape and the Life of Objects

Stanley Spencer: Art as a Mirror of Himself