Using only dialogue as its narrative technique, Luis Zapata recounts the story of his protagonist Santiago, a middle-aged businessman hopelessly in love with Arturo, a 19-year-old teenager, who is the son of Sarita, his best friend.  Through skillful and entertaining dialogues during their courtship, which continue once the conquest is achieved, the novel reflects the deep generational chasm between the characters.  Santiago is the completely dedicated representative of that mythical first generation of gringos born in Mexico--but in a gay version--who cultivates values and pursues goals in life and who believes in the middle-class version of national progress through personal and individual commitment.  Arturo, on the other hand, is the typical postmodern teenager: pragmatic, addicted to working out, hedonistic, vain to the point of being narcissistic, cynical to the point of being cruel, and materialistic to the point of accepting money as the only God.  The personalities of each character are in stark contrast.  Arturo is gossipy, smooth-tongued, biting in his commentaries, and as Santiago says to him: "too intelligent and very mature for his age."  Santiago is jealous and obsessive, as insecure as an adolescent, and already deeply worried about the imminent arrival of old age and the loss of being physically attractive to others.  Santiago is politically correct almost all the time.  While Arturo says "balls," Santiago says "testicles."  Arturo enjoys talking about sex, while for Santiago "it's not good to talk about those things" although in the moment of passion his language becomes less conventional. In spite of the seductive physical attributes of Arturo, for Santiago sex is no longer everything, and it is because of this that he believes he sees in the young man the ideal candidate to receive his love.  Arturo, for his part, convinced of the worth of his body as a means to obtain money and frustrated at the few material possessions that his mother allows him to have, decides to explore a possible relationship with Santiago to the fullest extent even though to do so may mean that he will have to alternate between the role of a "trophy husband" and that of a bored "house husband."  Because of its formal structure and theme, The Strongest Passion could be classified as a psychological novel because it permits the full exploration of the subjectivity of the characters through language.  Whether what is said occurs during telephone conversations or in face to face meetings, the reader is a witness to the constant dialogue between Santiago and Arturo.  Zapata demonstrates his mastery of this technique, which will serve as a multifaceted recourse to develop a complex portrait of the characters and reflect their entire objective and subjective world.  Thus, through every day discourse, the characters are defined by what they say and the way they say it as well as by what they do not say. Thus, in The Strongest Passion, Zapata shows us that if indeed there are "women who love too much," there are also "homosexuals who love too much."  As Santiago realizes the impossibility of a reciprocal love, the reader experiences the process of an existential adaptation and the deconstruction of Santiago's discourse on love.  When Santiago realizes how his life must be, he gladly accepts his fate: during his life he has played, plays and will continue to play the role of the fool.  Nevertheless, far from being worried by it, he accepts such a role as a sign of identity that will give him the desired peace and the tranquility of knowing who he is in life.

The Strongest Passion

Literature & Fiction

ZAPATA, LUIS

History & Criticism

Floricanto Pr

Adonis Garcia: A Picaresque Novel (English and Spanish Edition)

Bookpeople

Miscelanea de Zapata... (Spanish Edition)

History

Nabu Press

El vampiro de la colonia Roma / The vampire of the Roma neighborhood: Las aventuras, desventuras y suenos de Adonis Garcia / The Adventures, Misadventures and Dreams of Adonis Garcia (Spanish Edition)

Genre Fiction

Debolsillo Mexico

VAMPIRO DE LA COLONIA ROMA, EL

Debolsillo]

Con R de reality / R Stands for Reality (Spanish Edition)

Humor & Entertainment

Humor

Literatura Random House

<p>Antologia tematica de cuentos espanoles y hispanoamericanos en torno a la medicina y los medicos. Incluye a Francisco Ayala, Mario Benedetti, Alfredo Bryce Echenique, Julio Cortazar, Carlos Chernov, Poly Delano, Carlos Franz, Jesus Fernandez Santos, Pedro Christian Garcia Bunuel, Salvador Garmendia, Hipolito Gonzalez Navarro, Jose Jimenez Lozano, Javier Marias, Marina Mayoral, David Miklos, Juan Carlos Onetti, Antonio Pereira, Ana Maria Shua, Luis Zapata</p>

Historias médicas: ¿Qué me pasa doctor? (Spanish Edition)

Jiménez Lozano, José

Ayala, Francisco

MARÍAS,JAVIER

Mayoral, Marina

CORTAZAR,JULIO

Shua, Ana María

BENEDETTI,MARIO

Bryce-Echenique, Alfredo

Fernández Santos, Jesús

Garmendia, Salvador

ONETTI,JUAN CARLOS

Chernov, Carlos

Paletta, Viviana

Sáez de Ibarra, Javier

Pereira, Antonio

Délano, Poly

Franz, Carlos

González Navarro, Hipólito

García Buñuel, Pedro Christian

Miklos, David

Short Stories & Anthologies

Páginas de Espuma

Por qué mejor no nos vamos? (Spanish Edition)

World Literature

CAL Y ARENA

La más fuerte pasión (El día siguiente) (Spanish Edition)

Océano.

<p>EL TEMA DE ESTE LIBRO TRATA SOBRE SOBRE VARIOS ASPECTOS DE LA VIDA DE LA CIUDAD DE MÉXICO EN DETERMINADA ÉPOCA COMO: LA ADOLESCENCIA PREMATURA, LA HOMOSEXUALIDAD, LA PRESIÓN SOCIAL, LA PROSTITUCIÓN, LA ENFERMEDAD Y EL HASTÍO, QUE SON LAS ETAPAS DE LA VIDA DE ESTE VAMPIRO URBANO.</p>

El Vampiro De La Colonia Roma

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